A renegade USAF general, Lawrence Dell, escapes from a military prison and takes over an ICBM silo near Montana and threatens to provoke World War 3 unless the President reveals details of ... See full summary »
Roscoe Lee Browne
Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
A district attorney investigates the racially charged case of three teenagers accused of the murder of a blind Puerto Rican boy. He begins to discover that the facts in the case aren't ... See full summary »
When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.
A unit of American military advisors in Vietnam prior to the major U.S. involvement find similarities between their helpless struggle against the Viet Cong and the doomed actions of a French unit at the same site a decade before in this bitter look at the beginnings of the Vietnam war. Written by
Keith Loh <email@example.com>
The south Vietnamese general's building shown about halfway into the movie is actually Throop Hall, which was located on the campus of Caltech in Pasadena, California. Visible in the foreground is Millikan pond and the bridge that both still exist. Throop Hall was torn down in 1971, so this image must have been file footage that was spliced into the movie, since the movie is copyrighted 1977. See more »
At the very beginning of the movie during the credits and the overview of the camp and right after the title shot, if you look in the far background at the top of the scene you can see what looks like traffic and cars passing by. See more »
Burt Lancaster turns in a fine performance as a US military advisor who has doubts about the wisdom of the war America is about to embark upon. GO TELL THE SPARTANS looks at Vietnam in 1964, before the conflict there was thoroughly Americanized. It is not your typical glossy, overproduced Hollywood action extravaganza. Nor is it overly laden with patriotic sentimentality. It is, rather, a compelling exploration of the hubris and naivete that shaped the American war effort.
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