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Perhaps cultural differences prevent understanding the significance and
excellence of this film.
The original title The 36th Chamber of Shaolin refers to San Te requesting from the Head Abbot of Shaolin permission to teach Shaolin martial skills to Han Chinese to give them the tools needed to fight the occupying Manchus of the Qing Dynasty (1644-1910) who were seen as outsiders. Chinese today still generally hate the Qing and wish that dynasty never happened, as their corruption and shortsightedness in the 20th Century was perceived to have weakened the country leading to some regions being colonized by many foreign powers at the time. Hong Kong was a colony taken by the British after humiliating the Chinese in a resounding defeat in the Opium Wars.
The fact that the Hong Kong film industry made films about rebellion should be understood within this context of Hong Kong as a British Colony. Master Lau is Cantonese (as was Wong Fei-hung), so has a particular closeness to the problematic colonial relationship with the occupying British. This is why I consider this film to be an interesting example of post colonial film.
This background is essential to understanding the significance of the statement made by Master Lau in this film. It is not "just a simple revenge tale" but the revenge is the moral and ethical response (in Chinese the technical/philosophical term is "righteousness" or in English best described as "justice") for the brutal murder of his classmates, ethics teacher, and his family. In the first part of the film, Master Killer (played by Master Lau's adopted brother, Liu Chia-hui, Master Lau's real brother plays the rebellious General Yin who fights with the ax) is studying Confucian ethics. After all their friends and family are ruthlessly slaughtered for participating in a revolt against the occupying Qing (Manchu) forces, Master Killer's friend laments that it was pointless to study ethics, as it was useless for them to save their loved ones and resist the Qings. "No," Master Killer replies, "ethics has taught us to be loyal (another Confucian term) to our loved ones, so we must get revenge. If either of us survive we MUST make it to Shaolin, learn martial arts, and get revenge!"
This political message is what makes this film more than just an arbitrary action film. In the West, actioners typically don't embed violence in such a bitter context. Here, the violence holds deep meaning within the context of foreign invasion and occupation. Here it is seen as the ethical action, which is how San Te responds to his first victim of revenge (where he meets Hung Xiguan) when his victim demands, "You can't kill me you're a monk!" To which San Te replies, "Even Buddha punished evil!"
Though HK cinema had just a fraction of the budget enjoyed by the glorified garbage of most Hollywood actioners, it makes up for in dangerous political messages, unparalleled martial arts mayhem, and real martial skills of the actors. The actors in these films (like Bollywood films where the actors have to display dancing skills) actually have to do something skillful on screen as opposed to just prancing around like primadonnas. If you think the acting is overdone, this results from HK cinema arising out of Peking Opera traditions (like Sammo Hung, Jackie Chan, Yuen Biao, and Corey Yuen came out of) which has a particular style of acting that has its own idiom.
Some background: This film is directed and choreographed by Master Lau (Liu Chia-liang or Lau Kar Leung). His father (and grandfather) were disciples of Butcher Wing (as depicted by Sammo Hung in The Magnificent Butcher), who was Wong Fei-hung's toughest disciple. Wong Fei-hung's style is Hung-gar, named for Hung Xiguan, (Donnie Yen plays him in the Hong Kong TV show released in the US on DVD as The Kungfu Master and Revenge of the Kungfu Master) the only disciple to survive the burning of the Shaolin Temple (there was more than one temple).
For this *legendary* story (these stories form a sort of oral history in martial arts circles, but may be doubted by Western historians, who specialize in rejecting oral histories such as the Hemmings' family oral histories of Thomas Jefferson's habitual raping of his wife's half sister, Sally Hemmings) a good movie to see is Heroes Two and its sequel Disciples of Death, starring Chen Kuan Tai (a real master of Monkey Kungfu) as Hung Xiguan and Alexander Fu Sheng (the kungfu genius who tragically died in an auto accident in his prime around 1984) as Fang Shiyu (aka Fong Sai-yuk, also played by Jet Li in two movies of the same name). This film is the beginning of all these movies as it shows the history that produced San Te the first Shaolin monk to teach outsiders.
