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Martin (1976)

 -  Drama | Horror  -  7 July 1978 (USA)
7.2
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Ratings: 7.2/10 from 6,217 users  
Reviews: 74 user | 73 critic

A young man, who believes himself to be a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges.

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Title: Martin (1976)

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Director: George A. Romero
Edit

Cast

Cast overview, first billed only:
John Amplas ...
Martin
Lincoln Maazel ...
Christine Forrest ...
Christina
Elyane Nadeau ...
Mrs. Santini
...
Arthur
Sara Venable ...
Housewife Victim
Francine Middleton ...
Train Victim (as Fran Middleton)
Roger Caine ...
Lewis (as Al Levitsky)
...
Father Howard
James Roy ...
Deacon
J. Clifford Forrest Jr. ...
Father Zulemas
Robert Ogden ...
Businessman
Donaldo Soviero ...
Priest (segment "Flashback")
Donna Siegel ...
Woman (as Donna Siegal)
Albert J. Schmaus ...
Family
Edit

Storyline

George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release. Written by David Carroll <davidc@atom.ansto.gov.au>

Plot Summary | Plot Synopsis

Taglines:

Heir to the Blood Lust See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

7 July 1978 (USA)  »

Also Known As:

George A. Romero's Martin  »

Box Office

Budget:

$80,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Director George A. Romero originally wanted the entire film to be in black and white, but the producers didn't want to risk this experiment and insisted that the majority of the film be in color. See more »

Goofs

When Martin stabs the cheating wife's lover in the neck, he has a red shirt on. In all scenes prior to this, the man never has a shirt on. See more »

Quotes

Mrs. Bellini: A young man in the house with Christina? Related or not, I don't think it's right.
Tada Cuda: But Mrs Bellini...
Mrs. Bellini: You shouldn't have it, Cuda. How will it look?
Tada Cuda: It looks as you want it to look, Mrs Bellini. My family knows how to behave.
See more »

Connections

Referenced in Vampire at Midnight (1988) See more »

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User Reviews

Unflinchingly original.
3 May 2002 | by (United Kingdom) – See all my reviews

Between seminal 'zombie' flicks "Night of the Living Dead", and the follow-up, "Dawn of the Dead", George A. Romero created two of the most overlooked horror movies, not only of the 1970's, but maybe of all time. Four years after the socio-political horror of "The Crazies", he returned with "Martin", a vampire film like no other before or since.

Romero's intelligent movie turns on its head all the things associated with the genre, and presents us with a modern day story of addiction, sexuality, and obsession. Martin is your average gawky teenager, a little boy lost in a chaotic world, with an insatiable appetite for human blood. But, where previously that vampiric bloodlust is a sign of great sexual prowess, and overpowering self-importance, here it is a curse. Martin's world is one of unfulfilled desire and confusion. He is ostracised from family, with few friends - his only confidante is the faceless radio talkshow host - and our sympathies are with him throughout. His attacks are fuelled not by pleasure, but more by a fruitless search for intimacy with his victims, who aren't picked off indiscriminately by uncontrollable urges, but rather chosen. When he finally finds 'the sex thing', his need for blood is overcome. Although gruesome and calculated, his attacks aren't excessively violent, and the opening scene is perfectly written to repulse and reprieve in equal measure. What initially appears to be a brutal rape, is twisted by Romero into an almost tender love scene between attacker and victim.

With brilliant use of locations, and nondescript atmosphere, "Martin" is a horror movie that both disturbs and intrigues. The performances are erratic, and Maazel is way too OTT, spouting "Nosferatu!!" all histrionics and melodrama. But Amplas, as Martin, is genuinely affecting, and steeped in pathos. Unflinchingly original, a horror movie with gore, but plenty of brains to go with it.


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