| Photos (See all 24 | slideshow) | Videos |
| The Band | ... | Themselves | |
| Rick Danko | ... | Himself - Bass & Violin & Vocal (as The Band) | |
| Robbie Robertson | ... | Himself - The Band: Lead Guitar & Vocal | |
| Richard Manuel | ... | Himself - Piano / Keyboards / Drums / Vocal (as The Band) | |
| Levon Helm | ... | Himself - Drums / Mandolin / Vocal (as The Band) | |
| Garth Hudson | ... | Himself - Organ / Accordion / Saxophone / Synthesizers (as The Band) | |
| Eric Clapton | ... | Himself - Performer | |
| Neil Diamond | ... | Himself - Performer | |
| Bob Dylan | ... | Himself - Performer | |
| Joni Mitchell | ... | Herself - Performer | |
| Neil Young | ... | Himself - Performer | |
| Emmylou Harris | ... | Herself - Performer | |
| Ringo Starr | ... | Himself - Performer | |
| Paul Butterfield | ... | Himself - Performer | |
| Dr. John | ... | Himself - Performer | |
| Van Morrison | ... | Himself - Performer | |
| Ronnie Hawkins | ... | Himself - Performer | |
| The Staple Singers | ... | Themselves - Performer (as The Staples) | |
| Muddy Waters | ... | Himself - Performer | |
| Ron Wood | ... | Himself - Performer | |
| Michael McClure | ... | Himself - Performer (as Michael Mc Clure) | |
| Lawrence Ferlinghetti | ... | Himself - Performer | |
| Martin Scorsese | ... | Himself - Interviewer | |
| Jim Gordon | ... | Himself - Performer | |
| Tom Malone | ... | Himself - Performer | |
| Howard Johnson | ... | Himself - Performer | |
| Jerry Hey | ... | Himself - Performer (as Jerry Hay) | |
| Richard Cooper | ... | Himself - Performer | |
| Charlie Keagle | ... | Himself - Performer | |
| Larry Packer | ... | Himself - Performer | |
| rest of cast listed alphabetically: | |||
| Bob Margolin | ... | Himself - Playing Guitar with Muddy Waters | |
| Bill Graham | ... | Himself - At Edge of Stage (uncredited) | |
| Robert Charles Guidry | ... | Himself (uncredited) | |
| Pinetop Perkins | ... | Himself - Playing Piano with Muddy Waters (uncredited) | |
| Carl Radle | ... | Himself (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits | ||
| Mardik Martin | (treatment) | |
Produced by | |||
| L.A. Johnson | .... | line producer: concert | |
| Frank Marshall | .... | line producer: studio & documentary | |
| Steven Prince | .... | associate producer | |
| Robbie Robertson | .... | producer | |
| Jonathan T. Taplin | .... | executive producer (as Jonathan Taplin) | |
| Joel Chernoff | .... | producer (uncredited) | |
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Jan Roblee | |||
| Yeu-Bun Yee | |||
Production Design by | |||
| Boris Leven | |||
Set Decoration by | |||
| Anthony Mondell | |||
Makeup Department | |||
| Jim Gillespie | .... | makeup department head (uncredited) | |
Production Management | |||
| Mel Dellar | .... | unit production manager (as Melvin D. Dellar) | |
Second Unit Director or Assistant Director | |||
| Jerry Grandey | .... | first assistant director | |
| Linda McMurray | .... | second assistant director (as Linda Mc Murray) | |
| James Quinn | .... | first assistant director | |
Art Department | |||
| Jay Drevers | .... | construction coordinator: FM Productions | |
Sound Department | |||
| Ed Anderson | .... | chief technical engineer | |
| Rick Ash | .... | sound recording engineer | |
| Andy Bloch | .... | sound recording engineer | |
| Neil Brody | .... | sound recording engineer | |
| Steve Gagné | .... | sound: FM Productions (as Steve Gagne) | |
| Bill Henderson | .... | sound re-recording engineer | |
| Stephen Katz | .... | stereo sound consultant: Dolby (as Steve Katz) | |
| Tim Kramer | .... | sound recording engineer | |
| Paul Laune | .... | sound effects editor | |
| Jerry L. Levinson | .... | assistant sound effects editor | |
| Steve Maslow | .... | sound re-recording mixer | |
| Elliot Mazer | .... | sound recording engineer | |
| Richard Oswald | .... | sound effects editor (as Richard L. Oswald) | |
| Art Rochester | .... | sound recording engineer | |
| Nelson Stoll | .... | production sound mixer | |
| Stuart Taylor | .... | sound recording engineer | |
| Bill Varney | .... | sound re-recording mixer | |
| Jeremy Zatkin | .... | sound recording engineer | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
| Jack Snyder | .... | sound engineer (uncredited) | |
Visual Effects by | |||
| Dion Hatch | .... | roto artist (uncredited) | |
