| Photos (See all 16 | slideshow) |
| Ingrid Bergman | ... | Charlotte Andergast | |
| Liv Ullmann | ... | Eva | |
| Lena Nyman | ... | Helena | |
| Halvar Björk | ... | Viktor | |
| Marianne Aminoff | ... | Charlotte's private secretary | |
| Arne Bang-Hansen | ... | Uncle Otto | |
| Gunnar Björnstrand | ... | Paul | |
| Erland Josephson | ... | Josef | |
| Georg Løkkeberg | ... | Leonardo | |
| Mimi Pollak | ... | Piano instructor | |
| Linn Ullmann | ... | Eva as a child | |
| rest of cast listed alphabetically: | |||
| Eva von Hanno | ... | Nurse (uncredited) | |
| Knut Wigert | ... | Professor (uncredited) | |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | writer | |
Produced by | |||
| Richard Brick | .... | producer (English language version) | |
| Katinka Faragó | .... | producer (uncredited) | |
| Lew Grade | .... | producer (uncredited) | |
| Martin Starger | .... | producer (uncredited) | |
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Sylvia Ingemarsson | (as Sylvia Ingmarsdotter) | ||
Production Design by | |||
| Anna Asp | |||
Costume Design by | |||
| Inger Pehrsson | |||
Makeup Department | |||
| Cecilia Drott | .... | makeup artist | |
Production Management | |||
| Katinka Faragó | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peder Langenskiöld | .... | assistant director | |
Art Department | |||
| Ingeborg Kvamme | .... | props | |
| Kaj Larsen | .... | props | |
Sound Department | |||
| Tommy Persson | .... | sound assistant | |
| Owe Svensson | .... | sound mixer | |
| Owe Svensson | .... | sound | |
Camera and Electrical Department | |||
| Arne Carlsson | .... | still photographer | |
| Lars Karlsson | .... | assistant camera | |
| Charlie Nykvist | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Gisela Bergquist | .... | assistant costume designer | |
Music Department | |||
| Frans Brüggen | .... | musician: flute | |
| Anner Bylsma | .... | musician: cello | |
| Claude Genetay | .... | musician | |
| Käbi Laretei | .... | musician: piano | |
Other crew | |||
| Knut Andersen | .... | others who helped | |
| Bo Andersson | .... | others who helped | |
| Jon Arvesen | .... | others who helped | |
| Jo Banoun | .... | others who helped | |
| Daniel Bergman | .... | others who helped | |
| Ingrid Bergman | .... | administrator | |
| Gunnar Bøvollen | .... | others who helped | |
| Lars-Owe Carlberg | .... | administrator | |
| Kerstin Eriksdotter | .... | continuity | |
| Demetrios Glavas | .... | others who helped | |
| Lena Hansson | .... | production assistant | |
| Jarle Hole | .... | others who helped | |
| Bjarne Kjos | .... | others who helped | |
| Hans Lindgren | .... | location manager | |
| Nils Melander | .... | laboratory technician | |
| Per Mørk | .... | others who helped | |
| Percy Nilsson | .... | others who helped | |
| Tom Olsen | .... | others who helped | |
| Rolf Persson | .... | others who helped | |
| Ulf Pramfors | .... | others who helped | |
| Gunnar Sakshaug | .... | others who helped | |
| Åse Seim | .... | others who helped | |
| Caroline Von Rosen | .... | attributes | |
| Ragnar Waaranperä | .... | others who helped | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
The acting of Ingrid Bergman and Liv Ulmann is absolutely spell binding and while Katherine Hepburn may have been accused of portraying the emotions for A to B there is no doubt that these two actors can portray the emotions from A to Z and beyond. When I watch a film in a foreign language I find myself studying facial expressions and body language very closely, not surprisingly as, with the lack of understanding I am more dependant of visual cues. However such scrutiny often uncovers failings and weaknesses not here.
The cinematography id also first class, the colours, tones and lighting are all superb and enhance, never detract.
This is only the second of Bergman's films I have seen (the first being Fanny and Alexander) and what I have noticed is that while many films give to the viewer and I feel as if the emotions are a natural response, I felt with the Bergman films, particularly this one, as if the films have taken something out of me, as if the emotions have been extracted against my will. This may sound over the top and rather florid but is a genuine statement. I also have to say that what the two films have in common is that they were both spellbinding and like a good book that just can't be put down, the films gripped me and wouldn't let go even for a minute.