A timid bank teller anticipates a bank robbery and steals the money himself before the crook arrives. When the sadistic crook realizes he's been fooled, he tracks down the teller and engages him in a cat-and-mouse chase for the cash.
LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just ... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
After being released on parole, a burglar attempts to go straight, get a regular job, and just go by the rules. He soon finds himself back in jail at the hands of a power-hungry parole ... See full summary »
A college professor (George Segal) and an English divorcee (Glenda Jackson) meet and marry while on a vacation in France. When the bride returns home she finds life less than rosey as the ... See full summary »
A committee investigating TV's first uncensored network examines a typical day's programming, which includes shows, commercials, news programs, you name it. What they discover will surely ... See full summary »
Bradley R. Swirnoff
This is an imaginative plot, yet one with which the viewer can readily identify. A bank teller is held up at gun point in his bank. Luckily for him he receives a clue that this is going to occur and diverts most of the cash into his own safety deposit box, leaving only a nominal amount for the crook. The ruse works well, but for the fact that the crook resents the fact that he has been outsmarted. There ensues a terrific battle of wits involving the clever but basically "moral" teller, and the cunning and totally uninhibited bank robber, which involves several other people in ways which cannot be revealed here. Written by
Geoff Jamieson <GJamieso@vitgnos1.telecom.com.au>
The main location for this movie, shown in the opening shot, is the Toronto Eaton Centre. It was built shortly before the movie was shot. See more »
The bank robber flees and steals a car from someone that is tying a Christmas tree to the roof of it. The bank robber drives away, throwing the car owner on the wet pavement. But, before that, you can see that the seat of his pants are already wet, proving they did the stunt more than once. See more »
I saw this movie when it was in the theater originally. I remembered liking it a great deal and had looked for it for a long time. Although I remembered it as being excellent, I was 17 when I saw it originally, and probably drunk. I wasn't sure I would like it nearly as well when I was 47 and sober.
I was very pleasantly surprised. Eliot Gould doesn't work for me all that often. Seems like he is unbelievable/miscast in most roles. This role is perfect for him and he does a great job. The only thing wrong with Christopher Plumber (Plummer?? I can't spell) is that he hasn't really gotten that many good roles. He has a great role in "The Silent Partner" and he swings hard and connects fully. He is completely believable and his eerie character is highly memorable.
I can't think of many movies that I consider true "sleepers"-- movies that are vastly better than you would think given the lack of public attention or critical acclaim. "The Silent Partner" is on that short list. In a way it kind of reminds me of two other movies on my very short "sleeper" list-- "Blood Simple" and "Miller's Crossing." Tough to call any Coen Bros. movie a sleeper, but those got way, way less acclaim than they deserved. The Silent Partner has a similar kind of eerie intrigue to those movies. It is more similar to Blood Simple than Miller's Crossing. The plot and characters in Miller's Crossing were pushed to the point of hyperbole--and that line was kept the whole movie, but never crossed to the point of eroding the suspense. But, The Silent Partner displays many of the same virtues Blood Simple and Miller's Crossing have. It cracks into my top 50 movies. If you watch it on DVD, treat it like you are at the theater-- dark room, no interruptions, etc. It would be a waste not to.
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