In 1896, three whalers are stranded in the Arctic North Canada and seek refuge with an Eskimo tribe. Gradually they gain control with the Eskimo village and introduce gambling, booze, theft... See full summary »
Louis Gossett Jr.
The first remake of the paranoid infiltration classic moves the setting for the invasion from a small town to the city of San Fransisco and starts as Matthew Bennell notices that several of his friends are complaining that their close relatives are in some way different. When questioned later they themselves seem changed as they deny everything or make lame excuses. As the invaders increase in number they become more open and Bennell, who has by now witnessed an attempted "replacement" realises that he and his friends must escape or suffer the same fate. But who can he trust to help him and who has already been snatched? Written by
Mark Thompson <firstname.lastname@example.org>
Among the sounds Ben Burtt used for the pod growing scene, the heartbeat came from an ultrasound recorded on his pregnant wife. The pod screams were recorded pig squeals. Additionally, the natural diegetic sounds (crickets, birds chirping) fade as the film progresses, until only mechanical sounds (sirens, the garbage trucks) are heard. See more »
When Matthew Bennell is on the phone with the police, he reports that the accident which caused the death of Kevin McCarthy's character occurred at Leavenworth and Turk Streets. The accident actually occurred at Leavenworth and Eddy Streets, and both street signs are visible in the film. See more »
[Matthew finds that she has fallen asleep and has become a pod]
There's nothing to be afraid of. They were right. It's painless. It's good. Come. Sleep. Matthew.
[Matthew begins to back away]
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The story we have here, filmed once before in 1956 (I haven't seen that version) and once again later, in 1994, is so strong and thought-provoking that even a just-adequate film based on it would be quite effective. This 1978 remake goes beyond "just-adequate", though. It's a creepy, scary chiller, and also one of the most intellectual films of this genre I've ever seen. Maybe it lags in a few places, but excellent performances, methodical direction and a LITERALLY chilling finale make it first-class entertainment. (***)
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