Fontaine Khaled is the wife of a wealthy but boring businessman. She spends his money on her nightclub, the hobo, and partying. She hires a manager, Tony, to run her club, but it is ... See full summary »



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Cast overview, first billed only:
Oliver Tobias ...
Mark Burns ...
Doug Fisher ...
Ben Khaled
Tony Allyn ...
Emma Jacobs ...
Peter Lukas ...
Ian Thane
Lord Newton (as Constantin De Goguel)
Merlyn Ward ...
Peter (as Guy Ward)
Sarah Lawson ...
Anne Khaled
Franco De Rosa ...


Fontaine Khaled is the wife of a wealthy but boring businessman. She spends his money on her nightclub, the hobo, and partying. She hires a manager, Tony, to run her club, but it is understood that his job security is dependent on him satisfying her nymphomaniac demands. Tony loses interest in Fontaine, and turns his attention to her young step daughter, who uses him to get back at Fontaine for cheating on her father. Written by <>

Plot Summary | Add Synopsis


...satisfaction guaranteed


Drama | Romance


R | See all certifications »




Release Date:

28 September 1979 (USA)  »

Also Known As:

Žrebec  »

Filming Locations:


Box Office


$1,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


Actress Joan Collins and sister novelist-screenwriter Jackie Collins originally wanted Paul Michael Glaser of TV's Starsky and Hutch (1975) fame for the movie's central man "Stud" character of Toby Blake. Glaser was committed to this TV series and as such could not do this movie. This big part eventually went to Oliver Tobias who was known at the time from starring in TV's Luke's Kingdom (1976). See more »


Felicity Buirski (Deborah) calls herself "Felicity" several times in the dialogue. See more »


Followed by The Bitch (1979) See more »


Let's Go Disco
Music by Biddu
Lyrics by Don Black
Performed by The Real Thing
See more »

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User Reviews

The late 70s wasn't all punk
8 March 2011 | by (Whitehaven Cumbria) – See all my reviews

Far from it, ten times more people were into disco and this film is probably a better reflection of the late 70s than Jubilee, with its Britain is finished, let's celebrate all that's grotty and rotten about the country. After all, where would you rather be, in some smashed up slum in punk gear, or down some high class disco being seduced by Joan Collins, what we would nowadays call a classy MILF. I am sure millions who attended their local Roxy every Saturday imagined they were in Hobos and flocked to their local fleapit to see what proved to be Joan Collins comeback after such dross as Empire of the Ants. Also the soundtrack, about the best thing about The Stud, sold in huge numbers.

However, the film is complete schlock and little better than other soft porn of the period. It does have a sort of so bad it's good feel to it, but is a rather sleazy, dull film that has dated badly. I know as a seventies nostalgist I would watch it if it was on, if only for the music, but I would give The Stud one look and then put it back in its case as the acting is hammy and the plot is threadbare.

3 of 3 people found this review helpful.  Was this review helpful to you?

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