Renouncing her "sinful" past, Emanuelle has entered a convent and has dedicated herself to a life of service. Enter Monika, the free-spirited, free-loving daughter of a wealthy Baron. ... See full summary »
Renouncing her "sinful" past, Emanuelle has entered a convent and has dedicated herself to a life of service. Enter Monika, the free-spirited, free-loving daughter of a wealthy Baron. Emanuelle is charged with keeping Monika in line, but when the young girl's wild ways bring back memories of her own sensual past, Emanuelle begins questioning her own religious and sexual identity. Advances from an escaped killer who is hiding in the convent serve to complicate matters further. Written by
Jonathan Ruskin <JonRuskin@aol.com>
There is a lot of variety in the Emanuelle series, and as such; a lot of strange and rather silly ideas; but having Laura Gemser dressed up as a nun and living in a convent is surely one of the silliest! I'd even go as far as to say that this plot could be considered blasphemous! Clearly, this film is just an attempt by director Giuseppe Vari to cash in on both the Emanuelle series and the nunsploitation wave in one fell swoop, and as is the case with a lot of the Emanuelle flicks; the only thing that really ties this film to the rest of the series is the lovely leading lady, Laura Gemser. Apparently, Emanuelle has decided to renounce her shady past and has taken up residency inside a convent. She is given the task of looking after the young and beautiful Monica; a girl who was dropped off at the convent by her wealthy father. However, it's not long before the young girl's outlook on life begins to rub off on the previously promiscuous "nun" and Emanuelle begins to question whether or not being a woman of God is actually a suitable career path...
In the context of the rest of the series, and considering that there is no explanation for Emanuelle's sudden change of attitude, it has to be said that the plot line featured in this film is absurdly ridiculous. However, the film clearly isn't meant to be looked at that way and as a stand alone nunsploitation flick; Sister Emanuelle is excellent, and by far my favourite of the ten or so Emanuelle flicks that I've seen. The film does represent a real change of pace for the series as for most of the film; Emanuelle is retracted to a nun's habit and doesn't feature in as many sex scenes as we're used to. That isn't a big problem, however, as this time Laura Gemser is joined by the beautiful Swiss actress Mónica Zanchi, who pretty much takes up the lead role. Unlike most Emanuelle films also, this one actually has a couple of themes going on; namely, the corruption of innocence, and judging by the ambiguous ending, there also seems to be something in there about how a person like Emanuelle is not going to be able to abandon what it is she stands for. Overall, this is a very good little film and comes highly recommended to both Emanuelle fans and exploitation fans in general!
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