This epic is a mass amalgamation of three separate film-types that is, contrary to popular opinion, coherent and a unified whole. Bob Dylan is shown in concert, often masked, during the ... See full summary »
In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film ... See full synopsis »
It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to... See full summary »
Julius Orlovsky, after spending years in a New York mental hospital, emerges catatonic and must rely on his brother Peter, who lives with poet Allen Ginsberg. When Julius wanders off in the... See full summary »
This epic is a mass amalgamation of three separate film-types that is, contrary to popular opinion, coherent and a unified whole. Bob Dylan is shown in concert, often masked, during the Rolling Thunder Revue. The film also features documentary footage, including Ruben "Hurricane" Carter's struggle against the forces that have imprisoned him. The third element is fictional "role-playing" footage with Bob Dylan in the guise of guitar-strumming Renaldo and his wife Sara as his companion Clara. Ronnie Hawkins takes on the role of Bob Dylan in these sequences. The film includes footage of a visit to the grave of Jack Kerouac, an Allen Ginsberg poetry reading and various friends and acquaintances, namely David Blue (playing pinball by a swimming pool), discussing experiences on the road. Written by
When the film was originally released, its screenings were extremely limited. The film received very many condemning reviews and many theaters refused the screenings. The film was cut from its original four-hour length to a two-hour length, and what was left was mostly concert footage. This version was shown in more theaters than the original director's cut. The original four-hour cut would appear on European television some time later, on Channel 4. See more »
The opening credits end with a minute-long title card reading "A Film by BOB DYLAN" directed after he is credited as writer and director. The closing credits are divided in three sections, separated by wide time gaps, played over a different artist performing. See more »
Does not seem like a professional job, but sure worth seeing.
The impression I had after seeing this film, was that Bob Dylan made a film thinking it would be easier than what it turned out to be. As Dylan is my favorite musician, poet, singer, whatever... I enjoyed every minute of the film. Sometimes you have the feeling that the result is the same as if an amateur would take a digital camera on the road to film the concerts and the musicians, and also try to put in a bit of philosophy. Ronnie Hawkins and Ronee Blackley pretend to be Dylan and wife, and they have a great fight. Sara Dylan is Clara and Bob is Renaldo, and Dylan is divided between Sara and Joan Baez. Allen Ginsberg joins them on the trip and recites some poetry, goes together with Bob to visit Jack Kerouac's grave, and also lets a woman read his hand. "You had two marriages" she says to him. "Yes, kind of.." he replies. There is a musician who keeps saying to his girlfriend "I won't let you come in between me and my music". Dylan is great when he sings "Knockin' on Heaven's Door" changing the melody, and also "Tangled up in Blue". Joan Baez is charming, looks beautiful and has quite a voice. She sings "Blowin in the Wind" with Bob. They all go to visit Rubin Carter in jail and many people are interviewed on the street about their opinion of what happened to Carter. There is no doubt that somebody like Martin Scorcese could have done better, but still, just to be able to be together with this fantastic group for a couple of hours is worth seeing this film.
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