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The Last Waltz (1978)

8.2
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Ratings: 8.2/10 from 11,209 users   Metascore: 88/100
Reviews: 107 user | 69 critic | 14 from Metacritic.com

A film account and presentation of the final concert of The Band.

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Title: The Last Waltz (1978)

The Last Waltz (1978) on IMDb 8.2/10

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2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
The Band ...
Themselves
Rick Danko ...
Himself - Bass & Violin & Vocal (as The Band)
...
Himself - The Band: Lead Guitar & Vocal
Richard Manuel ...
Himself - Piano / Keyboards / Drums / Vocal (as The Band)
...
Himself - Drums / Mandolin / Vocal (as The Band)
Garth Hudson ...
Himself - Organ / Accordion / Saxophone / Synthesizers (as The Band)
...
Himself - Performer
...
Himself - Performer
...
Himself - Performer
...
Herself - Performer
...
Himself - Performer
...
Herself - Performer
...
Himself - Performer
Paul Butterfield ...
Himself - Performer
...
Himself - Performer
Edit

Storyline

Thanksgiving, 1976, San Francisco's Winterland: the Band performs its last concert after 16 years on the road. Some numbers they do alone, some songs include guest artists from Ronnie Hawkins (their first boss, when they were the Hawks) to Bob Dylan (their last, when as his backup and as a solo group, they came into their own). Scorsese's camera explores the interactions onstage in the making of music. Offstage, he interviews the Band's five members, focusing on the nature of life on the road. The friendships, the harmonies, the hijinks, and the wear and tear add up to a last waltz. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

It Started as a Concert. It Became a Celebration. [original theatrical] See more »

Genres:

Documentary | Music

Certificate:

PG | See all certifications »
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Details

Official Sites:

Country:

Language:

|

Release Date:

26 April 1978 (USA)  »

Also Known As:

El último vals  »

Box Office

Opening Weekend:

$16,151 (USA) (5 April 2002)

Gross:

$321,952 (USA) (24 May 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Shot on Thanksgiving 1976 at the Winterland Ballroom in San Francisco, Ca. See more »

Goofs

During Garth Hudson's solo in the song "Stagefright", the entire song cuts forward approximately 25 seconds. See more »

Quotes

Richard Manuel: [describing how The Band got its name] Well, we were The Hawks.
Robbie Robertson: And everything was fine, we were sailing along, and all of a sudden, one day The Hawks meant something else altogether.
Richard Manuel: And it was right in the middle of that whole psychedelia. Chocolate Subway, Marshmallow Overcoat. Those kind of names, you know?
Robbie Robertson: When we were working with Bob Dylan and we moved to Woodstock, everybody referred to us as the band. He called us the band, our friends called us the band, our neighbors called us the ...
[...]
See more »

Crazy Credits

At the beginning of the film it just says: "THIS FILM SHOULD BE PLAYED LOUD!" See more »

Connections

Spoofed in This Is Spinal Tap (1984) See more »

Soundtracks

"Baby Let Me Follow You Down'
Written by Gary Davis' and Eric Von Schmidt
Performed by Bob Dylan with The Band
See more »

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User Reviews

Glare of the Spotlight
11 January 2005 | by (Alabama) – See all my reviews

This movie was only a name to me until I saw it last year. Immediately, I was riveted by everything about it. I've always been a casual fan of The Band, and of Levon Helm in particular. However, I'd never been bowled over by Bob Dylan, except as a songwriter, so much of The Band's work remained unknown to me as well. I wouldn't say I've become a rabid fan, but I am much more interested in their work, now.

It's a Scorsese film--how could it not be beautifully photographed, but Scorsese managed a difficult feat: he keeps himself out of the movie, except as interviewer during those sequences. This is not really Scorese's vision of a rock concert. It happened mostly organically, certainly with mistakes, gaffes and grit. This is part of its charm.

There are better singers than the guys in The Band, but few better musicians. This can be illustrated with Robbie Robertson in the Clapton song: Clapton's guitar strap comes off and Robertson, with one beat, picks right up on the solo. It looked planned, but wasn't. Joni Mitchell was notoriously hard to back up, due to her original guitar tuning, and ragged song phrasing, but bassist Rick Danko fills in every space with intricate bass figuring.

Perhaps we have become too accustomed to the overwrought, over-hyped, overproduced, overexposed, shiny gack that passes for popular music to appreciate the raw, the imperfect, the sheer humanness of this music. Scorsese shows it all. The guys in The Band were largely worn out and sometimes strung out in the interviews. They are tired, scrawny, empty-eyed from the excesses of the road. Rick Danko is hovering on the ragged edge, as his band is dissolved, and he says his goal is to "keep busy." Richard Manuel looks lost as he says "I just want to break even." These are two musicians who desperately needed the music, but who were murdered by the road. We see their bleak destinies in their eyes in this film.

It is bittersweet certainly, but also a moment in time, crystallized into something great by the music, the love of friends, the willingness of the director to simply stand back and allow the music to happen. It also reminds us what good music used to sound like and makes me wish could exist again.


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