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KISS Meets the Phantom of the Park (1978)

The tale of rock band KISS and their efforts to thwart a diabolical plan by mad scientist Abner Devereaux. Devereaux has found a way to clone humans into robots in his laboratory at an ... See full summary »

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(as Jan-Michael Sherman),
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Cast

Cast overview, first billed only:
...
Cat Man
...
Space Ace
...
...
Star Child
...
Abner Devereaux
Carmine Caridi ...
Calvin Richards
Deborah Ryan ...
Melissa
...
Chopper
John Lisbon Wood ...
Slime
...
Dirty Dee
John Chappell ...
Snede
Terry Lester ...
Sam
...
Himself
Richard Hein ...
Guard
...
Guard
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Storyline

The tale of rock band KISS and their efforts to thwart a diabolical plan by mad scientist Abner Devereaux. Devereaux has found a way to clone humans into robots in his laboratory at an amusement park. It just so happens that he plans to uses the KISS concert as a platform to unleash his plan on the world. KISS must use their special powers to stop him. Written by Josh Pasnak <chainsaw@intouch.bc.ca>

Plot Summary | Add Synopsis


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Release Date:

28 October 1978 (USA)  »

Also Known As:

Kiss Meets the Phantom  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

According to Paul Stanley in VH1's "KISS: Behind The Music", Ace Frehley often failed to show up during shooting, so Ace's stunt double, an African-American, had to act in some scenes and fill in for Ace on some of the fight scenes. The stunt double's voice was overdubbed to sound like Ace (there are differing versions as to whether Ace or a sound-alike did the overdubbing). See more »

Goofs

Despite playing three nights, the audience is filled with the same people in the same clothes. See more »

Quotes

Abner Devereaux: I'm sorry, my dear, this is a restricted area. Only authorized personel are permitted.
Melissa: Oh, I'm sorry. I'm looking for Mr. Devereaux.
Abner Devereaux: I'm Mr. Devereaux.
Melissa: Oh, well, I'm looking for Sam Farrell. I was told you might be able to help me.
Abner Devereaux: Well, perhaps I can. I'll activate the elevator mechanism. You step inside.
See more »

Connections

Referenced in DVD-R Hell: Rock: It's Your Decision (2011) See more »

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User Reviews

The "Citizen Kane" of Generation X
7 March 2003 | by (Safe and Secure in the KISS Army Barracks) – See all my reviews

I'm going to assume that you, the reader, have already been privileged enough to view this masterpiece. Most likely, like most of the world's population, you have seen it multiple times and probably own your own copy, as I do. I will also go out on a limb and assume that you are aware of Gene Simmons' acting chops. They speak for themselves. Here we see a master thespian at the peak of his craft, eliciting emotions and feelings as only one as trained and skilled as he can do. Assuming you already know these things, I will spare you intricate plot details and my hypothesis on all of the metaphors and double-entendres that exist in this cinematic celluloid achievement. What we've got here is a cultural landmark the likes of which may not be fully understood for centuries to come. Like "Riding With Death" and Steven Speilberg's "2001: A Space Odyssey" before it, "KISS Meets a Phantom in a Park (1978) (TV)" asks questions of the mind, heart, body and soul. Where Speilberg failed, George Lucas succeeds with this film, his directorial debut. And what a stellar debut it is. Originally titled "KISS in Attack of the Phantom", Lucas wisely retitled the film due to his imminent release 20 years later of the similarly titled films "Attack of the Clones" and "The Phantom Menace". Whatever title he chose, "KISS Meets the Phantom in a Park (1978) (TV)" surpasses those two films by leaps and bounds, and indeed is even vastly superior to the 1982 original "Star Wars". Though released in (1978) for (TV), the special effects and brilliant stunt work were far ahead of their time and truly belonged on the big screen. Only with `The Star Wars Holiday Special' and perhaps "Corvette Summer" would Lucas come close to the greatness he ultimately captured in "KISS in KISS Meets a Phantom in a Park Who Attacks Them (1978) (TV)". Sadly, he would never approach that level of mastery again, though some (myself included) would argue that his Executive Producer credit on "Glitter" should have earned him an Oscar. To sum up, an overall brilliant film, utterly bereft of flaws. A timeless and intriguing piece of work that to this day does not fail to frighten, educate, thrill, and provoke thought. This is the quintessential Rock and/or Roll film that writer/director/star Kevin Costner tried to bring to fruition in his half-baked, ill-fated, ill-received 1984 film `Pink Floyd: The Wall'. Costner failed, and failed miserably. Of course he would go on to make some of the best short films of all time, including `Waterworld' and `The Postman', but neither he, nor anyone else would ever attempt again to match the glory, mystique and power of the film that is `KISS Star in a Phantom Meeting In The Park (TV) (1978)'.


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