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Last In, First Out (1978)
"L'ordre et la sécurité du monde" (original title)

5.5
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Ratings: 5.5/10 from 50 users  
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A woman on a train becomes the center of attention when she is mistaken for a spy by opposing factions who are traveling on the same line.

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(scenario and dialogue), (scenario and dialogue), 1 more credit »
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Title: Last In, First Out (1978)

Last In, First Out (1978) on IMDb 5.5/10

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Cast

Cast overview, first billed only:
Bruno Cremer ...
Lucas Richter
...
Rothko
Laure Dechasnel ...
Hélène Lehman
...
Medford
...
Foster Johnson
...
Herzog
...
Banquier Muller
Pierre Santini ...
Martial Kauffer
Henri Serre ...
Massonnier
Baaron ...
N'Gami
Gérard Essomba ...
Le fonctionnaire de la R.O.A.
Robert Darmel ...
Le douanier
Georges Montillier ...
Le concierge
...
Le réceptionniste
Alain Flick ...
Le barman
Edit

Storyline

A woman on a train becomes the center of attention when she is mistaken for a spy by opposing factions who are traveling on the same line.

Plot Summary | Add Synopsis

Genres:

Drama | Thriller

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Details

Country:

|

Language:

|

Release Date:

30 August 1978 (France)  »

Also Known As:

Last In, First Out  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Connections

Referenced in An Almost Perfect Affair (1979) See more »

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User Reviews

Paranoid strangers on a train
13 August 2000 | by (Toulouse, France) – See all my reviews

The first striking thing about this film is its cast : French actor Bruno Cremer, English villain Donald Pleasence, plus U.S. greats Joseph Cotten and Dennis Hopper, not to mention some Italian presence as well, in a French-produced venture. This should be sufficient reason to see a film that is as untypical as its variously talented cast. The French video cover puts the name of Donald Pleasence to the fore, though the actor appears only shortly. The film is rooted in a late seventies state of mind, and benefits from an apt direction. It's all plotting about in the higher spheres. There is suspense, the characters have some kind of mystery about them, and the atmosphere is that of a Kafka for the (not-so-)soon-to-be post-industrial age. Alfred Hitchcock meets Chris Marker meets William S. Burroughs. No bad references. Music by Claude Nougaro from Toulouse! Watch it when you get a minute or two.


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