| Photos (See all 10 | slideshow) |
| Brooke Shields | ... | Violet | |
| Keith Carradine | ... | Bellocq | |
| Susan Sarandon | ... | Hattie | |
| Frances Faye | ... | Nell | |
| Antonio Fargas | ... | Professor | |
| Matthew Anton | ... | Red Top | |
| Diana Scarwid | ... | Frieda | |
| Barbara Steele | ... | Josephine | |
| Seret Scott | ... | Flora | |
| Cheryl Markowitz | ... | Gussie | |
| Susan Manskey | ... | Fanny | |
| Laura Zimmerman | ... | Agnes | |
| Miz Mary | ... | Odette | |
| Gerrit Graham | ... | Highpockets | |
| Mae Mercer | ... | Mama Mosebery | |
| Don Hood | ... | Alfred Fuller | |
| Pat Perkins | ... | Ola Mae | |
| Von Eric Thomas | ... | Nonny | |
| Sasha Holliday | ... | Justine | |
| Lisa Shames | ... | Antonia | |
| Henry Braden | ... | Harry | |
| Patrick M. Burke | ... | Fanny's Customer | |
| C.C. Courtney | ... | Naval Officer | |
| Joe Catalanotto | ... | Hattie's Customer | |
| Philip H. Sizeler | ... | Senator | |
| Don Lutenbacher | ... | Violet's First Customer | |
| Hobe May | ... | Farmer | |
| rest of cast listed alphabetically: | |||
| Stocker Fontelieu | ... | Brothel Patron (uncredited) | |
| Bill Holliday | ... | Gussie's client (uncredited) | |
Directed by | |||
| Louis Malle | |||
Writing credits | ||
| Polly Platt | (story) | |
| Polly Platt | (screenplay) | |
| Louis Malle | story | |
Produced by | |||
| Louis Malle | .... | producer | |
| Polly Platt | .... | associate producer | |
Original Music by | |||
| Gerald Wexler | |||
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Suzanne Fenn | |||
Casting by | |||
| Gary Chason | |||
| Juliet Taylor | |||
Production Design by | |||
| Trevor Williams | |||
Set Decoration by | |||
| James L. Berkey | (as Jim Berkey) | ||
Makeup Department | |||
| Dave Grayson | .... | makeup artist | |
| Charlene Johnson | .... | hair stylist | |
| Charlene Roberson | .... | makeup artist | |
Production Management | |||
| Tony Wade | .... | unit production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| Donald Heitzer | .... | assistant director (as Don Heitzer) | |
| Toby Lovallo | .... | second assistant director | |
| John M. Poer | .... | assistant director | |
Art Department | |||
| Mark Wade | .... | property master | |
| Richard Speed | .... | carpenter's apprentice (uncredited) | |
Sound Department | |||
| Donald F. Johnson | .... | sound mixer (as Don Johnson) | |
| Dick Vorisek | .... | sound re-recordist | |
| Skip Godwin | .... | sound engineer (uncredited) | |
Camera and Electrical Department | |||
| Maureen Lambray | .... | special photography | |
| Michael McGowan | .... | camera operator (as Mike McGowan) | |
Costume and Wardrobe Department | |||
| Mina Mittelman | .... | costume supervisor | |
Editorial Department | |||
| Suzanne Baron | .... | supervising editor | |
| Ruth Blakeslee | .... | assistant editor | |
| Mateel Hoppe | .... | assistant editor | |
| Alice Miller | .... | assistant editor | |
| Donald Freeman | .... | final colorist (uncredited) | |
Music Department | |||
| Raymond Burke | .... | musician: clarinet | |
| Louis Cottrell | .... | musician: clarinet | |
| Bob Greene | .... | musician: piano solo | |
| Ferdinand 'Jelly Roll' Morton | .... | composer: additional music | |
| Kid Thomas | .... | musician: trumpet | |
| Jerry Wexler | .... | music adaptor | |
| Jerry Wexler | .... | music supervisor | |
Transportation Department | |||
| Greg Van Dyke | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Alan Greedy | .... | script supervisor | |
| Al Rose | .... | researcher | |
| Karen Moore | .... | assistant to director (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Beautifully photographed and sumptuous to watch. Brooke Shields, with that famous saucy and spirited personality, is gorgeous. I wasn't bothered by the nudity. I wasn't bothered by the story either and I feel the movie accurately portrayed a different time with a quite different moral tone than the one we live with today. But, hey, stories are just stories. Actually, I think the main reason this movie works is because it comes across as honest, it feels like being in another place and another time, and it's lovely to see.