Martin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and ... See full summary »
Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his ... See full summary »
In the late Spring of 1970, nationwide protests against the war in Vietnam focused in the Wall Street area of New York City and ultimately in a major anti-war demonstration in Washington, ... See full summary »
Thanksgiving, 1976, San Francisco's Winterland: the Band performs its last concert after 16 years on the road. Some numbers they do alone, some songs include guest artists from Ronnie Hawkins (their first boss, when they were the Hawks) to Bob Dylan (their last, when as his backup and as a solo group, they came into their own). Scorsese's camera explores the interactions onstage in the making of music. Offstage, he interviews the Band's five members, focusing on the nature of life on the road. The friendships, the harmonies, the hijinks, and the wear and tear add up to a last waltz. Written by
Guitarist Robbie Robertson's microphone is off through most of the show. He is seen singing at full strength, but no vocal from his microphone ends up in the film. (When Neil Young is singing the first verse of "Helpless," Robertson can be seen in the background mistakenly launching into the chorus as Young continues the verse. The words sung by Robertson are unheard despite the nearby microphone, and bassist Rick Danko can be seen telling Robertson he came in too soon.) See more »
During Garth Hudson's solo in the song "Stagefright", the entire song cuts forward approximately 25 seconds. See more »
[describing how The Band got its name]
Well, we were The Hawks.
And everything was fine, we were sailing along, and all of a sudden, one day The Hawks meant something else altogether.
And it was right in the middle of that whole psychedelia. Chocolate Subway, Marshmallow Overcoat. Those kind of names, you know?
When we were working with Bob Dylan and we moved to Woodstock, everybody referred to us as the band. He called us the band, our friends called us the band, our neighbors called us the ...
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During the United Artists opening logo the sound of the filmmakers getting ready to shoot the first sequence of the film (Rick Danko playing pool, which it leads right into) can be heard. See more »