Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A family going to California accidentally goes through an Air Testing range closed to the public. They crash and are stranded in a desert. They are being stalked by a group of people, which have not emerged into modern times. Written by
Paul Popiel <email@example.com>
According to Suze Lanier-Bramlett the tension was at first quite high when the crew prepared to shoot the scene where Pluto rapes Brenda. As a gag to break the ice for everyone Lanier and Michael Berryman started making out during the first take. The whole crew laughed hysterically. See more »
Grandpa Fred rubs his fingers across a supposedly-fresh bloody hand print but it doesn't smear. See more »
[while looking at a road map]
We are not lost, we're right here somewhere on this little blue line.
This road is not a blue line, it's a dotted line, if it's even on the map at all!
See more »
Wes Craven first directed a film back in 1972 called Last House on the Left. If you haven't seen it...do so...for it is quite an experience. It blends dementia, depravity, cruelty, and blood and guts with values and basic moral and philosophical questions(at a very base level). He next directed The Hills Have Eyes, which many feel might be his best work. It is a horror classic to be sure for a number of reasons. It has the struggle of an innocent typical American family with a gang of cannibalistic subhumans that live in the desert. This struggle is intense, and blurs the boundary between normal and abberant behaviour(just as Craven did in LHOTL). The basic story is one of survival, not just survival of life but a way of life. The cast does a fine job...some of the psychos are quite convincing, as are the "normal" characters rather good in their roles. The story builds rather slowly but crescendos after the first death and we are given one climactic event after another. The real stars of the film, however, are the dogs...which are integral to the plot, and the desert itself, which establishes a mood and atmosphere of bleekness, desolation, and futility. Craven did a fine job with his second feature, and I would have no problem saying it was one of his better films. I would even concede that technically it is vastly superior to Last House on the Left, however, for me at least, not as horrific or chilling. Just as with Last House, much of the subject matter of the film is decidedly outrageous, with an infant possibly being served up for Thanksgiving Dinner its high point(or low point if you prefer). Unlike Last House, Hills is not nearly as graphic in its action, leaving a bit more to the imagination.
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