Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, ... See full summary »
Today, Camille turns nine. He had sworn that on his 9th birthday he would show his parents the videos he was shooting on the side-the tail of a cat scampering away, a window, and a veiled ... See full summary »
Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman (Anne Parillaud) recovering from rape and an apparent attempted suicide. In one reality, ... See full summary »
Max Baumstein is a reputable businessman, a rich self-made man with a conscience - he founded a highly visible and active international organization fighting against violations of human ... See full summary »
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance. Written by
Having read during many years about how great this film was, how it established Ruiz among the french critics (specially the snobbish Cahiers crowd), when I finally watched it about a year ago, I found it pretty disappointing (but then, I guess my expectations were sky-high). Shot in saturated black and white, this deliberately cerebral film (made for TV, and mercifully, only an hour long) is told in the form of a conversation between an art connoisseur and an off-screen narrator as they ponder through a series of paintings (which are shown in the style of tableaux vivants) and try to find if they hold some clues about a hidden political crime. (The awful Kate Beckinsale film Uncovered has a similar argument). Borgesian is a word I read a lot in reviews about this movie, but I would say almost any Borges story is more interesting than this film.
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