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Invasion of the Body Snatchers (1978)

 -  Horror | Sci-Fi  -  20 December 1978 (USA)
7.4
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Ratings: 7.4/10 from 29,910 users  
Reviews: 151 user | 153 critic

In San Francisco, a group of people discover the human race is being replaced one by one, with clones devoid of emotion.

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Cast

Cast overview, first billed only:
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Lelia Goldoni ...
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Don Siegel ...
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Stan Ritchie ...
David Fisher ...
Tom Dahlgren ...
Garry Goodrow ...
Jerry Walter ...
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Storyline

The first remake of the paranoid infiltration classic moves the setting for the invasion from a small town to the city of San Fransisco and starts as Matthew Bennell notices that several of his friends are complaining that their close relatives are in some way different. When questioned later they themselves seem changed as they deny everything or make lame excuses. As the invaders increase in number they become more open and Bennell, who has by now witnessed an attempted "replacement" realises that he and his friends must escape or suffer the same fate. But who can he trust to help him and who has already been snatched? Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

From deep space... See more »

Genres:

Horror | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

20 December 1978 (USA)  »

Also Known As:

Los usurpadores de cuerpos  »

Box Office

Budget:

$3,500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Dolby Stereo)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Matthew's story/joke goes as follows. The British are trapped in the Sahara and are surrounded by the Germans. One day, an officer makes an announcement: "I have good news and bad news. The bad news is, we have no food but camel poop. The good news is, there is plenty of it." See more »

Goofs

When pods attack Matthew and the others at Matthew's house, four bodies form in the yard, yet Nancy isn't asleep. She's shown wide awake, and she's the one who wakes the others when she goes outside and sees the bodies growing. If the pods can only attack when the human victim is asleep, there should have only been three bodies. See more »

Quotes

Elizabeth Driscoll: I keep seeing these people, all recognizing each other. Something is passing between them all, some secret. It's a conspiracy, I know it.
Matthew Bennell: There can't be a conspiracy!
Elizabeth Driscoll: Matthew, I'm telling you something is going on here.
See more »

Connections

Referenced in The World's End (2013) See more »

Soundtracks

De La Tromba Pavin
As performed by the Julian Bream Consort
Courtesy of RCA Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Alive and richly done, with some great performances!
9 October 2010 | by (United States) – See all my reviews

Invasion of the Body Snatcher (1978)

The original 1950s version of this movie is such a favorite of mine, I hesitated to watch this one. But fear not. This is great, too. It's got the same theme, but very richly and creatively rendered, some superb photography, great night stuff, and most importantly, great acting by the key 3 or 4 people.

Director Philip Kaufman works sporadically as director and writer (he hit it big with "Raiders of the Lost Ark") and he clearly has a unique and somewhat fearless vision that remains rooted in Hollywood sensibilities. That is, this is no independent film, yet it's creative.

And it's scary. Between the development of fear over the actual biological invasion, and the old fashioned chase and hide sequences, this is a tense movie. But yet it's convincing, given the realistic, nuanced acting by the main couple, Donald Sutherland (as a Health Department official) and Brooke Adams (as a lab analyst in the same department). Of course, what happens isn't believable at all, somehow, but it's so close to feasible, and in fact so close to what we live with already (some people without feelings, out for themselves, part of a conspiracy, etc.), it isn't hard to pull it off.

Cinematographer Michael Chapman is about as good as it gets in the Hollywood vein, polished and with amazing, varied lighting (he also did "Raging Bull," "The Fugitive," and "Taxi Driver," for starters). So this movie works on every level. The one thing it isn't, of course, is original, but as a remake, we have to take it for how it handles it, 1970s style. Impressive.


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