"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
A kind but pampered beautiful young virgin and her family's pregnant and jealous servant set out to deliver candles to church, but only one returns from events that transpire in the woods along the way.
Max von Sydow,
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »
It's late nineteenth century Sweden. Middle aged lawyer Fredrik Egerman and his nineteen year old current wife Anne Egerman's two-year marriage has not yet been consummated. Fredrik wants ... See full summary »
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
After having neglected her children for many years, world famous pianist Charlotte visits her daughter Eva in her home. To her surprise she finds her other daughter, Helena, there as well. Helena is mentally disabled, and Eva has taken Helena out of the institution where their mother had placed her. The tension between Charlotte and Eva only builds up slowly, until a nightly conversation releases all the things they have wanted to tell each other. Written by
In the dialogue scene where Charlotte is lying on the floor and Eva is sitting on the sofa behind her, the shadow of the boom mic is visible on the curtains when the camera pans to Eva for a few seconds. See more »
All that was sensitive and delicate, you attacked. All that was alive, you tried to smother.
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Writer/director Ingmar Bergman examines the strained relationship between a mother and daughter in `Autumn Sonata,' starring Ingrid Bergman and Liv Ullmann. Eva (Ullmann) has not seen her mother, Charlotte (Bergman) in seven years; a successful concert pianist, Charlotte has spent a good portion of her life on the road, but after losing her long-time companion, Leonardo, Eva invites her to come to the parsonage where she and her minister husband, Viktor (Halvar Bjork), live, for an extended visit. Charlotte accepts, but soon after her arrival, old wounds and feelings begin to surface, and the film becomes an intimate character study of the life-long dysfunctional relationship between Charlotte and Eva, during which director Bergman intricately examines the causes and effects of all that has passed between them during their lives. It's an in-depth look at the emotional damage human beings are capable of inflicting upon one another, and how fragile the line between love and hate becomes when subjected to incessant neglect by even one of the parties involved. As the story unfolds and the principals bare their souls-- at last revealing a lifetime's worth of repressed feelings-- it becomes an emotionally devastating experience for the audience, as well, for there is much contained within the dynamics of this situation that most viewers will be able to identify with and relate to within their own lives. Ingmar Bergman is a Master of presenting life as it truly is; reality-- and portraying it on the screen-- is his domain, and throughout his career he has veritably created almost a genre of his own in doing so. With a microscope of his own design, he scrutinizes the basic instincts of the human condition, what makes people tick and how and why they relate to one another as they do. Much of what he presents is startling, and always emotionally involving, because he penetrates so deeply and succinctly into the heart of the matter, as he demonstrates so superlatively with this film. His methods and style are unique, his talent unequivocal; many others have attempted to capture the essence of that which Bergman has perfected, but few have succeeded. Interestingly enough, Liv Ullmann is one who, as a director, has probably come the closest to achieving that classic `sense' of Bergman, with her films `Private Confessions,' and `Faithless,' both of which were written by Bergman. In her role as Eva, Ullmann gives one of the best performances of her career, for which she should have at least been nominated for an Oscar; that she was not is nothing less than a gross injustice. She so skillfully conveys the depth and complexities of her character, and the differing emotional levels to which Eva is subjected, that it creates a lasting impression and makes her someone with whom it is easy for the audience to sympathize. It makes you realize, upon reflection, what a truly gifted actress Ullmann is. And, as good as Ullmann's performance here is, it is equaled-- though not, I would say-- surpassed, by Ingrid Bergman's portrayal (in her final theatrical appearance) of Charlotte; and in a renewal of faith that there is some justice in the world after all, she received an Oscar nomination for Best Actress for it. In retrospect, it seems somehow inevitable that the two Bergmans came together at last, though it's somewhat lamentable that their career paths did not cross sooner. There is some consolation, however, in the fact that when they did finally join forces the result was such a powerful, memorable film. The supporting cast includes Lena Nyman (Helena), Gunnar Bjornstrand (Paul), Erland Josephson (Josef) and Linn Ullmann (Eva as a child). An intelligent, thought provoking and emotionally wrenching film, highlighted by outstanding performances and beautifully photographed by Sven Nykvist, `Autumn Sonata' is an example of filmmaking at it's best; it's a lasting tribute, not only to the immense talents of Ingmar Bergman and Liv Ullmann, but to Ingrid Bergman, one of the most beautiful and gifted actresses ever to grace the silver screen. I rate this one 10/10.
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