A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusional from their leader.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release. Written by
David Carroll <firstname.lastname@example.org>
The Latin exorcism passages read by the priest during Martin's black and white flashbacks are authentic. See more »
At the very beginning of the film on the train, Martin sneaks in and attacks a woman in her cabin. At first, she has a cold cream mask on. During the struggle, it suddenly disappears without a trace. See more »
You were sent here or you asked to come?
I was sent by the diocese, when Father Carelli retired.
Retired? Huh! Father Carelli is younger than I am. He asked to leave. He left like the rest of them. He thinks this town is finished!
[With mock solemnity]
No, he has cancer. He's very near the end. In fact, I haven't heard, he may be gone.
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You don't see anyone make a film like this anymore. Shot on 16mm but absolutely gorgeous looking. Low budget but has a very unusual and quite fine OST(modern classical/jazz sounding I guess?). Great characters and performances. Some of the performances are simple but are usually always quite charming. Romero was able to create a great look by using locations that happened to be available through family and friends. Martin exemplifies the beauty of doing a lot with a little. Re-watchable because there are so many clever details to be found. People looking for tired vampire movie formulas and a bit of T&A will be disappointed with this film. What's impressive is how little the film actually covers the standard themes of vampires. Instead, the actual social construct of vampirism is brought into question. Viewers are left to figure out and discuss what the main character is all about on their own. One of the finer moments in 70's semi-independent cinema. On par with Season Of The Witch in terms of weirdness and style. The creativity and integrity seen in Martin will seldom be seen again as long as Hollywood continues to be run by spineless, cowardly producers.
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