Pretty Baby (1978)

A teenage girl lives as a prostitute in the early decades of America, only to know her body is for bounty.

Director:

Louis Malle

Writers:

Polly Platt (story), Polly Platt (screenplay),

Stars:

Brooke Shields, Keith Carradine, Susan Sarandon

Nominated for 1 Oscar. Another 3 wins & 1 nomination.

Cast

Cast overview, first billed only:
Brooke Shields	...	Violet
Keith Carradine	...	Bellocq
Susan Sarandon	...	Hattie
Frances Faye	...	Nell
Antonio Fargas	...	Professor
Matthew Anton	...	Red Top
Diana Scarwid	...	Frieda
Barbara Steele	...	Josephine
Seret Scott	...	Flora
Cheryl Markowitz	...	Gussie
Susan Manskey	...	Fanny
Laura Zimmerman	...	Agnes
Miz Mary	...	Odette
Gerrit Graham	...	Highpockets
Mae Mercer	...	Mama Mosebery

Storyline

In 1917, in the red light district Storyville, New Orleans, the prostitute Hattie lives with her twelve year-old daughter Violet in the fancy brothel of Madame Nell, where she works. Photographer Ernest J. Bellocq has an attraction to Hallie and Violet and he is an habitué of the whorehouse. One day, Madame Nell auctions Violet's virginity and the winner pays the fortune of US$ 400 to spend the night with the girl. Then Hattie marries a wealthy client and moves to Saint Louis, leaving Violet in the brothel alone. Violet decides to marry Bellocq and she moves to his house. Until the day that Hattie, who has overcome her past, comes to Bellocq's house with the intention to take Violet with her.

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Plot Keywords:

prostitute | auction | virginity | brothel | photographer | 

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Taglines:

In 1917, in the red-light district of New Orleans, they called her "Pretty Baby"

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Genres:

Drama

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

5 April 1978 (USA)

Also Known As:

Niña bonita

Filming Locations:

Hattiesburg, Mississippi, USA

Company Credits

Production Co:

Paramount Pictures

Technical Specs

Runtime:

110 min

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Sylvester Stallone was offered the role of Bellocq, but turned it down in order to prepare for his role in F.I.S.T.

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Goofs

After Violet stands up from trying to have her nude picture taken a man can be seen in the reflective part of the camera.

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Quotes

Frieda: Do not forget, this guy is buying a virgin, so she's got to act it right. You've got to give him the idea that you don't know nothing. It should be like a rape.
Josephine: You don't know. Could be a different kind of guy. Someone that wants you to act like she wants it.
Frieda: The main thing is to whimper and cry when he starts, but then you've got to act like it feels good.
Violet: I know what to do. Leave me alone.
Hattie: Well, don't act like you know it all. You won't even get a tip that way.
Fanny: Violet, you should touch him ...
[...]

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Crazy Credits

The closing credits include a card that states, "With our gratitude for the priceless music of FERDINAND "JELLY ROLL" MORTON."

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Connections

Referenced in The Ecstasy Girls (1979)

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Soundtracks

"The Ragtime Dance"
(uncredited)
Music by Scott Joplin
Played at dinner when the storm hits

User Reviews

An incredibly frank but humane movie of the type that doesn't seem to be made anymore.

A beautifully filmed movie which tells a difficult story with a subtlety and power that leaves you thinking about it during odd moments for days. It's that much more disconcerting because all the while you're keenly aware that this isn't based on "a true story" but on millions of true stories throughout history, including today, and in every part of the globe.

Due to my age I'd never seen 'Pretty Baby' in the theater or, for some reason, read much about it. I was aware of the basic plot but didn't know I'd be seeing quite so much of a naked 12 year-old Brooke Shields. A couple of moments were honestly difficult for me to watch, but I've come to the conclusion that the nudity is absolutely essential to the telling of the story. You *have* to be forced to see exactly what those men were paying for.

The brilliance of director Loius Malle's film is that he constantly subverts the audience's desire to be aghast at what we see. The camera finds happy little moments throughout the movie, your mind is left to fill in the ugly realities. This trend continues to the end, which is like a cruel mirror image of the typical happily ever after Hollywood ending.