| Marcello Mastroianni | ... | Raffaele Capece | |
| Ornella Muti | ... | Lucia Navarro | |
| Renato Pozzetto | ... | Commissario Voghera | |
| Michel Piccoli | ... | Victor Navarro | |
| Zeudi Araya Cristaldi | ... | Elizabeth (as Zeudi Araya) | |
| Capucine | ... | Suor Angela | |
| Peppino De Filippo | ... | Natale Capece | |
| Elena Fiore | ... | donna Filomena | |
| Peppe Barra | ... | Giardino (as Giuseppe Barra) | |
| rest of cast listed alphabetically: | |||
| Ennio Antonelli | |||
| Armando Curcio | |||
| Nicola Di Gioia | ... | Prostituta | |
| Salvatore Furnari | |||
| Franco Iavarone | ... | Gregorio Sella | |
| Giovanni Imparato | |||
| Gennarino Palumbo | ... | Suonatore ambulante | |
| Franca Scagnetti | ... | Donna all'ospedale | |
| Carlo Taranto | |||
| Natale Tulli | ... | Albino | |
| Tomas Arana | ... | Walter Navarro (uncredited) | |
| Maria De Sisti | ... | Asylum patient (uncredited) | |
Directed by | |||
| Sergio Corbucci | |||
Writing credits(in alphabetical order) | ||
| Giuseppe Catalano | ||
| Sabatino Ciuffini | screenplay | |
| Sabatino Ciuffini | story | |
| Elvio Porta | ||
Produced by | |||
| Paolo Infascelli | .... | associate producer | |
| Achille Manzotti | .... | producer | |
Original Music by | |||
| Riz Ortolani | |||
Cinematography by | |||
| Luigi Kuveiller | |||
Film Editing by | |||
| Amedeo Salfa | |||
Art Direction by | |||
| Marco Dentici | |||
Set Decoration by | |||
| Mauro Passi | |||
Costume Design by | |||
| Wayne A. Finkelman | (as Wayne Finkelmann) | ||
Makeup Department | |||
| Giuseppe Banchelli | .... | makeup artist | |
| Mario Di Salvio | .... | makeup artist | |
| Paolo Franceschi | .... | hair stylist | |
Production Management | |||
| Vivien Boden | .... | production supervisor | |
| Vittorio Bucci | .... | production supervisor | |
| Hermes Gallippi | .... | production supervisor | |
| Elio Saroli | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Amanzio Todini | .... | assistant director | |
Sound Department | |||
| Romano Checcacci | .... | sound mixer | |
| Rocco Roy Mangano | .... | sound | |
Stunts | |||
| Riccardo Mioni | .... | stunts | |
| Sergio Mioni | .... | stunt coordinator | |
| Stefano Maria Mioni | .... | stunts | |
Camera and Electrical Department | |||
| Antonio Annunziata | .... | assistant camera | |
| Renato Palmieri | .... | assistant camera | |
| Ubaldo Terzano | .... | camera operator | |
| Gaetano Valle | .... | camera operator | |
Editorial Department | |||
| Raffaella Zita | .... | assistant editor | |
| Luigi Zitta | .... | assistant editor (as Luigi Zita) | |
Music Department | |||
| Riz Ortolani | .... | conductor | |
Other crew | |||
| Franca Invernizzi | .... | script supervisor (as Franca Santi Invernizzi) | |
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| So Sweet, So Dead | L'uomo senza memoria | Il mostro | Eyeball | The Trial |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb Italy section |
It's hard to know what kind of audience the people who made this film had in mind. Riz Ortolani's music, Marcello Mastroianni's naive but good-hearted character and the occasional gags seem to suggest a comedy, but the picture isn't funny enough to be a comedy. The plot (which you will need a scorecard to keep straight, and even then you'll probably fail) and the original Italian title seem to indicate a thriller, but it's not thrilling enough to be a thriller. It has a good cast (including Ornella Muti, who is literally "dreamily beautiful" here - you can barely believe that a woman so beautiful is real and not just a dream), but it wastes it in insignificant roles. Out of respect for these actors, and for one funny scene with Marcello and a beefy hood who's forcing him to walk up some stairs, I give this film ** out of 4.