I hope some of this history, background, and perspective will help viewers appreciate the greatness of this film. Other films Lau made or helped choreograph that I recommend is: The Deadly Duo, The Heroic Ones, Shaolin Mantis, Mad Monkey Kungfu, Executioners of Death, Heroes Two, its sequel: Disciples of Death, Five Masters of Death, Shaolin Martial Arts, Legendary Weapons of Kungfu, 8 Diagram Pole Fighters, Disciples of Master Killer (Master Killer III) 1984/5, Legend of Drunken Master (Drunken Master II), etc. Many of the movies he is involved with are worth watching, at least for their action even if sometimes the plot lines are a little weak.
This film has it all action, drama, good characters, great plot, and some of the best fight scenes put to celluloid. DON'T SLEEP ON THIS! Though I've literally seen thousands of the best films from all over the world of all different time periods, this one is one of my all-time favorites!! I hope you enjoy it even a fraction of how much I do!
Anyone familiar with the hip-hop super-group the Wu-Tang Clan knows
that "The 36th Chamber of Shaolin" (a.k.a. "Shaolin Master Killer"),
directed in 1978 by Liu Chia-Liang, is essential viewing for any
martial arts movie fan. This movie started the whole
arts-training-to-exact-vengeance" storyline that's been used so many
times in the martial arts movies since (i.e., the American "Karate Kid"
movies). In it, anti-Manchu patriot San Te (Gordon Liu) is a humble
country boy who is cast out of his village when Manchu soldiers (led by
the villainous Lo Lieh) slaughter his parents, orphaning him. He
manages to make it to the famous Shaolin Temple, where he is nursed
back to health by the monks living there, and soon undergoes a rigorous
and dangerous regiment of training to master the 35 "chambers" (styles)
of kung-fu. In seven years, he completes his training, mastering all 35
styles, invents a brand-new weapon (the three-section staff), and
suggests creating a 36th chamber - to spread kung-fu beyond the Shaolin
Temple's walls and bring it to the masses. The whole story is pretty
formulaic (what martial arts movie from the '70s doesn't have a
formulaic plot?), but what gets this movie going is its rousing
training sequences. These are not the run-of-the-mill stuff we're used
to seeing in these movies. San Te's quest to become a martial arts
warrior is a tortuous journey of self-actualization, a kind of virtue
commonly lacking in the genre; San Te actually becomes a better person
as a result of his experiences at the Shaolin Temple. Most grind-house
cinema aficionados love this movie (Wu-Tang Clan co-founder the RZA in
"The Wu-Tang Manual" does an entire section on the martial arts movies
that influenced his development of the Wu-Tang Clan and much of their
underlying philosophy). Finally, I'm glad to see an old-school martial
arts movie that has its heart and brain in the right places.
for some eight years, Liu Chia Liang worked as martial arts
choreographer at shaw bros., especially with legendary director Chang
Cheh, from whom Liu clearly learned mise-en-scene, as the french call
it - a director's skill in using camera, editing and theme to move from
one dramatic episode to another. in turn, Liu tried to show Chang Che
the possibilities inherent in traditional kung fu, but to little avail
- Chang Che really always thought himself a maker of action-adventure
films, not primarily a martial arts director. so Liu began making his
own films at shaw bros., and demonstrated what he learned from Chang
Che, while developing his own themes concerning the the traditional
arts we've come to call kung fu.
one decided difference between Liu and Chang - indeed, between Liu and most of the other shaw bros. directors of the period - is that Liu believed that if the fundamental message of kung-fu - which is really about good health and spiritual growth - is to be carried over to the audience, the arts involved would need to be presented in as realistic a fashion as possible - no wire works, no unnecessary leaping over walls, no mythical 'iron fist' technique of jamming one's hand through someone's chest. and once that decision was made, clearly it would also be necessary to develop plots and characters as equally realistic, or the effort would be for nothing.
