7.5/10
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Interiors (1978)

PG | | Drama | 2 August 1978 (USA)
Three sisters find their lives spinning out of control in the wake of their parents' sudden, unexpected divorce.

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Nominated for 5 Oscars. Another 9 wins & 11 nominations. See more awards »
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Cast

Complete credited cast:
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Flyn
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Joey
...
Frederick
...
...
Arthur
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Eve
...
...
Mike
Missy Hope ...
Young Joey
Kerry Duffy ...
Young Renata
Nancy Collins ...
Young Flyn
Penny Gaston ...
Young Eve
Roger Morden ...
Young Arthur
Henderson Forsythe ...
Judge Bartel
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Storyline

The story of a very dysfunctional family and what happens when the parents divorce. Eve (Geraldine Page) and Arthur (EG Marshall) are a 60-something couple, recently separated. They have three adult daughters - Renata (Diane Keaton), Joey (Mary Beth Hurt) and Flyn (Kristin Griffith). Renata is a poet and is married to Frederick (Richard Jordan). Joey is (reluctantly) in advertising and is married to Mike (Sam Waterston). Joey is a film and TV actress. Eve is an incredibly negative woman and this has had a toxic effect on her children. This results in stifling, unsupportive relationships and joyless lives. Written by grantss

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

2 August 1978 (USA)  »

Also Known As:

Anhedonia  »

Box Office

Budget:

$10,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie is considered to be inspired by and modeled on the works of writer Anton Chekhov. See more »

Goofs

In the church, Eve knocks over a table of candles and broken glass is heard as they clatter to the floor. But as she leaves, there's not one candle on the ground. See more »

Quotes

Eve: You spoke to my analyst about this behind my back? How could you! This is humiliating!
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Connections

Featured in Woody Allen: A Life in Film (2002) See more »

Soundtracks

Keepin' Out of Mischief Now
(1932)
Written by Fats Waller (uncredited) & Andy Razaf (uncredited)
Performed by Tommy Dorsey & His Orchestra (as Tommy Dorsey and His Orchestra)
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User Reviews

 
One of Woody Allen's most underrated films
9 March 2014 | by (United Kingdom) – See all my reviews

Interiors is one of the most divisive films of one of the most love-it-hate-it directors. For me Interiors is not one of Allen's best films(Annie Hall, Crimes and Misdemeanours, Manhatten, Hannah and Her Sisters, Husbands and Wives) with some dialogue monologues that ramble on a bit too much, but when it comes to his most underrated films Interiors is very high on the list. It is very easy to see why people wouldn't like it with how bleak it is and how it's different from much of what Allen has done, but those are hardly reasons to dismiss Interiors because apart from the occasional rambling it is a great film. It is very stylishly shot with good use of locations, probably Allen's second most visually striking 70s film after Manhattan. Like Annie Hall, there's no music score and that's not a bad thing at all, Interiors is a very intimate and intricate film and having no music added to that quality. Much of the dialogue is full of insight and pathos, to me it did have dramatic weight and it is one of Allen's most honest films along with Husbands and Wives. The screenplay is not "funny" as such and is not as quotable as Annie Hall, but it wasn't ever meant to be. The story is paced deliberately but how Interiors was written and performed ensures that it isn't dull, it was very moving(personally it didn't topple into melodrama) and layered storytelling- didn't notice any convolutions- deftly handled. Allen directs assuredly in one of his more restrained directing jobs. The characters are neurotic and not the most likable, but are written and performed with such compelling realism that in the end there is some sympathy felt for them. The cast was a talented one in the first place, and none of them disappoint. Especially good are Geraldine Page, in one of her best performances, in very frightening and heart-breakingly tormented form and Mary Beth Hurt, the centrepiece of the story and is very affecting. Maureen Stapleton is a breath of fresh air as the most lively character- an anti thesis to the rest of the characters but not an out of place one- and E.G. Marshall brings a great deal of quiet dignity. Diane Keaton when it comes to Woody Allen films is better in Annie Hall and Manhattan but plays a purposefully shrill character with gusto. Richard Jordan and Sam Waterson are fine. Kristin Griffith is good too but her part seemed underwritten. All in all, won't be for everybody but a great film from personal perspective and one of Woody Allen's most underrated. 9/10 Bethany Cox


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Anyone know what Bergman thought? platinumwindow7
Just really dysfunctional mariadarling
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This is THE most depressing movie I have ever seen. tania2020s
So, is this what Woody thinks of women? trob226
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