7.2/10
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Leave Yesterday Behind (1978)

Paul was injured while playing polo. He then learns that he is paralyzed from the waist down. Feeling despondent, he decides to go to his grandfather's ranch. He meets Marnie a horse ... See full summary »

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Cast

Complete credited cast:
...
Paul Stallings
...
Marnie Clarkson
...
Doc
...
Mr. Clarkson
Carmen Zapata ...
Connie
...
David Lyle
...
Betty Stallings
Walter Maslow ...
Howard Stallings
Lucia Stralser ...
Kim
Carol Ann Williams ...
Laura
Bruno Piergentili ...
Dan (as Dan Harrison)
Josh Hall ...
Biff
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Storyline

Paul was injured while playing polo. He then learns that he is paralyzed from the waist down. Feeling despondent, he decides to go to his grandfather's ranch. He meets Marnie a horse trainer. For some reason she decides that she wants to get him to get his head out of the sand that he placed it in since the accident. She finds herself falling for him and he for her, too. But he tries to resist cause he doesn't know what kind of future, he could give her, cause he fears that he could be impotent. Written by <rcs0411@yahoo.com>

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bikini | disability | See All (2) »

Genres:

Drama | Romance

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Release Date:

14 May 1978 (USA)  »

Also Known As:

Deixe ontem para trás  »

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1.33 : 1
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Did You Know?

Soundtracks

Leave Yesterday Behind
Lyrics & Music By Fred Karlin
Sung by Shandi Sinnamon
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User Reviews

 
It's too bad Nick at Nite doesn't come up with a cable-channel for TV movies like this
28 May 2001 | by (las vegas, nv) – See all my reviews

Young people just discovering "Three's Company" from Nickelodeon would probably love to see the TV-movies the cast made during their summer hiatus (Suzanne Somers played a nightclub singer in "Happily Ever After", Joyce DeWitt played a prospective bride in "With This Ring" and John Ritter takes a dramatic leap here as a paraplegic). Casting Ritter as a wheelchair-bound horse-lover who finds love post-accident with none other than Carrie Fisher was a wild idea--even in 1978--but it pays off. It's a very sincere, heartfelt drama that surprises us not with its message but with the frank dialogue courtesy writer Paul Harrison and nice chemistry between the leads.


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