Editorial Department | |||
| Karen Hoenig | .... | assistant editor (as Karen V. Hoenig) | |
| Eric A. Sears | .... | assistant editor (as Eric Sears) | |
Music Department | |||
| Baker Bigsby | .... | music engineer/mixer | |
| Richard Cooper | .... | musician: horn | |
| Rick Danko | .... | composer: song "Life Is a Carnival" | |
| Rob Fraboni | .... | soundtrack production | |
| Jim Gordon | .... | musician: horn | |
| Levon Helm | .... | composer: song "Life Is a Carnival" | |
| Jerry Hey | .... | musician: horn (as Jerry Hay) | |
| Howard Johnson | .... | musician: horn | |
| Charlie Keagle | .... | musician: horn | |
| Tom Malone | .... | musician: horn | |
| Sonny Olivera | .... | music coordinator (as Sonny J. Olivera) | |
| Larry Packer | .... | musician: electric violin | |
| Robert H. Raff | .... | music editor | |
| John Simon | .... | music producer: concert music | |
| Kenneth Wannberg | .... | music editor (as Ken Wannberg) | |
Thanks | |||
| Lisa Altamirano | .... | special thanks: featured dancer (as Lisa Mariea Altamirano) | |
| David A. Braun | .... | special thanks | |
| Bob Cato | .... | special thanks | |
| Michael DeTemple | .... | special thanks (as Michael De Temple) | |
| Douglas Dilge | .... | special thanks: The Film League Inc. (as Doug Dilg) | |
| Marshall Gelfand | .... | special thanks | |
| Henry Glover | .... | special thanks | |
| Steven Gok | .... | special thanks: featured dancer | |
| Lance Grode | .... | special thanks | |
| Albert Grossman | .... | special thanks | |
| Connie Hayes | .... | special thanks | |
| Blaine Novak | .... | special thanks: The Film League Inc. | |
| Bob Oppenheim | .... | special thanks | |
| Mo Ostin | .... | special thanks | |
| Sara Owen | .... | special thanks | |
| Thomas Rarick | .... | special thanks: Berkeley Promenade Orchestra | |
| Tom Rashford | .... | special thanks | |
| Ken Regan | .... | special thanks | |
| Bill Rose | .... | special thanks | |
| Tom Ross | .... | special thanks | |
| Amy Sayres | .... | special thanks: The Film League Inc. | |
| Thelma Schoonmaker | .... | special thanks | |
| Russell Schwartz | .... | special thanks: The Film League Inc. | |
| Barry Siegel | .... | special thanks | |
| Paul Wasserman | .... | special thanks | |
| Mary Wilkinson | .... | special thanks: The Film League Inc. | |
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| Message to Love: The Isle of Wight Festival | The Concert for Bangladesh | Festival Express | The Hellacopters: Goodnight Cleveland | Gimme Shelter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Either I'm getting older or the world's getting younger, but when a rock concert documentary film airs on TCM, there should be some sort of pause for a reality check. In a salute to WALTZ'S director Martin Scorsese, the film aired on TCM over the New Year's weekend. I hadn't seen it or thought about it in 25 years. And all I can say is that it hasn't lost any of its power. (And this from someone who's never been to a live rock concert.) The stars of the film- the all-purpose backup and touring band called 'The Band-' give a simple but enlightening insight to the mechanics of their 16 years on the road and how their Thanksgiving Day final concert in San Francisco turned into a revival-like celebration. Even though I grew up on jazz music more so than rock, I can fully appreciate The Band's intense, immense music background- influenced by everything from blues to country to folk music. As for the concert itself you have the likes of Neil Young, Ron Wood, Joni Mitchell, Van Morrison, Muddy Waters, and Dr. John (who gives a standout, honky-tonk performance of "Such A Night,") kickin' it on stage before it's all over. And if these live performances weren't enough, there are additional performances done on a sound stage with artists that weren't part of the live show woven into the 117-minute film: a fabulous folk/gospel jam session of the song "The Weight" teamed with the Staples Singers (lead by Mavis Staples, who sounds very Gladys Knight-like) and about thirty minutes later shifting gears into the lovely folk ballad "Evangeline," replete with fiddle, mandolin, and acoustic guitar from Emmylou Harris. Also cool is Muddy Waters bluesing on "Ain't that a Man," and the finale with all the artists of "I Shall Be Released." You just might be.