Edit
Storyline
It's 1946 in Hell's Kitchen in New York City. Cosmo Carboni, the eldest of the three Carboni brothers, is lamenting what he sees as them not living up to their potential. Big talking Cosmo hustles and panhandles for money. Brooding Lenny Carboni, an injured veteran whose sullen attitude stems from his time in the war, is an undertaker. And youngest Victor Carboni, the simple muscle-man who wouldn't hurt a fly unless he's annoyed, is an iceman. Victor looks to Lenny and his Chinese-American girlfriend Susan Chow as his voices of reason. After Victor holds his own against wrestler Frankie the Thumper in an arm wrestling match, Frankie who is seen as the strongest man in the neighborhood, and after seeing the lucrative wrestling matches - which are more like street fights without rules - at the underground nightclub called Paradise Alley, Cosmo gets it into his head that wrestling may be Victor's calling and a way for them all to get out of Hell's Kitchen for good. The brothers would act... Written by
Huggo
Plot Summary
|
Add Synopsis
Taglines:
Three brothers... One had the brains, one had the muscle and one had the suit. Together they had a million dollar dream.
See more »
Edit
Did You Know?
Trivia
British prints of this film were cut by forty-two seconds by the British Baord of Film Censorship to delete shots of a tethered and gagged monkey in a closet.
See more »
Quotes
Cosmo Carboni:
You gotta start off every morning by cronin' to that low-life, bag bird?
Victor:
Bella likes music in the morning.
Cosmo Carboni:
Yeah? Then BUY THE BUM A RADIO!
See more »
Crazy Credits
Opening credits use the 1940s Universal logo.
See more »
Soundtracks
"Angel Voice"
Written by
Frank Stallone
Performed by
Frank Stallone See more »
Stallones directing debut is a forgotten gem, back when it was released crushed by the critics and snubbed by the audiences. Wrongfully so, because this is great film that especially today makes you wonder whatever happened to Sylvster Stallone the artist. Here he was in all his glory: writer, director, star (even singer of the title song), and maybe that was the reason this film was ignored and critically lambasted back then. When Rocky came out, everybody body loved the writer-actor, but as we know, more sooner then later, people (especially the press) love to turn on the one they once favoured. Paradise Alley is a beautiful fim that needs to be rediscovered. Its made by someone who loves to tell a good, human story, captured in beautiful shots (just watch credit montage - the rooftop contest) Its full of colorful characters, full of warmth and feeling and wonderful humor. This film was a promise Stallone sadly later on never fulfilled, maybe because everyone turned so harsh on this one, which is something I will never understand. After decades of forgettable movies I wish Stallone would finally defy all nay-sayers and go back to stuff like this. He did by starring in Copland, but since then he made horribly choices as an actor, doing movies which didn't even make it to the theatres.