In Transylvania, Lupin III, the notorious international thief, is hung and no one is more suprised to learn of that than Lupin III himself, who was alive and well and nowhere near that area at that time. The answer to that mystery, begins to surface when Lupin gets a seemingly ordinary pebble from an Egyptian pyramid for his would-be girlfriend, Fujiko, the mercenary thief, who is in the employ of a mysterious figure known only as Mamo. Intrigued by this bizarre request, Lupin decides to get involved and finds himself in an international chase that has a greater scope and danger than he has ever faced. Written by
Kenneth Chisholm <firstname.lastname@example.org>
A total of 62,000 cells sheets were used. See more »
The spade that Lupin knocks over when trying to hide from Mamo's thug was not there in the beginning of the scene. See more »
This infantile need to prove your virility is humiliating to behold... and dangerous. Your lust for this creature has blinded you to her true nature.
Arsene Lupin III:
You're jealous. Both of you.
I warn you - abandon these indecent cravings for the sake of your soul.
Save it. You'll never change him by preaching at him, Goemon.
And you. What kind of friend are you, Jigen? You just encourage him. You treat it as some kind of joke. You're worse than he is.
Hey, I don't have to listen to this!
[...] See more »
The opening credits set up the film's theme of cloning by depicting the growth of an embryo. See more »
The first film version of the long-running successful manga series 'Lupin III', 'The Mystery Of Mamo' is non-stop action, adventure, and humour, brought to life with some brilliant animation, an excellent script, and some very good voice acting.
Lupin is the greatest thief since his grandfather Arsene Lupin, but his lifestyle never affords him a moment's peace, especially with maniacally-determined Interpol Inspector Zenigata pursuing him anywhere and everywhere across the globe. Aided by his two friends, Jigen, who prefers a quiet life, sombre samurai warrior Goemon, and on-again-off again girlfriend and equally-skilled thief Fujiko, Lupin finds himself drawn into the world of Mamo, a mysterious billionaire, intent on achieving immortality. But is Mamo exactly what he appears? And how does the fabled Philosopher's Stone fit in?
Now *this* is what animation is *really* about. It's about as far removed from the billion dollar cgi rubbish one usually sees in cinemas as it's possible to be. Every frame in 'Mamo' exudes genuine artistry, whether it's a peaceful Parisian cafe scene, or frenetic car chase through a sewer - yes, a sewer. Every musical motif creates genuine atmosphere, and every line of dialogue is there because it should be - it's not just a collection of lame one-liners for a cynical audience. If you find yourself on the edge of your seat, it's not because you're trying to fend off sleep from Disney-drawn dreck, but because you really find yourself wanting to see what happens next.
There are imperfections within the story - certain plot points that are not entirely followed up, but nothing that ruins the central story. There is also a certain trade-off between characterisation and action, but Lupin III stories are not meant to be deeply introspective character pieces, just a lot of first class fun. They are also an ongoing series, so further revelations are to be had elsewhere.
Probably the most well-known Lupin outing is 'The Castle Of Cagliostro', in many ways a more straightforward adventure with a more traditional action film-type ending. I think they're both excellent, but they're different beasts in temperament. 'The Mystery Of Mamo' takes a left-turn into the surreal, but it's still a cracking film that shouldn't disappoint - and definitely accessible to a Lupin novice.
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