Tilt is the story of a young girl, who is a pinball machine wizard. Because she does not get on with her parents, Tilt is contemplating running away from home, and skipping school one day ... See full summary »
It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to... See full summary »
Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them ... See full summary »
Romantic drama following the fortunes of a drifter named Beaudray Demerille (Peter Fonda) who wins a young orphan named Wanda (13-year-old Brooke Shields) in a poker game and takes her gold... See full summary »
Wife is cheating her husband and the husband is cheating her back with her lover's girlfriend. The two cheating couples decide to go to a resort but they unintentionally pick the same one. Hilarity ensues.
Eric Roberts makes an impressive screen debut as Dave, grandson of the aging King Zharko, who is chosen by him to lead the gypsy clan at his death. Dave's only inclination is to join the American mainstream, but he knows that the mantle of gypsy power cannot be taken lightly or denied. Written by
This movie was panned by critics, but it seems to have gained cult status among those who like 70s films.
I liked it simply for its fascinating subject--Gypsies in modern day urban America.
This is certainly not a definitive study of the culture, but it is exciting and most of the acting is solid. Roberts and Shields are incredibly beautiful, and the cinematography has that ripe, but overcast look you see in so many films released during the era. Stephane Grapelli's violin in the background adds weight to the glorious score.
The biggest downside is Sterling Hayden's performance. His voice tends to rupture and bark in its heaviness; it lacks nuance. Also, I sometimes felt embarrassed for Sarandon. Though she was perfectly cast, she seems embarrassed herself at times; there is a brief scene where she has to dance, and her body language suggests she's thinking "Do I still have time to reconsider?" Another problem is the continuity. Where was the script supervisor? Shield's character was supposedly born in the 1940s, but when we see her again as a young teenager, it is clearly the late 1970s. You hear Disco in the background, see the long leather coats, and wait for John Travolta to make a grand entrance.
But enough of my nit-picking. Maybe this is not the finest film, but it is indeed a *fun* film. The subject is intriguing, and the plot itself is good. What it lacks in directorial perfection, it makes up for in soul.
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