| John Steadman | ... | Fred | |
| Janus Blythe | ... | Ruby | |
| Peter Locke | ... | Mercury (as Arthur King) | |
| Russ Grieve | ... | Big Bob Carter | |
| Virginia Vincent | ... | Ethel Carter | |
| Suze Lanier-Bramlett | ... | Brenda Carter (as Susan Lanier) | |
| Dee Wallace | ... | Lynne Wood | |
| Brenda Marinoff | ... | Katy | |
| Robert Houston | ... | Bobby Carter | |
| Martin Speer | ... | Doug Wood | |
| James Whitworth | ... | Jupiter | |
| Michael Berryman | ... | Pluto | |
| Lance Gordon | ... | Mars | |
| Cordy Clark | ... | Mama | |
| Flora | ... | Beauty | |
| Striker | ... | The Beast |
Directed by | |||
| Wes Craven | |||
Writing credits | ||
| Wes Craven | (written by) | |
Produced by | |||
| Peter Locke | .... | producer | |
Original Music by | |||
| Don Peake | |||
Cinematography by | |||
| Eric Saarinen | (director of photography) | ||
Film Editing by | |||
| Wes Craven | |||
Casting by | |||
| Gus Schirmer | |||
Art Direction by | |||
| Robert A. Burns | (as Robert Burns) | ||
Costume Design by | |||
| Joanne Jaffe | |||
Makeup Department | |||
| Dave Ayres | .... | special makeup | |
| RaMona Fleetwood | .... | hair stylist | |
| Karen Grant | .... | makeup artist: second unit | |
| Ken Horn | .... | special makeup | |
| Donald Mulderick | .... | makeup artist | |
Production Management | |||
| Walter R. Cichy | .... | production manager (as Walter Cichy) | |
Second Unit Director or Assistant Director | |||
| Valley Hoffman | .... | assistant director | |
Art Department | |||
| Mary Church | .... | props | |
Sound Department | |||
| Jill Debin | .... | sound effects | |
| David Lee Fein | .... | sound effects | |
| Craig Felburg | .... | sound mixer: second unit | |
| D.G. Fisher | .... | assistant sound | |
| Peter Hitchcock | .... | sound effects | |
| David Marsh | .... | sound effects | |
| Jan Schulte | .... | sound mixer | |
| Hal Watkins | .... | re-recording engineer | |
Special Effects by | |||
| Greg Auer | .... | special effects | |
| John Frazier | .... | special effects | |
Stunts | |||
| Alton James | .... | stunts | |
| Ron Stein | .... | stunt coordinator | |
| Ron Stein | .... | stunts | |
Camera and Electrical Department | |||
| Carolyn Ames | .... | best person: second unit | |
| Dennis Bishop | .... | gaffer | |
| Larry Boyd | .... | grip | |
| Robert Eber | .... | assistant camera: second unit (as Bob Eber) | |
| Ray Fischer | .... | still photographer | |
| William Moore | .... | grip (as Bill Moore) | |
| Leslie Otis | .... | assistant camera | |
| Lynn Rogers | .... | key grip | |
| Richard Scheid | .... | grip | |
| Tim Wawrzeniak | .... | assistant camera: second unit | |
| Ken Wheeland | .... | best boy | |
Costume and Wardrobe Department | |||
| Paula Cain | .... | wardrobe supervisor | |
Editorial Department | |||
| Robert Alsheimer | .... | assistant editor | |
| J. Larry Carroll | .... | set editor | |
Music Department | |||
| Don Peake | .... | conductor | |
Other crew | |||
| Florence M. Amico | .... | production assistant | |
| Joanie Blum | .... | script supervisor | |
| Rick Braverman | .... | script supervisor: second unit | |
| Jim Dannaldson | .... | snakes | |
| Moe Di Sesso | .... | dogs | |
| Rhonda Hopkins | .... | production assistant | |
| Peter Locke | .... | presenter | |
| Tom Morrocco | .... | dogs | |
| Tom Pickette | .... | location coordinator | |
| Tom Pickette | .... | location scout | |
| Rose Marie Yurinko | .... | assistant to producer | |
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| The Hills Have Eyes | Priest | Machete | Legion | House of 1000 Corpses |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Despite being close to thirty years old, Wes Craven's "The Hills Have Eyes" maintains a distinct raw intensity - far surpassing the level of terror seen in horror films today. The plot in a nutshell; a family on vacation ventures from the main road, ends up stranded in the desert, and falls prey to a malevolent clan of inbred cannibals. Though the story idea may be far from original - it is the atmosphere, directorial style, and acting that raise the overall credibility of the film. The low budget and claustrophobic desert setting creates a sense of dread permeating throughout the entire film; while the grainy look of the print adds a sense of realism to the unfolding events. With a brisk running time of only 89 minutes the film doesn't waste a moment in setting the mood - then when all hell breaks loose it is unrelenting until the final scene. The actors portraying the Carter family bring sufficient emotional range to their characterizations, making it clearly evident that this a normal family being tested beyond the boundaries of civilized nature. It is also worth noting the performances by the actors who play Pluto and Mars (two of the baddies) - these characters are portrayed as both sadistic and devoid of any sympathy. Although the DVD print is grainy (as mentioned above), it is THE definitive version of the film and is thousands of times an improvement over the quality of the video release; quite amazing for a low budget film of this nature. Grim, violent, and symbolic; it is an amazing piece of 70's exploitation horror. "The Hills Have Eyes" is a classic in every sense of the word, and receives an 8/10.