Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are ... See full summary »
Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust. Besides her student life she likes to stroll about Paris, to explore ... See full summary »
Felicie and Charles have a serious if whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in ... See full summary »
Frédéric van den Driessche,
Two young people, Walter and Charlotte, are walking through a small village in Switzerland a snowy winter day. Walter introduces Charlotte to Clara, hoping to make Charlotte jealous. After ... See full summary »
This is the tale of Albert Poop-Decker, a newly commissioned Midshipman (although he took 8 1/2 years to qualify). He joins the frigate Venus, and adventures through Spanish waters, mutinee... See full summary »
Trade company employee Shinichi recommends to Naoko and Jiro to go to a beautiful place abroad. There, Naoko and Jiro meets tribal shaman and sees through her tricks. The shaman has refused to leave her place.
On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the... See full summary »
Tamako graduated from a university in Tokyo, but she now lives with her father back in Kofu. Tamako doesn't help her father or tries to get a job. She spends her time just eating and sleeping throughout the four seasons of the year.
I've been on a long Rohmer kick this year, and while I greatly enjoy almost all his work I have to admit there are ways they're all rather alike. With two tremendous exceptions: "The Marquise de O." and "Perceval".
I'm glad I read the earlier-placed IMDb comments, it's very helpful to think of this, as someone suggests, as what Chretien would have produced had he had access to filmmaking rather than narrative poetry. 20th Century narrative manners had not yet developed, and what would be quirky (or downright incompetent) structuring in a late 20th Century film are entirely normal in this 12th Century film.
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