A wide variety of eccentric competitors participate in a wild and illegal cross-country road race. However, the eccentric entrants will do anything to win the road race, including low-down, dirty tricks.
New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
Aging stuntman Sonney Hooper is still on top as one of the best stuntmen in the business. But up and coming Ski is starting to do bigger and better stunts. Hooper has the experience to setup a stunt safely, and Ski lacks the common sense to know when a stunt is too dangerous. Maybe together, along with their fun loving buddies, they can do a stunt together that will surpass anything that anyone has done. Written by
Brian W Martz <B.Martz@Genie.com>
At the start of the film, just after the opening stunt, Hooper is talking with the director, he turns away and says: "I hate it when directors slobber all over me like that." Cully replies "Well, when your last picture made over a 100 million dollars you don't have to slobber over anybody." This is a reference to the director, Hal Needham, who made over 100 million dollars with his first picture Smokey and the Bandit (1977), immediately green lighting the production of "Hooper". See more »
When Cully & Hooper are telling Gwen about the upcoming rocket car stunt. Gwen is sitting on the table. The position of her arms keeps changing between camera shots, from her sides to in front of her while she's leaning forward. See more »
I'm gonna find the guy who invented Xylocaine and kiss his ass on Hollywood and Vine!
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Outtakes from stunts performed in the movie are shown over the closing credits. See more »
A lightweight look at 'the life of a Hollywood stuntman' (as the song featured on the soundtrack would have it) directed by a former stunt co-ordinator. Likable and fun - it comes up with plenty of amusing situations (and, naturally, dangerous stunts) throughout - but, ultimately, it's pretty forgettable; certainly not up to the level of the more significant (and relatively more serious) THE STUNT MAN (1980). Still, it takes care to deal with the bodily harm long exposure to this kind of work puts on an individual, as well as the strain on personal relationships; the film also pays sentimental tribute to ageing exponents of this short-term field (in the persona of Brian Keith).
Lead Burt Reynolds is his usual mischievous, if limited, self; at one point, he shows hotshot newcomer Jan-Michael Vincent highlights from his past work - including scenes from John Boorman's DELIVERANCE (1972), an earlier Warner Bros. production which had co-starred Reynolds! The supporting cast includes Sally Fields as Reynolds' current girlfriend (and Keith's daughter), John Marley as a sympathetic film producer, James Best as Reynolds' sidekick, Adam West as the film star whom Reynolds' character usually doubles for - and, best of all, Robert Klein as Roger Deal, an egomaniacal film director who will stop at nothing for the sake of putting his "artistic" vision on the screen (a character reportedly based on Peter Bogdanovich, with whom Reynolds had worked on NICKELODEON !).
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