A government agent is determined to come to his son's rescue when a sinister official kidnaps him to harbor his extremely powerful psychic abilities.

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(as Brian DePalma)

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
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Fiona Lewis ...
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Carol Eve Rossen ...
Dr. Ellen Lindstrom (as Carol Rossen)
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Joyce Easton ...
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Jane Lambert ...
Sam Laws ...
Blackfish
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Robertson
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Mrs. Callahan
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Storyline

A secret US agency behind the unscrupulous Childres gathers children with parapsychologic abilities and trains them to become killers in war situations. To rescue his son, who was officially declared dead after an arranged accident, the ex-CIA agent Peter investigates against Childres. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Plot Synopsis

Taglines:

An experience in terror and suspense.

Genres:

Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

10 March 1978 (USA)  »

Also Known As:

La furia  »

Box Office

Budget:

$5,500,000 (estimated)
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Technical Specs

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Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The throbbing vein the psychics have in the forehead whenever they manifest their power was in the original script of Carrie (1976), but was cut from that film due to its limited budget. See more »

Goofs

As Peter Sandza descends in an elevator to meet Hester, in the shot inside the elevator a camouflaged cameraman is reflected in the metallic railings between each floor. See more »

Quotes

[first lines]
Robin Sandza: [laughing]
Peter Sandza: I won.
Robin Sandza: What do you mean, you won? You did not!
See more »

Connections

Referenced in Harry Knuckles and the Pearl Necklace (2004) See more »

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User Reviews

 
For your eyes only.
17 May 2008 | by (United States) – See all my reviews

Fortunately, De Palma's hyperbolic, visually compelling, science fiction occult espionage thriller moves so fast that the ludicrous dialog, indifferent performances, and Swiss cheese plot don't spoil the fun. The Fury starts from an interesting premise, but De Palma is clearly more interested in the spectacular set pieces than logic or characterization. The potentially most interesting character Robin is off screen for too long and instead we get low comedy relief with Mother Knuckles and the off duty cops in the Caddilac. Also, Gillian's mother and the students at the Paragon Institute seem to disappear. And where Sissy Spacek was touching as Carrie, Amy Irving and Andrew Stevens as psychic teens who unleash the fury are whiny and callow, and you don't really care about their fates. Though Douglas, Snodgress, Cassavetes and De Palma regular William Finley ( Raymond Dunwoodie) are always interesting, the rest of the cast is pretty bad. And a scene between Irving and Douglas on a bus is embarrassingly bad. Still, The Fury with its telepathic visions, its pulse pounding score by John Willams and Richard H. Kline's elegant deep focus cinematography is superior to junk like The Eyes of Laura Mars. De Palma pulls out all the stops and creates some spectacularly over-the-top scenes. Faults and all, The Fury is more entertaining, and less pretentious and derivative than most of De Palma's more recent efforts to say nothing of Dressed to Kill, Body Double, Obsession, Wise Guys, Carlito's Way, Raising Cain, and The Bonfire of the Vanities.


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