Unable to convince the ruling council of Krypton that their world will destroy itself soon, scientist Jor-El takes drastic measures to preserve the Kryptonian race: He sends his infant son Kal-El to Earth. There, gaining great powers under Earth's yellow sun, he will become a champion of truth and justice. Raised by the Kents, an elderly farm couple, Clark Kent learns that his abilities must be used for good. The adult Clark travels to Metropolis, where he becomes a mild-mannered reporter for the Daily Planet...and a caped wonder whose amazing feats stun the city: Superman! Meanwhile, Lex Luthor, the world's greatest criminal mind, is plotting the greatest real estate swindle of all time. Can't even the Man of Steel stop this nefarious scheme? Written by
Gregory A. Sheets <email@example.com>
The "subway" train that runs over Detective Harry is not a subway train; it is a standard New Haven commuter train that is powered by an FL-9 dual mode diesel-electric/straight electric locomotive. Subway systems generally do not use diesel locomotives for revenue service, only for work trains so the 3rd rail can be deenergized. Due to the risk of pollution; they use electrical-powered train cars. Some commuter train routes do have trains traveling through extended tunnels like a subway normally would (such as in the Grand Central Station area of New York, where this scene was filmed) and these often use dual mode or straight electric locomotives and/or self propelled electric MU cars. See more »
In the decade of the 1930s, even the great city of Metropolis was not spared the ravages of the worldwide depression. In times of fear and confusion, the job of informing the public was the responsibility of the Daily Planet, a great metropolitan newspaper whose reputation for clarity and truth had become the symbol for hope in the city of Metropolis...
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Prior to the beginning of the film is a brief "dedicated to Geoffrey Unsworth" message (Unsworth was a cinematographer who died prior to the release.) See more »
We all have unique reasons for loving a film. That's what makes cinema so magical. It's personal. You can love the meat of the movie, or you can love the trimmings.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
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