5 user 2 critic

Joyride to Nowhere (1977)

PG | | Action, Crime | June 1977 (USA)
Teenage friends Cindy and Leah have decided to leave their abusive homelives behind, stealing Cindy's father's car and setting out on the road to freedom. On the way, they meet up with a ... See full summary »


, (as Ronald Ross)


(as Buck Flower), (as John Goff) | 2 more credits »


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Cast overview, first billed only:
Sandy Alan ...
Cindy (as Sandy Serrano)
Tank McCall
Ronald C. Ross ...
Curly (as Ronald Ross)
Speed Stearns ...
Gary Gabelich ...
Dino Nova ...
Jan Curnow ...
Bill Drake ...
Mike Dunn ...
Policeman #1
Linda Gary ...
Boutique Clerk
Barry Hamilton ...


Teenage friends Cindy and Leah have decided to leave their abusive homelives behind, stealing Cindy's father's car and setting out on the road to freedom. On the way, they meet up with a sleazy guy named Tank who invites them up to his place. As Tank showers, the two girls decide to take off, stealing Tank's wallet and his car. His car, however, happens to contain $2 million from a bank job he just pulled off, and Tank is now rather intent on tracking the pair down and reclaiming what's his. Written by Jean-Marc Rocher <rocher@fiberbit.net>

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SEE: Jungle Jim Lieberman's Pontiac Funny Car and a $20,000 Custom Mustang Pro Stock Get Totally Flattened! See more »


Action | Crime


PG | See all certifications »




Release Date:

June 1977 (USA)  »

Also Known As:

Baby Dolls  »

Filming Locations:

Company Credits

Production Co:

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Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


The script for this film was written in four days. See more »


In the final chase scene, even though there are two girls, some shots only show the driver. See more »


Referenced in Missing Reel: Car Chase Pictures (2014) See more »


Big Willie
Special Music & Lyrics by Ronald C. Ross (as Ronald Ross) and Jim Gitter
See more »

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User Reviews

Hitchin' a ride
24 February 2008 | by See all my reviews

One of the things I find most interesting about the very fertile 1970's period of exploitation cinema was all these subgenres (or sub-subgenres) that existed back then. For instance, you had disaster movies, satanist movies, rape-revenge movies, bigfoot movies, sexy cheerleader movies, nature-gone-amok movies, "hicksploitation" movies, killer kid movies, "roughie" porn movies, Manson Family exploitation movies, ad infinitum. A small but interesting subgenre that not much has ever been written about, however, is the sexy female hitchhiker movies. These are sometimes thrown in with the much larger "road movie" genre, but they're very different in many ways. It is admittedly kind of loose subgenre that varies from cautionary TV movies like "Diary of a Teenage Hitchhiker" to cult oddities like "The Pick Up" and "Hitchhike to Hell" to softcore/sexploitation flicks like "Pets" (there were also no doubt some hardcore entries I'm unaware of). This movie is about two teenage friends who leave their depressing lives (one of them is pregnant) to seek their fortunes in Los Angeles. They're hit on by about every guy they meet including a motel night clerk, a skeevy traveling salesman played by Les "Uncle Leo" Lesser, and a grossly overweight, small-town crime boss played by the director himself. The main conflict begins after they steal and go "joyriding" in the crime boss' car, not knowing that the trunk contains the proceeds of armored car heist.

This movie is kind of a mixed bag, but generally I liked it. The two girls do have some inane conversations as the other reviewers said (they spend an inordinate amount of time discussing toothpaste), but they're likable, especially the confident, larcenous brunette (Leslie Ackerman), who actually has some pretty good lines: "I'm not about to stay around here and make the bedsprings squeak with Jellyroll" (referring to the fat, lecherous gangster/director). The girls are both attractive (if pretty unconvincing as high school students) and the lack of anything resembling nudity is pretty regrettable (the TV movie "Diary of a Teenage Hitchhiker" with an underdressed, pre-"Dallas" Charlene Tilton was a lot more sexy frankly), but it didn't bother me THAT much. It is refreshingly politically incorrect, and the ending is kind of sappy, but also kind of cynical in that 70's way.

The director Mel Welles was not exactly an auteur, but he had an interest career starting out as an actor for Roger Corman and directing no-budget minor cult items like "Lady Frankenstein" and "The Maneater of Hydra" in Europe. He gets the most out of a low-budget and keeps things movie despite the occasional clunky dialogue scene(and he bravely casts himself in a pretty unflattering role). And if you like this, you might also want to check out "Girls on the Road", which is very similar but made earlier in the 70's.

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