Liu's movies are thus 'about' kung fu in the purest sense; they are not about fighting, but about discipline. they are not about revenge, they are about using one's training to get beyond revenge.
although the heavy tone of this film obscures it a little, the fact remains that the characters in this film are all very believably human in a way that Chang Che's characters never were. and they don't learn their skills all that quickly - the time frame of the shaolin episode is at least three years - but by doing the same excersizes over and over again until they are perfectly comfortable with them. at which point, of course, they can perform with almost no show of effort.
by the way, there are documentary films of real performances of real shaolin monks demonstrating real martial arts - Liu is pretty close to the real thing, here.
Liu, by the way, appears to be the son of someone who trained with lam sai wing - aka 'butcher' wing, but in no way the country bumpkin he's sometimes made out to be, as in yuen woo ping's 'magnificent butcher'. lam sai wing studied with the legendary Wong Fei Hong, who was taught not only by his classically trained father, but by a well-known former shaolin monk - in short, the Liu credentials are rock solid.
Gordon Liu, star of the film, is Chia Leung's adoptive brother. he is probably the finest performer of traditional kung fu ever filmed, bar none, and utterly fascinating to watch. he also does a solid piece of acting in this film, as well.
shaw bros. quality, Liu bros. skill - don't ask, just see it.
Firstly, let me say that Chia Hui Liu (aka Gordan Liu) "MAKES" this movie.
It would not be what it is without him. To be fair, I have to give notice
that every movie with him and the director (who I understand is a relative)
is good. Now, let me tell why. Liu gives effort and emotion to his parts.
Every part and every movie I have seen him in, this has been the case.
there is anger, you see it in his face. When there is despair, you see it.
He makes it almost tangible. Plus, he has "skills". Also, this movie has
plot and believability. It's interesting and "absorbing". The one I
watched was "English" dubbed, but the dubbing was good. Even the sound
track was complimentary for the scenes.
I's unfortunate that the asian movie industry has been in the past just like the American sports industry was. The take talented young people, chew up their juices, and then spit them out all used up.
I wonder if Liu even suspected that he had attained "Classic" status with this movie as far as "old school Kung-Fu fans" in the North-east USA are concerned?
This is THE Hong Kong martial arts movie every fan of the genre MUST
see. After watching this you'll be in no doubt why Tarantino picked the
star, Chia Hui Liu, for two parts in his Kill Bill double.
The Shaw brothers demonstrate their mastery of the martial arts movie in this 1978 classic. Following the fortunes of a young rebel as he escapes from the tyranny of the government to a Shaolin temple where he hopes to learn superior kung fu techniques, we see his development from an inexperienced boy to an unrivalled master.
It is wonderful to see the rigours of training in each 'chamber'. The water crossing scenes are a delight. And some of the pain these students go through to perfect their bodies and art is impressive indeed.
I cannot recommend this enough. Indeed everyone should attempt to snap up any Shaw Brothers movie from around that period. "The 36th Chamber" stands head and shoulders above the rest, and is what all Martial Arts directors should aspire to.
Thanks Shaw's and Chia Hui Liu for a truly great experience EVERY time.
Most people who watched old Kung Fu movies know this movie simply as
Killer". This is one of a select few non Chang Cheh directed Kung Fu
that I really, really like. This movie is a reference point of the old
training kung fu flicks.
This movie is famous for its rigorous training scenes performed by Chia Hui Liu (Gordon Liu). Somehow you get a feel for how being a student in the Shaolin Temple was really like. All of the teachers are Monks and they sport the usual bald heads accompanied with almost mysterious wisdom. Master Killer seems to be a well directed movie so you become engulfed in the students plight.
Noteworthy about this movie is how as a viewer at first you don't take Master Killer seriously as a fighter, he just doesn't look tough. When he struggles with his kung fu as he goes from one chamber to the next it is uplifting as he slowly becomes better. Master Killer starts off as a huge underdog in this movie, and as much as you laughed at him when he first started to learn, you are amazed at his skill as he progresses. This I feel is what makes Master Killer stand out as one of the best training kung fu movies.
There are many memorable training chambers. One chamber tests his sight, there are 2 burning posts on each side of his head. If he moves his head even the slightest, the sides of his head will be badly burned. He watches an object move from side to side, faster and faster, the object is to move your eyes and not your head; eventually Master Killer master all of the chambers.
