| Photos (see all 10 | slideshow) |
| Sat. July 11 | 3:30 AM | AMC |
| Anthony Hopkins | ... | Corky Withers / Voice of Fats | |
| Ann-Margret | ... | Peggy Ann Snow | |
| Burgess Meredith | ... | Ben Greene | |
| Ed Lauter | ... | Duke | |
| E.J. André | ... | Merlin | |
| Jerry Houser | ... | Cab driver | |
| David Ogden Stiers | ... | Todson | |
| Lillian Randolph | ... | Sadie | |
| Joe Lowry | ... | Club M.C. | |
| Bob Hackman | ... | Father | |
| Mary Munday | ... | Mother | |
| Brad Beesley | ... | Young Corky | |
| Scott Garrett | ... | Corky's brother | |
| Beverly Sanders | ... | Laughing lady | |
| I.W. Klein | ... | Maitre d'hotel | |
| Patrick McCullough | ... | Doorman | |
| Stephen P. Hart | ... | Captain | |
| rest of cast listed alphabetically: | |||
| Michael J. Harte | ... | Minister (as Michael Harte) | |
Directed by | |||
| Richard Attenborough | |||
Writing credits | ||
| William Goldman | (novel) | |
| William Goldman | (screenplay) | |
Produced by | |||
| C.O. Erickson | .... | executive producer | |
| Joseph E. Levine | .... | producer | |
| Richard P. Levine | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Victor J. Kemper | |||
Film Editing by | |||
| John Bloom | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Terence Marsh | |||
Art Direction by | |||
| Richard Lawrence | |||
Set Decoration by | |||
| John Franco Jr. | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Cherie | .... | hair stylist | |
| Lee Harman | .... | makeup artist | |
| Hallie Smith-Simmons | .... | makeup artist | |
Production Management | |||
| C.O. Erickson | .... | production manager | |
Art Department | |||
| John Rozman | .... | swing gang | |
| Sal Sommatino | .... | property master | |
| Michael White | .... | sketch artist | |
Sound Department | |||
| Clint Althouse | .... | sound boom | |
| Jonathan Bates | .... | sound editor | |
| Nigel Galt | .... | assistant sound editor | |
| Gerry Humphreys | .... | dubbing mixer | |
| Larry Jost | .... | sound mixer | |
| Patrick Yacono | .... | sound re-recording mixer: restoration | |
Special Effects by | |||
| Bob MacDonald Jr. | .... | special effects (as Robert MacDonald Jr.) | |
Stunts | |||
| Gregory J. Barnett | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert Marta | .... | assistant camera (as Bob Marta) | |
| Bruce McBroom | .... | still photographer | |
| Robert C. Thomas | .... | camera operator (as Robert Thomas) | |
Costume and Wardrobe Department | |||
| Michael J. Harte | .... | costumer: men (as Michael Harte) | |
| Shirlee Strahm | .... | costumer: women | |
Editorial Department | |||
| Dennis Erkel | .... | assistant editor | |
| Chris Ridsdale | .... | assistant editor | |
| Douglas Robertson | .... | associate editor | |
Music Department | |||
| Leonard A. Engel | .... | music editor (as Len Engel) | |
| Arthur Morton | .... | orchestrator | |
Other crew | |||
| Dennis Alwood | .... | ventriloquial consultant | |
| Michael Bailey | .... | consulting magician | |
| Robert Blair | .... | animal trainer: cat | |
| Robert Easton | .... | accent consultant | |
| Lew Horwitz | .... | consulting magician (as Lewis Horwitz) | |
| Sandy McLeod | .... | script supervisor | |
| Ann Skinner | .... | script consultant | |
| Patrick Watkins | .... | dialect advisor | |
| Michael White | .... | assistant to director | |
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| Body Double | City of Shoulders and Noses | Tightrope | Buffalo '66 | Lo strano vizio della Signora Wardh |
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While I admire Richard Attenborough the actor, I am not as enthusiastic about his work as a director. This is his best work as a director probably because as a good actor he realized the potential of the story that survives on the acting skills of the lead player. Attenborough's job was easy once he had a consummate actor in Anthony Hopkins to play the key role and provide the distinct voice of the dummy.
This film's highlights are the performances of Hopkins, Burgess Meredith and Ann-Margaret, in that order. Hopkins has matured over the years and in recent films like "Hannibal" and "Silence of the Lambs" is arresting to watch. Yet in "Magic", Attenborough is able to extract a superb performance in an otherwise above-average film.
The sequence between Hopkins and Meredith, where the dummy has to keep quiet for 5 minutes is the highlight of the film. Equally interesting is the editing (by John Bloom) of the two knifing sequences. To sum up, the acting, the low-budget direction (superior compared to "Gandhi" and "A Bridge too Far"), and the editing are the departments that are commendable in this film.