| Tom Berenger | ... | Andras Vayda | |
| Karen Black | ... | Maya | |
| Susan Strasberg | ... | Bobbie | |
| Helen Shaver | ... | Ann MacDonald | |
| Marilyn Lightstone | ... | Klari | |
| Alexandra Stewart | ... | Paula | |
| Marianne McIsaac | ... | Julika | |
| Alberta Watson | ... | Mitzi | |
| Ian Tracey | ... | Andras Vajda Jr | |
| Monique Lepage | ... | The Countess | |
| Louise Marleau | ... | Woman in Elevator | |
| Jill Frappier | ... | Lady Teacher | |
| Mignon Elkins | ... | Mother Vayda | |
| Joan Stuart | ... | Aunt Alice | |
| John Bayliss | ... | Glen MacDonald | |
| Jon Granik | ... | Tom Horvath | |
| Budd Knapp | ... | Father Confessor | |
| Earl Pennington | ... | Professor Hargitay | |
| Michael Kirby | ... | Tibor Kovacs | |
| Bronwen Mantel | ... | Woman in Cafe | |
| Wally Martin | ... | The Janitor | |
| Arden R. Ryshpan | ... | Berenice (as Arden Ryshpan) | |
| Tibor Polgár | ... | The Pianist | |
| Julie Wildman | ... | Woman at Party | |
| Julie Morand | ... | Girl Student | |
| Griffith Brewer | ... | The Fiacre Driver | |
| Walter Bolton | ... | Second Waiter | |
| Martha Parker | ... | Girl at Dance | |
| Robert King | ... | Man with Proclamation | |
| Arthur Grosser | ... | Party Host | |
| Jeannette Casenave | ... | Party Hostess | |
| Alexander Godfrey | ... | First Waiter | |
| Tina Shuster | ... | Second Girl at Dance | |
| Danny Brainin | ... | Youth in Class | |
| Casey Stevens | ... | Second Student | |
| Peter Gottlieb | ... | Boy on Staircase | |
| Henry Ramer | ... | Narrator (voice) |
Directed by | |||
| George Kaczender | |||
Writing credits | ||
| Stephen Vizinczey | (novel "In Praise of Older Women") | |
| Paul Gottlieb | (screenplay) | |
| Barrie Wexler | (narration) | |
| Barrie Wexler | (additional text) | |
Produced by | |||
| Harold Greenberg | .... | executive producer | |
| Claude Héroux | .... | producer | |
| Robert Lantos | .... | producer | |
| Howard Lipson | .... | associate producer (as Howard R. Lipson) | |
| Stephen J. Roth | .... | executive producer | |
Original Music by | |||
| Tibor Polgár | |||
Cinematography by | |||
| Miklós Lente | |||
Film Editing by | |||
| George Kaczender | |||
| Peter Wintonick | |||
Art Direction by | |||
| Wolf Kroeger | |||
Set Decoration by | |||
| Csaba András Kertész | (as Csaba Kertesz) | ||
Costume Design by | |||
| Olga Dimitrov | |||
Makeup Department | |||
| David Beckett | .... | hair stylist | |
| Jocelyne Bellemare | .... | assistant makeup artist | |
| Michèle Dion | .... | makeup artist | |
| Jean-Max Guérin | .... | assistant hair stylist (as Jean Guérin) | |
Production Management | |||
| Wendy Grean | .... | unit manager | |
| Roger Héroux | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles Braive | .... | first assistant director | |
| Daniel Hausmann | .... | second assistant director | |
| Ariane Ochrymouych | .... | third assistant director | |
Art Department | |||
| Jean Bourret | .... | assistant property master | |
| Csaba András Kertész | .... | set dresser (as Csaba Kertesz) | |
| Stéphane Reichel | .... | assistant art director | |
| Norman Simpson | .... | property master (as Normand Simpson) | |
| Roméo Turcotte | .... | construction manager | |
| Kathy Wadas | .... | property buyer | |
Sound Department | |||
| Henri Blondeau | .... | location sound | |
| Joe Grimaldi | .... | sound re-recording mixer | |
| Les Halman | .... | sound editor | |
| Larry Lynn | .... | boom operator | |
| Ken Pagé | .... | post-synchronisation sound effects | |
| Peter Wintonick | .... | assistant sound editor | |
Camera and Electrical Department | |||
| John Berrie | .... | gaffer | |
| Jean-Yves Bruel | .... | still photographer | |
| Michel Paul Bélisle | .... | best boy (as Michel-Paul Belisle) | |
| Pierre Davreux | .... | grip | |
| Attila Dory | .... | still photographer | |
| Yves Drapeau | .... | first assistant camera | |
| André Magny | .... | key grip | |
| Yves Paquette | .... | electrician | |
| Ernest Spiteri | .... | camera loader | |
| Mario Toledo | .... | still photographer | |
Casting Department | |||
| Howard Feuer | .... | casting: New York | |
| Karen Hazzard | .... | casting: Toronto | |
| Jeremy Ritzer | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Renée April | .... | wardrobe staff (as René April) | |
| Anne-Denise Carette | .... | wardrobe staff | |
| Chrylla Hagen | .... | wardrobe staff | |
| Jack Hay | .... | wardrobe staff | |
| Peter Horne | .... | wardrobe staff | |
| Ann Kewley | .... | assistant to costume designer | |
| Sylvie Laurier | .... | wardrobe staff | |
| Johanne Prégent | .... | dresser | |
Editorial Department | |||
| Jim Campabanal | .... | negative cutter (as Jim Campabadal) | |
| Monika Dorfman | .... | assistant editor | |
Music Department | |||
| Moe Koffman | .... | conductor | |
Other crew | |||
| Manon Bougie-Boyer | .... | production accountant | |
| Linda Browne | .... | production secretary | |
| Carol Campbell | .... | production services | |
| Alex Dukay | .... | production assistant | |
| Wendy Grean | .... | location manager | |
| Gary Greenspoon | .... | production assistant | |
| Allan Hitelman | .... | financial consultant | |
| Douglas Leopold | .... | unit publicist | |
| Harriet Lipson-Coulombe | .... | publicity assistant | |
| Jacques Pinard | .... | production assistant | |
| Elaine Yarish | .... | script girl | |
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| Sunshine | The Unbearable Lightness of Being | Lolita | The Lover | Damage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
I caught this playing constantly on cable TV late at night back in the early 80s. Not much of a plot. It's just about hunky Tom Berenger (who was only 29 when he made this) seducing one older woman after another. That's all it is--nothing else...but not bad for what it is.
The woman themselves are all very beautiful, have nice bodies and (surprisingly) are good actresses--Karen Black and Helen Shaver especially. The only disappointment in the film was there were next to no full frontal nude shots of Berenger. The women show everything but not him and--let's face it--back then he WAS very handsome and had a great body. There are only flashes of his "best parts" and (for some reason) even THOSE were clumsily edited out the last time I saw the pic (in the mid 80s)! If you're gonna do a soft core pic let's see everything.
That aside it was a light, enjoyable sex film--nothing more. I give it a 7.