Before he can leave the Temple he has to fight one of the Head Monks at the temple, initially he is no match for the monk, but Master Killer invents a "new" kind of fighting weapon, and takes on the head monk again and is able to be victorious. The fight scenes with Gordon and this monk are very good. Many different weapons are used as well as hand to hand combat, this is an excellent example of the essence of Shaolin Kung Fu.
Anyone who loves old kung fu flicks will certainly be taken in by Master Killer (also called "Enter the 36 Chambers). I can't explain it but this is certainly Gordon Liu's signature film; he certainly was made to play..... the Master Killer.
36th Chamber of shoalin
As a lifelong devoted fan of chop socky I still did not see this film until last year because it was impossible in the U.S.(at least it seemed to me) to get a orginal language 36th Chamber of shoalin. Knowing that any video that said Shoalin Master killer or just Master killer would be a English dubbed atrocity I decided to wait.
Perhaps the best geek news of 2003 for me however was Celestial pictures releasing region 3 versions of old Shaw bros classics. Original language, subtitled well, subtitled bonus features, Dolby surround, Beautifully re-mastered and packaged. Director Liu Chia liang's masterpiece the 36th chamber was my first purchase in the series. The new re-issues have some of his other classics like executioners from shoalin(which Kill Bill 2 paid direct tribute to),8 diagram pole fighter and soon Legendary weapons of China.
36th chamber tells a fictionalized tale of the shoalin monk who broke rank with his temple and taught Kung Fu to the people. While the true story probably did not have the elements of revenge that make the story of the film that hardly manners this is a movie not a history class. It is a lesson the non-violent resistors of the world need to here again and again. When Gordon Liu and his fellow students ask them selves how can they defeat their violent enemy words of logic.
They decide that if they are going to effectively fight back what they learn at the university is not enough. So they travel to the shoalin temple. At the shoalin temple they are masters of martial arts but they stay out of worldly affairs. The 35th chamber of shoalin is the highest level and it is not a measure of strength of combat ability. It is enlightenment, mastery of oneself.
So this epic film, a 2 hour chop socky flick that's story takes place over 10 years, has a interesting plot. Can this man driven by anger complete training in Buddhist temple where his motivations are against the very basics of there teachings. It is impossible to imagine Hollywood making movie that includes forty minutes of Buddhist philosophy, training and no love story. Well lets face it I not sure a woman is in this movie at all.
The martial arts in this film are amazing and every bit as impressive as stuff done today. The training parts while probably not realistic are entertaining and don't bore. The acting is all well done. The direction is steady, the story well told.
For fans of this film note that the director, star and studio teamed up last year to make a film called drunken monkey. Shaw bros big return to Kung Fu movies has been well received. It's next on my list, to rent.
I have a hard time accepting Crouching Tiger, Hidden Dragon as such a great movie when I know I have seen 36th Chamber of Shaolin. Without such fanfare filled worldwide release and special effects, this movie remains the best(Martial arts film) I have seen in 25 years. the martial arts is great and the story is extremely absorbing. The spiritual element is much higher as opposed to CTHD. Guys, if you liked CTHD so much, please see this movie. You will be thankful you saw it, maybe get it a more deserving rating than the 8.7 it currently has on IMDB.
If you want to see some of the coolest Shaolin training sequences ever, check this one out. Gordon Liu always plays the best young Shaolin fighting monks (he's done it ALOT) and this is his great directing debut. This movie actually has a story to it. Although the hero wants to learn shaolin kung fu for direct revenge at first, his training causes him to seek a different path. During this path, he goes through alot of crazy funky training sequences. If you're a kung-fu fan who loves to see insane tests of skill, this is your movie. Plus, if you love this one, see "Shaolin and Wutang" with Gordon Liu and Adam Cheng.
Quite possibly the most intelligent and inventive chop-socky of all
time! The training sequences give the character of San Te a certain depth,
allowing the viewer to understand how he became such a skillful martial
artist. The viewer is also provided with a substantial amount of character
motivation, and not just a simple-minded "revenge" plot.
Score another home run for Lau Kar Leung! The true "sifu" of Shaw Brothers studios!
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