When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.
Jennifer Hills is still tormented by the brutal sexual assault she endured years ago. She's changed identities and cities, reluctantly joining a support group where she begins to piece ... See full summary »
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
The film follows Jennifer, a writer who is working on a new novel and needs to get out of the city to finish it. She rents a riverside cabin in upstate New York to work on her novel, attracting the attention of a number of rowdy male locals. They catch Jennifer one day and strip her naked for the village idiot (Matthew) and rape her. Jennifer is later attacked and raped a further two times by the four degenerates, and her novel is also destroyed. But Jennifer recovers, and in her now-twisted, psychotic state, she begins to seek revenge on the men. Written by
Craig Johnson <firstname.lastname@example.org>
The film was submitted to the Motion Picture Association of America several times. It was originally rejected due to violence, though the MPAA didn't specify which violent sections should be trimmed. The film finally passed after Meir Zarchi had removed all references to anal rape. See more »
When Matthew is backing up to the house to kill Jennifer, the way he holds the knife changes during one shot. See more »
Not the piece of trash that it's reputation suggests it to be
I Spit on Your Grave is a film that will never be accepted as a serious piece of film-making. This is thanks in part to the gratuitous rape and murder scenes, which don't exactly hold back the shocks; and it's also due to the time in which it was made. These days, as proved by the likes of 'Irreversible', films tackling rape in a shocking and disgusting way are more readily accepted, and even gain a strong reaction from many critics. This film was unfortunately (albeit for good reason) caught up in the 'video nasty debate' in the early eighties, and as such it's reputation has been diminished to such an extent that the likes of Roger Ebert have labelled it 'the worst film ever made' (even though The Blair Witch Project is the worst film ever made) and it's reaction in general tends to be of the bad variety. For some reason, we have found ourselves in a world where it's more than acceptable to give praise to 'A class' rape themed dramas such as Irreversible, but woe betide thee who labels this as a good film. Well, woe betides me then.
For a 'video nasty', I Spit on Your Grave has surprisingly good production values. While the acting often lets it down, the cinematography and even the script are more than decent and this helps the film in it's bid to get the praise it deserves. The story, which follows a New York writer who moves to a backwater part of the USA to work on her new novel, shortly before being horribly raped and beaten, is just a plot device for the more important elements of the plot. The main theme on display seems to be a comment on the male sexual ego and the way that women can have power over them. The film plays out like a revenge thriller, with the protagonist getting her own back on the men who raped her. This disrupts the main argument against this film; namely, that it's misogynistic, as much of the violence in the movie is actually directed against men. Of course, the rape scenes are the main crux of the film; but most of the gore comes later. Don't get me wrong, this is hardly an uplifting feminist drama; but it's not the worst film ever made either. Content caution though; it gets a bit extreme. A certain scene in a bathroom takes the prize for being one of the sickest sequences ever to grace the silver screen.
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