In Nazi-occupied Paris, a young accompanist named Sophie Vasseur gets a job with famed singer Irene Brice. As Irene's husband Charles, a businessman collaborating with the Nazis, wrestles ... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
In a vacation camp somewhere in the French country, 1960. Marc et Philippe are two of the counsellors. Marc is very virile, while Philippe is more reserved. A night, Marc surprises Philippe... See full summary »
Based on the real life of Dr. Marcel Petiot: During world war II Petiot, an MD living in occupied Paris, promised to help wealthy Jewish people among his patients to flee occupied France ... See full summary »
Christian de Chalonge
Based on Nikolai Gogol's story with the location changed from Russia to Italy and the time changed to the present (1952), the story is about a poor city-hall clerk (Renato Rascel) whose ... See full summary »
The first remake of the paranoid infiltration classic moves the setting for the invasion from a small town to the city of San Fransisco and starts as Matthew Bennell notices that several of his friends are complaining that their close relatives are in some way different. When questioned later they themselves seem changed as they deny everything or make lame excuses. As the invaders increase in number they become more open and Bennell, who has by now witnessed an attempted "replacement" realises that he and his friends must escape or suffer the same fate. But who can he trust to help him and who has already been snatched? Written by
Mark Thompson <email@example.com>
Robert Duvall, who had previously worked with Director Philip Kaufman on _The Great Northfield Minnesota Raid (1972)_, happened to be in San Francisco at the time of filming and shot his only scene for free. See more »
When the running man has his fatal "accident," two cars cross the intersection twice: a maroon Beetle with gray front wheel guards and a green car. We don't see the impact, hidden by a green commercial van, but from the impact timing, the second Beetle had to be the vehicle to strike him. The policeman arrives with the second green car. As they turn right on red, the vehicles parked across the street from the accident suddenly change. The green car has diagonally parked at the scene ahead of the victim, its red parka-wearing driver looking on, but the Beetle is nowhere to be seen. See more »
[Elizabeth and Matthew are captured by snathcers in the Health Department office. Kibner gives them sedatives, so that they can be snatched while asleep]
Listen, we're not the last humans left. There are people who will fight you. They will find out what you're doing here.
They'll stop you.
Dr. David Kibner:
In an hour... you won't want them to. In an hour, you'll be one of us.
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Alive and richly done, with some great performances!
Invasion of the Body Snatcher (1978)
The original 1950s version of this movie is such a favorite of mine, I hesitated to watch this one. But fear not. This is great, too. It's got the same theme, but very richly and creatively rendered, some superb photography, great night stuff, and most importantly, great acting by the key 3 or 4 people.
Director Philip Kaufman works sporadically as director and writer (he hit it big with "Raiders of the Lost Ark") and he clearly has a unique and somewhat fearless vision that remains rooted in Hollywood sensibilities. That is, this is no independent film, yet it's creative.
And it's scary. Between the development of fear over the actual biological invasion, and the old fashioned chase and hide sequences, this is a tense movie. But yet it's convincing, given the realistic, nuanced acting by the main couple, Donald Sutherland (as a Health Department official) and Brooke Adams (as a lab analyst in the same department). Of course, what happens isn't believable at all, somehow, but it's so close to feasible, and in fact so close to what we live with already (some people without feelings, out for themselves, part of a conspiracy, etc.), it isn't hard to pull it off.
Cinematographer Michael Chapman is about as good as it gets in the Hollywood vein, polished and with amazing, varied lighting (he also did "Raging Bull," "The Fugitive," and "Taxi Driver," for starters). So this movie works on every level. The one thing it isn't, of course, is original, but as a remake, we have to take it for how it handles it, 1970s style. Impressive.
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