Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
George Romero does for vampires what he has already done to zombies - an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin's soul and destroy him once he is finished, but Martin's loneliness finds other means of release. Written by
David Carroll <email@example.com>
According to producer Richard P. Rubinstein on the Dawn of the Dawn (1978) commentary track (Ultimate Edition DVD), by the time both he and George A. Romero got together to make this film, Romero was under a serious debt (almost a million dollars) after the back to back failures of the films he'd done after Night of The Living Dead (1968). Rubinstein told Romero it was alright to declare bankruptcy and start over again. However Romero refused because he felt it was inappropriate to back out on the people who had helped invest in Romero's films. Rubinstein, having a lot of respect for Romero for not walking out on those people, partnered up with him so he could help him get out of his debt. This was their first film together but it wasn't until they made Dawn of the Dead, which became a financial success, that they were able to pay back Romero's debts. See more »
At the beginning of the film, Martin breaks into a woman's train cabin and attacks her. At first, she has a cold cream mask on. During the struggle, it suddenly disappears without a trace. See more »
Over the years George A. Romero has created a number of landmark horror films for the genre. This modern 'vampire' flick ranks among his very best films!
Shy teenager, who believes himself to be a century old vampire, comes to live with his superstitious old cousin in Pittsburgh.
Romero's Martin is a truly unique, one of a kind psychological thriller. It is a memorable journey from its disturbing opening sequence to its chilling conclusion. Martin, like most of Romero's classics, is a film with plenty of social commentary and believable characters. The driving force behind the films premise is the question of whether or not our title character really is a vampire. Martin has no fangs, no fear of the sun, in fact he actually uses razors and syringes to seize his victims. Yet, Martin has memories of an attack that apparently he did ages ago and his elderly cousin fully believes his young relative to be an evil creature. Romero throws out all of the old fashion vampire conventions for this symbolic clashing of the ways. Romero's direction is, as always, very nicely done with plenty of suspense, atmosphere, and gruesome moments. Romero makes this drama stylishly operatic and adds an occasional moment of dark humor. The haunting music score also adds greatly to the atmosphere.
The cast is excellent, but it's star John Amplas who really drives this show. Attractive youth Amplas is a greatly sympathetic character, even as he is the films monster and hero all at once.
A film unlike any other of the horror genre, Martin remains a terrific low-budget masterpiece that is as hauntingly effective today as ever.
**** out of ****
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