Tommy takes up temporary housing in a New York neighborhood plagued by a violent gang called the Souls. Tommy is waiting for his next assignment as a seaman and though he tries to avoid the... See full summary »
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
One week in the lives of three strong-willed individuals. Mike is a taxi driver and unrequited Irish-American writer in the post-beat tradition. Mike lives with Maria, a beautiful, cultured... See full summary »
As other reviewers have noted, this is a formula picture that has been done before. That's not a mark against this little gem of a picture, just that it doesn't break any new ground.
David Proval, who would later go on to play Richie Aprile, the psycho mobster with the "Charles Manson" stare in HBO's The Sopranos, turns in a remarkable performance here as the mentally handicapped Nunzio.
A chubby, frizzy-haired bicycle delivery boy for a neighborhood grocer, Nunzio indulges in fantasies that he is a superhero. He lives a life marked with torments from the gang of deadbeats at the corner, overbearing concern from his mother and older brother, and general confusion about women and his burgeoning desires for them.
Although this film sets up several plot devices that could easily have gone "over the top", director Williams handles the story with a deft touch, never allowing the film to enter the realm of melodrama until the final climactic scene, which serves more as a release than a dive into the overly dramatic.
With a fluid story that moves at a good pace, terrific acting, and tons of spine shuddering 70s kitch (was that decade REALLY that awful for fashion?), this is a film not to be missed, if you can ever find it, that is.
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