Four interwoven stories that occur on Halloween: An everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank; a woman who loathes the night has to contend with her holiday-obsessed husband.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason who didn't drown in the lake some 30 years before?
After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »
In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual.
The year is 1963, the night: Halloween. Police are called to 43 Lampkin Ln. only to discover that 15 year old Judith Myers has been stabbed to death, by her 6 year-old brother, Michael. After being institutionalized for 15 years, Myers breaks out on the night before Halloween. No one knows, nor wants to find out, what will happen on October 31st 1978 besides Myers' psychiatrist, Dr. Loomis. He knows Michael is coming back to Haddonfield, but by the time the town realizes it, it'll be too late for many people. Written by
Carpenter and co-writer Debra Hill have stated many times over the years that they did not consciously set out to depict virginity as a way of defeating a rampaging killer. The reason why the horny teens all die is simply that they're so preoccupied with getting laid that they don't notice that there's a killer at large. Laurie Strode, on the other hand, spends a lot of time on her own and is therefore more alert. See more »
Shadow of crew member when Lindsey is watching television. See more »
Now when we get inside, Annie will distract Lindsey and we go upstairs to the first bedroom on the right. Got it?
First I rip your clothes off...
Don't rip my blouse, it's expensive you idiot!
Then I rip my clothes off, then I rip Lindsey's clothes off, yeah I think I got it.
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The music for the film -- written and performed by John Carpenter -- is instead credited to "The Bowling Green Philharmonic Orchestra." Carpenter grew up in Bowling Green, Kentucky. See more »
I must admit, this is one of my favorite horror films of all time. The unique way that John Carpenter has directed this picture, opening the door to so many mock-genres, it will chill you to the bone whether it is your first time watching it or your fiftieth. The sound, the menacing horror of Michael Meyers and the infamous scream of Jamie Lee Curtis gives this film instant cult status and a great start for the independent era. I love the music, I love the characters, the familiar yet spooky setting, the simplistic nature of the villain, and the random chaos of it all. There is no really rhyme or reason to the killing in this first film, giving us a taste of Michael's true nature. Is he insane, or in some way just a very brilliant beast? That question may never be truly answered, but Carpenter gives us his 100% and more devotion to this amazing masterpiece.
John Carpenter is the master of horror. While lately his films have not been the caliber that they once were (see Ghosts of Mars), Halloween began his powerhouse of a career. This is his ultimate film. While he did release other greats, I will always remember this one as the film that caused me to turn on all the lights, beware when babysitting, and check behind closed doors, because you never knew where the evil would appear next. Carpenter has this amazing ability to bring you into the world in which he weaves. With the power of his camera, he places these images of Meyers in places you least expected while giving you the perception as if the murderer is right next to you. I loved every scene in which we panned back and there was Michael, watching from the distance, without anyone the wiser. That was scary, yet utterly brilliant. I loved the scenes in which Carpenter pulled your fright from nearly thin air. There you would be, minding your own business, when suddenly that horrid mask would appear out of nowhere. Like the characters, you too thought it was just a trick of the eye, but that is where Carpenter gets you, it isn't. Michael isn't a ghost, he is a human being (or at least we think), yet he has a stronger mental ability than most of the main characters. This leads into some really dark themes and unexplored symbolism, but even without that, this is a spooky film.
Then, if you just didn't have enough of Michael just vaporizing in the windows of your house, Carpenter adds that chilling theme music. I still have that tapping of the piano keys in my mind, constantly wondering if Meyers is looking at me through the window. Carpenter has found the perfect combination of visual frights and chilling sounds to foreshadow what may happen to our unsuspecting victims next. It is lethal, and it is done with refreshing originality and more unique thrills than anything released by today's Horror Hollywood could muster. Carpenter's Halloween is a breath of fresh air in the midst of what could be a rough horror year, with actual scares being replaced by Paris Hilton, you know that the quality isn't quite the same.
Finally, I would like to say that even the simplistic nature of the opening murder in this film is terrifying and chilling. The use of the "clown" mask sent shivers up my spine. The way that it was filmed with that elongated one shot using the child's mask as if it were our own eyes is still one of the best horror openings ever! It completely sets the tone for the remainder of that film. You have the babysitter theme, you have the childish behavior which carries with Michael throughout the film, and you have the art talent of Carpenter all rolled into one. I could literally speak for hours upon hours about this film, but instead I would rather go watch it again. It is worth the repeat visit many times!
Overall, I think this is one of the most outstanding films in cinematic history. Skip all those foreign films that think that they are going to chance the face of movies leave it to a budget tight Carpenter and the slasher film genre. This singular movie redefined a whole generation of horror films, and still continues to be an influence on modern-day horror treats. The lethal combination of a genuinely spooky murderer, the powerful cinematography of the events (which normally doesn't amount to much in horror films), and the beauty of Jamie Lee Curtis is exactly what makes Halloween that film above the rest. Sure, Freddy is cool and you feel sympathetic for Jason, but Michael is real, he is troubled, and he is on the loose lusting for the blood of babysitters. What can be better?
Grade: ***** out of *****
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