Anna, a detached and diffident director, arrives in Germany to show her latest film; she checks into a hotel, invites a stranger to her bed, and abruptly tells him to leave. He asks her to ... See full summary »
Chantal Akerman, the Belgian filmmaker, lives in New York. Filmed images of the City are accompanied by the texts of Chantal Akerman's loving but manipulative mother back home in Brussels. ... See full summary »
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing... See full summary »
A 4-year-old child is the element from and around which the action develops, and brings sentiments and emotions to light. The French word "révélateur"/developper describes the product to develop or "reveal" film negatives.)
The 'dreamer' is Jacques, a young painter, who by chance runs into Marthe as she's contemplating suicide on the Pont-Neuf in Paris. They talk, and agree to see each other again the next ... See full summary »
Guillaume des Forêts,
Anna, a detached and diffident director, arrives in Germany to show her latest film; she checks into a hotel, invites a stranger to her bed, and abruptly tells him to leave. He asks her to a birthday lunch with his mother and daughter; she goes. Afterward, in Cologne, she meets an old friend, a Polish Jew and war refugee. In Brussels, she spends the night at a hotel with her mother, whom she rarely sees. On the train, a stranger tells his story. Last, it's home to Paris, where her lover Daniel picks her up and they go to a hotel. Throughout, people make personal revelations to her, and Anna listens with little affect. Although it was 30 years ago, the war seems ever present. Written by
Strong use of camera-work to tell an intimate story
Amazingly shot, with the film always demonstrating a tremendous, disciplined use of image to convey mood and story. The film is full of long takes using striking symmetry; the camera is always finding frames within frames. For me, the story itself is interesting intellectually, but does lack emotional power; traveling to a film festival, a young femme filmmaker has a series of sadly empty encounters with people, leading to long, well-written monologues by the various lost souls. Sometimes too on the nose and speechy with its ideas, but always intelligent, physically beautiful film-making. For those with patience and an interest in image as well as story.
7 of 7 people found this review helpful.
Was this review helpful to you?