The Doolan family are trying to make a go in the freight hauling business in Queensland, Australia. The problem is it's the 1920's, the Doolans use horses and motorized vehicles can do it ... See full summary »
Dorothy Hunter is an heiress of untold wealth. She believes no one will love her for herself and not for her money, so she pretends to be her secretary Sylvia while Sylvia pretends to be ... See full summary »
In the 1840s, Lübeck is a dominating commercial town on the Baltic coast, and the Buddenbrooks are among the town's first families. Consul Jean Buddenbrook has two sons, Thomas and ... See full summary »
A psychotherapist attempts to rehabilitate a convict in his home after he breaks in. The criminal cooperates rather than being handed over to the police. The therapist's wife becomes ... See full summary »
A boy who is believed to bring bad luck to everyone around him leads his family and two new friends through Laos to find a new home. After a calamity-filled journey through a land scarred ... See full summary »
Brothers Francis and Douglas Oberon, find themselves cut off from the family fortune by their late grandmother's will. Their distant cousin (once removed), maidservant Antoinette "Toni" ... See full summary »
The Doolan family are trying to make a go in the freight hauling business in Queensland, Australia. The problem is it's the 1920's, the Doolans use horses and motorized vehicles can do it faster. The proud father Paddy has difficulty accepting change.
What a gorgeous EPIC film! This is one of the Australian Film Industry's most beautifully made really BIG films of the 70s...and also one of its almost completely forgotten. Made at a time when there were many period piece films THE IRISHMAN is actually the very best of them. Somewhere between Picnic At hanging Rock and Gallipoli Australia musty have produced 20 horsey movies set in the country. Sadly, in its day, it was just another film, but seen apart from the mob, this one is the most perfectly photographed, heartfelt, optimistic and realistic family features made in this country. Unrelentingly exquisite to watch, with engaging and genuine characters and a sensational cast, THE IRISHMAN is the one Australian film from the late 70s that deserves a major re discovery. A widescreen DVD of this film will be late entry masterpiece into everyone's collection. Apparently the archive in Australia is about to produce a new 35mm print and I can only say it will be one of their most satisfying parts of the collection possible. It may not be available internationally for a while, but collectors from the US and UK and European countries should track this down and buy a copy. One day.
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