| John Amplas | ... | Martin | |
| Lincoln Maazel | ... | Cuda | |
| Christine Forrest | ... | Christina | |
| Elyane Nadeau | ... | Mrs. Santini | |
| Tom Savini | ... | Arthur | |
| Sara Venable | ... | Housewife Victim | |
| Francine Middleton | ... | Train Victim (as Fran Middleton) | |
| Roger Caine | ... | Lewis (as Al Levitsky) | |
| George A. Romero | ... | Father Howard | |
| James Roy | ... | Deacon | |
| J. Clifford Forrest Jr. | ... | Father Zulemas | |
| Robert Ogden | ... | Businessman | |
| Donaldo Soviero | ... | Priest (segment "Flashback") | |
| Donna Siegel | ... | Woman (as Donna Siegal) | |
| Albert J. Schmaus | ... | Family | |
| Lillian Schmaus | ... | Family | |
| Frances Mazzoni | ... | Family | |
| Vincent D. Survinski | ... | Train Porter | |
| Tony Buba | ... | Drug Dealer #1 | |
| Pasquale Buba | ... | Drug Dealer #2 | |
| Clayton McKinnon | ... | Drug Dealer #3 | |
| Regis J. Survinsky | ... | Hobo #1 | |
| Tony Pantanella | ... | Hobo #2 | |
| Harvey Eger | ... | Man in Bathroom #1 | |
| Tom Weber | ... | Man in Bathroom #2 | |
| Robert Barner | ... | Police | |
| Stephen Fergelic | ... | Police | |
| Douglas Serene | ... | Cyclist #1 | |
| Jeanne Serene | ... | Cyclist #2 | |
| Nicholas Mastandrea | ... | Marine #1 (as Nick Mastandrea) | |
| John Sozansky | ... | Marine #2 | |
| Ingeborg Forrest | ... | Mrs. Anderson | |
| Carol McCloskey | ... | Mrs. Bellini | |
| rest of cast listed alphabetically: | |||
| Michael Gornick | ... | Barry - Radio Talk Show Host (uncredited) | |
| Katherine Kolbert | ... | Woman with baby at Ice Cream Truck (uncredited) | |
| Robert Langer | ... | Cameo (uncredited) | |
| Richard P. Rubinstein | ... | Richard - Housewife Victim's Husband (uncredited) | |
Directed by | |||
| George A. Romero | |||
Writing credits | ||
| George A. Romero | (written by) | |
Produced by | |||
| Patricia Bernesser | .... | associate producer | |
| Richard P. Rubinstein | .... | producer (as Richard Rubinstein) | |
| Ray Schmaus | .... | associate producer | |
| Ben Barenholtz | .... | producer (uncredited) | |
Original Music by | |||
| Donald Rubinstein | |||
Cinematography by | |||
| Michael Gornick | (director of photography) | ||
Film Editing by | |||
| George A. Romero | |||
Makeup Department | |||
| Tom Savini | .... | makeup artist | |
| Douglas Serene | .... | hair stylist (uncredited) | |
Production Management | |||
| Michael Gornick | .... | post-production supervisor | |
Sound Department | |||
| Tony Buba | .... | sound | |
Special Effects by | |||
| Tom Savini | .... | special effects | |
Stunts | |||
| Tom Savini | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Phillip Desiderio | .... | grip | |
| Tom Dubensky | .... | assistant camera (as Tom Dubinsky) | |
| Steve Lalich | .... | grip | |
| Nicholas Mastandrea | .... | assistant camera (as Nick Mastandrea) | |
Editorial Department | |||
| Michael di Lauro | .... | post production assistant (as Michael Di Lauro) | |
| Ed Keen | .... | post production assistant | |
Music Department | |||
| Jay Mandell | .... | music engineer | |
| Donald Rubinstein | .... | music arranged by | |
| Mike Avery | .... | musician: percussions (uncredited) | |
| Ellen Demos | .... | singer: chant vocals (uncredited) | |
| Richard Gertz | .... | musician: bass guitar (uncredited) | |
| Steve Gorn | .... | musician: flute (uncredited) | |
| Maurizio Guarini | .... | musician (uncredited) | |
| Paul Johnson | .... | musician: vibraphone & percussions (uncredited) | |
| Dan Kellar | .... | musician: violin (uncredited) | |
| J. Michael Kelly | .... | musician: guitar & voices on percussion improvisations (uncredited) | |
| Lisa Korns | .... | musician: flute (uncredited) | |
| Sandy Lipsman | .... | singer (uncredited) | |
| Agostino Marangolo | .... | musician (uncredited) | |
| Massimo Morante | .... | musician (uncredited) | |
| Hankus Netsky | .... | musician: oboe (uncredited) | |
| George Olson | .... | musician: viola (uncredited) | |
| Mike Pelham | .... | musician: percussions (uncredited) | |
| Fabio Pignatelli | .... | musician (uncredited) | |
| Hank Roberts | .... | musician: cello (uncredited) | |
| Donald Rubinstein | .... | musician: vocals, piano, guitar, & voices on percussion improvisations (uncredited) | |
| Betty Silberman | .... | singer (uncredited) | |
| Claudio Simonetti | .... | musician (uncredited) | |
| Mark Zamcheck | .... | musician: piano (uncredited) | |
Other crew | |||
| Barney C. Guttman | .... | financial services | |
| Tony Pantanella | .... | technical assistance | |
| Donna Siegel | .... | assistant to producer (as Donna Siegal) | |
| Regis J. Survinsky | .... | technical assistance | |
| Joyce Weber | .... | production coordinator | |
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| Machete | The Crazies | Repo Men | The Professional: Golgo 13 | Drive Angry |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I probably watched it 100 times in high school, although I probably haven't put it on in this decade. And how does it look now that Uncle Fuzzy has replaced my old Betamax copy? Well the first thing I noticed was the fine detail of the bored-housewives this teenage vampire gets mixed up with, and how that milieu really does affect their behaviour and hence the plot. I noticed that the bits of romantic dialogue that I used to find shudderingly cheesy are DELIBERATELY that, because that's how these people would actually talk. I noticed that old Tata Cuda, the colonel-sanders-like uncle who is out to save Martin's soul, is not completely unsympathetic, not due to anything the conservative old codger actually does, but due to the fact that Lincoln Maazel's performance is - I can hardly even type it - UNDERSTATED. I noticed that Romero's smoking-priest cameo is even more hilarious and apt than I remembered it. I saw how this guy can barely pack into one movie everything he's trying to get across, new stuff just keeps happening - he's not connecting the dots or marking time, he's inventing something new. And I asked myself again whether this puberty-parable-for-grownups is an even greater film than Romero's anticapitalism-for-teenyboppers. And once again I just dunno.