Halloween (1978)

Director:

John Carpenter

Writers:

John Carpenter (screenplay) and
Debra Hill (screenplay)

Release Date:

25 October 1978 (USA)

Genre:

Horror | Thriller

Tagline:

The trick was to stay alive.

Plot:

A psychotic murderer institutionalized since childhood escapes on a mindless rampage while his doctor chases him through the streets.

Plot Keywords:

Halloween | Night | Michael Myers | Six Year Old | Death

Awards:

2 wins & 1 nomination

Cast

Donald Pleasence	...	Dr. Sam Loomis
Jamie Lee Curtis	...	Laurie Strode
Nancy Kyes	...	Annie Brackett (as Nancy Loomis)
P.J. Soles	...	Lynda van der Klok
Charles Cyphers	...	Sheriff Leigh Brackett
Kyle Richards	...	Lindsey Wallace
Brian Andrews	...	Tommy Doyle
John Michael Graham	...	Bob Simms
Nancy Stephens	...	Marion Chambers
Arthur Malet	...	Graveyard Keeper
Mickey Yablans	...	Richie
Brent Le Page	...	Lonnie Elamb
Adam Hollander	...	Keith
Robert Phalen	...	Dr. Terence Wynn
Tony Moran	...	Michael Myers (age 23)
Will Sandin	...	Michael Myers (age 6)
Sandy Johnson	...	Judith Margaret Myers
David Kyle	...	Judith's Boyfriend
Peter Griffith	...	Morgan Strode
Nick Castle	...	The Shape
rest of cast listed alphabetically:
Barry Bernardi	...	Dead Mechanic (uncredited)
John Carpenter	...	Paul, Annie's Boyfriend (voice) (uncredited)
George O'Hanlon Jr.	...	Mr. Peter Myers (uncredited)
Darla Rae	...	Student (uncredited)
Gwen Van Dam	...	Sanitarium Nurse (uncredited)

Directed by
John Carpenter

Writing credits
John Carpenter		(screenplay) and
Debra Hill		(screenplay)

Produced by
Moustapha Akkad	....	executive producer
Debra Hill	....	producer
Kool Lusby	....	associate producer
Irwin Yablans	....	executive producer
John Carpenter	....	producer (uncredited)

Original Music by
John Carpenter

Cinematography by
Dean Cundey		(director of photography)

Film Editing by
Charles Bornstein
Tommy Lee Wallace		(as Tommy Wallace)

Production Design by
Tommy Lee Wallace		(as Tommy Wallace)

Set Decoration by
Craig Stearns

Makeup Department
Erica Ulland	....	makeup artist

Production Management
Don Behrns	....	production manager

Second Unit Director or Assistant Director
Jack De Wolf	....	second assistant director
Rick Wallace	....	assistant director

Art Department
Dick Girod	....	set painter (as Richard Girod)
Randy Moore	....	assistant art director
Craig Stearns	....	property master

Sound Department
Joseph F. Brennan	....	boom operator (as Joe Brennan)
Thomas Causey	....	sound mixer (as Tommy Causey)
William L. Stevenson	....	supervising sound editor (as William Stevenson)
Tex Rudloff	....	sound re-recording mixer (uncredited)
Lee Strosnider	....	sound mixer (uncredited)

Special Effects by
Conrad Rothmann	....	special effects (uncredited)

Stunts
James Winburn	....	stunts (as Jim Windburn)

Camera and Electrical Department
Reed Freeman	....	electrician
Kim Gottlieb	....	still photographer
Walt Hill	....	grip
Steve Mathis	....	best boy
Josh Miller	....	best boy
Krishna Rao	....	second assistant camera
Dylan Shephard	....	key grip (as Dylan Shepard)
Raymond Stella	....	camera operator (as Ray Stella)
Raymond Stella	....	panaglide (as Ray Stella)
Fred Victar	....	assistant camera
Mark Walthour	....	gaffer
Douglas Olivares	....	assistant camera (uncredited)

Costume and Wardrobe Department
Beth Rodgers	....	wardrober

Music Department
Peter Bergren	....	music mixer
Peter Bergren	....	music recordist
Bob Walters	....	music coordinator
Dan Wyman	....	orchestrator

Other crew
Barry Bernardi	....	production assistant
Paul Fox	....	production assistant
Louise Jaffe	....	script supervisor

