Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet.
Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a ... See full summary »
Texan farmers the Frake family head for the Texas State Fair in Dallas. The parents are focused on winning the competitions for livestock and cooking. However, their restless daughter Margy and her brother Wayne meet attractive new love interests.
Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.
Ever since they were sent into World War I battle in 1918, Sergeant Pepper and his Lonely Hearts Club Band of Heartland, USA have been spreading the message of joy and love to the world, which has made them and Heartland famous. Upon Sergeant Pepper's death in 1958, the band's instruments have been housed on display at Heartland City Hall as symbols of that love and joy. Before his death, Sergeant Pepper asked his adolescent grandson Billy Shears to take on the reins of forming his own band to continue to spread the message of joy and love. With Billy's brother Dougie Shears as their Manager, Billy, now an adult, and his three best friends, brothers Mark, Dave, and Bob Henderson, embark on their lives as a new Lonely Hearts Club Band. They quickly come to the attention of Hollywood music producer B.D. Hoffler Of B.D. (Big Deal) Records. With the boys off to Hollywood to spread the words of joy and love to the world, enter into Heartland the evil and demented Mr. Mustard, an ex-real ... Written by
Someone must have noticed that "Yellow Submarine" made money. That same person also noticed that the Bee Gees were popular. Put a popular disco group and popular Beatles songs together, and: magic???
Well, not really. This film hurts. It hurts all the more if one likes the Beatles' originals of these songs (OK, Aerosmith did a decent version of "Come Together," but that is not enough to mitigate the damage caused by the rest of the performances).
There are certain films that seem to be made just to put the tolerance of a badfilm watcher to the test. This film has its place in that pantheon, right between "Can't Stop the Music" and "Santa Claus Conquers the Martians."
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