In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don't really care to escape because they are fed and they have a ... See full summary »
The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
A modern-day politician is faced with an incomprehensible in this mystical-fantasy. Senator Rast is a very powerful man. But his is nothing compared to the extraordinary power of the ... See full summary »
Members of the Grave Diggers Motorcycle Club are being knocked off one by one, and someone needs to find out why! Sandy Harbutt's timeless Australian cult film about a bunch of renegades riding Kawasaki 900s.
A vicious wild boar terrorizes the Australian outback. The first victim is a small child who is killed. The child's granddad is brought to trial for killing the child but acquitted. The ... See full summary »
After the shocking bathtub death of his mother and her lover, the sinister Patrick lays comatose in a small private hospital, his only action being his involuntary spitting. When a pretty young nurse, just separated from her husband, begins work at the hospital, she senses that Patrick is communicating with her, and he seems to be using his psychic powers to manipulate events in her life. Written by
According to 'DVD Resurrections', "'Patrick' was one of the most successful of Australian exploitation films internationally, being a huge hit in Italy in particular (where the film was remade during the Italian exploitation horror boom)" [See: Patrick Still Lives (1980) ('Patrick Still Lives')]. See more »
[to Kathy Jacquard who is applying for a job as a nurse]
Why did you choose the Roget Clinic, Mrs. Jacquard? We tend to attract certain types - lesbians, nymphomaniacs, enema specialists..."
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The end credits play over Patrick lying in his hospital bed with his eyes open. See more »
Richard Franklin's Patrick is a horror movie that doesn't horrify and, seen more than three decades on, doesn't offer any surprises, but which still works as a decent supernatural thriller. Susan Penhaligon is the newly separated nurse who takes a job at a private mental clinic that only seems to have two patients (well, it is a low budget film), looking after the braindead Patrick whose been reduced vegetative state since killing his mother and her lover years earlier. Only Patrick's brain isn't quite as dead as everyone thinks, and when he develops a crush on his new nurse and gets jealous when her husband and another doctor make moves on her, things start to get a bit nasty Robert Thompson makes for a striking Patrick, his bug-eyed dead stare memorably imposing, but it's Robert Helpman's doctor who all but steals the show: looking like Klaus Kinski's dad after a night on the tiles, not so much a mad scientist as an acerbically p---ed off one, he's gifted with the film's best dialogue and doesn't feel the need to overplay it. The film itself is not as good as his later Road Games, but it's still easy to see why it got Franklin the job of directing the much better Psycho II: it's an exploitation film that doesn't feel the need to go over the top and is directed with some style despite the obvious budget limitations. It's not a good enough film that the planned remake by Not Quite Hollywood's Mark Hartley can't improve on it, but in its original Australian version at least (the US version was heavily cut and redubbed into American while the re-edited Italian version added a Goblin score) it's a pretty decent little movie.
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