Production Companies

• Compass International Pictures
• Falcon International Productions

Distributors

• Compass International Pictures (1978) (USA) (theatrical)
• Mid-America Releasing (1979) (USA: Midwest) (theatrical)
• Warner-Columbia Film (1979) (France) (theatrical)
• Joy Pack Film (1979) (Japan) (theatrical)
• National Broadcasting Company (NBC) (1981) (USA) (TV) (broadcast premiere)
• Astral Films (1978) (Canada) (theatrical)
• Warner-Columbia Filmverleih (1979) (West Germany) (theatrical)
• Anchor Bay Entertainment (1997) (USA) (DVD)
• Arte (2005) (Germany) (TV)
• Astral Video (1984) (Canada) (VHS)
• Astro Distribution (2001) (Germany) (DVD)
• Atlantic Film (2004) (Sweden) (DVD)
• Blockbuster Entertainment Group (1995) (USA) (VHS)
• Continental Home Vídeo (2001) (Brazil) (DVD)
• Criterion Collection, The (1994) (USA) (video) (laserdisc)
• Future Film (1998) (Finland) (VHS)
• Future Film (2001) (Finland) (DVD)
• Image Entertainment (1994) (USA) (video) (laserdisc)
• Indies Home Entertainment (2000) (Netherlands) (DVD)
• Indies Home Entertainment (2000) (Netherlands) (VHS)
• Kabel 1 (199?-200?) (Germany) (TV)
• Kabel 1 (????) (France) (TV)
• Media Home Entertainment (1981) (USA) (VHS)
• Pro 7 (????) (Germany) (TV)
• Reserva Especial (1983) (Brazil) (VHS)
• Vídeo Ban (1985) (Brazil) (VHS)

Other Companies

• Metro-Goldwyn-Mayer (MGM)  titles and opticals
• Samuel Goldwyn Studios  re-recording
• Sound Arts  music recording
• The Bowling Green Philharmonic Orchestra  orchestra

Also Known As:

John Carpenter's Halloween (USA) (complete title)
The Babysitter Murders (USA) (working title)

Runtime:

91 min | USA:101 min (extended version)

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (original release)

Certification:

Canada:13+ (Quebec) | Canada:AA (Ontario) (video rating) (1982) | Canada:R (Manitoba) (re-rating) (2003) | Canada:R (Nova Scotia) | Canada:R (Manitoba/Ontario) (original rating) | UK:18 (video rating) | UK:X (original rating) | Iceland:16 | Brazil:16 | New Zealand:R16 | Singapore:NC-16 (re-rating) | Singapore:PG (cut) | Germany:16 (re-rating) | West Germany:18 (original rating) | Canada:R | Finland:K-15 (DVD rating) (2001) | South Korea:18 | Chile:14 (DVD rating) | Argentina:13 (re-rating) | Australia:R | Chile:18 | Denmark:15 (DVD rating) | Finland:K-18 | France:-12 (re-release: 1999) | France:-16 | Italy:VM14 | Netherlands:16 | Norway:15 (re-release: 1999) | Norway:18 | Peru:18 | Sweden:15 | USA:R | Portugal:M/16 (re-rating) | Portugal:M/18 (original rating)

Filming Locations:

1000 Mission Street, South Pasadena, California, USA

Company:

Compass International Pictures

Trivia:

None of the big studios at the time was interested in distributing the movie, so executive producer Irwin Yablans decided to distribute the film via his own company (Compass International). MCA/Universal produced and distributed the next two sequels in the early '80s.

Goofs:

Revealing mistakes: The writing on the side of the car that Michael steals disappears.

Quotes:

Graveyard Keeper: Yeah, you know every town has something like this happen... I remember over in Russellville, old Charlie Bowles, about fifteen years ago... One night, he finished dinner, and he excused himself from the table. He went out to the garage, and got himself a hacksaw. Then he went back into the house, kissed his wife and his two children goodbye, and then he proceeded to...
Dr. Sam Loomis: Where are we?
Graveyard Keeper: Eh? Oh, it's, uh, right over here...

Movie Connections:

Referenced in Evil Laugh (1988)

Soundtrack:

Don't Fear The Reaper

Sure scared me back in 78

I was 20 back in 1978, and saw this on opening weekend. I knew nothing of it, and after growing up on the old Hammer films, followed by a period of almost nothing, this was quite a nice surprise. It really worked! Had me checking the back seat in cars, gave me a sinking feeling when I lost my keys, etc. The low death toll and relative lack of blood, as compared to subsequent slasher films, has me really admiring how effectively it created the atmosphere & suspense that kept me on edge, and made me jump at the right places. I certainly don't jump any more at it, but I do have fun remembering what it was like watching it when the now-cliches were fresh & new. I laugh at the 'horror' flicks of the 30s & 40s, but when they were new, I bet they were something. And I bet in another 20 years, today's toddlers will find Scream/IKWYDLS, et al, to be tame and passe too, at least compared to what they'll (& I'll) be watching then!

I'm surprised at the number of people half my age who wish they could've been around to see this film when it was brand new!

Looking back, Halloween probably scared me more when it was new, than other horror movies have,when they were new. Horror films are indebted to Halloween for breaking some new ground, and I can't wait for the next horror film that will do something on a similar scale.