| Photos (See all 13 | slideshow) |
| Michael Carr | ... | Dr. Francis B. Gröss | |
| rest of cast listed alphabetically: | |||
| Samuel Berkowitz | ... | Himself; Cryogenics patient | |
| Mary Ellen Brighton | ... | Herself; suicide victim shown jumping out of a window | |
| Thomas Noguchi | ... | Himself | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| John Alan Schwartz | ... | Leader of Flesh Eating Cult (uncredited) | |
Directed by | |||
| John Alan Schwartz | (as Conan Le Cilaire) | ||
Writing credits(in alphabetical order) | ||
| John Alan Schwartz | (as Alan Black) | |
Produced by | |||
| William B. James | .... | executive producer | |
| Herbie Lee | .... | associate producer | |
| Rosilyn T. Scott | .... | producer | |
Original Music by | |||
| Gene Kauer | |||
Film Editing by | |||
| Laurl Crushman | |||
| James Roy | |||
| Ivon Simoné | |||
Makeup Department | |||
| Allan A. Apone | .... | special makeup effects artist (uncredited) | |
| Peter Knowlton | .... | makeup effects supervisor (uncredited) | |
Production Management | |||
| Derek Walsch | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Alan Schwartz | .... | assistant director (as Johnny Getyerkokov) | |
Sound Department | |||
| Spary Dauterman | .... | sound effects editor | |
Camera and Electrical Department | |||
| Adal Aboul-Hosn | .... | contributing camera operator | |
| Alberti Cerna | .... | camera operator: second unit | |
| Stephan Crowder | .... | camera operator | |
| Daniel De LaSantos | .... | camera operator: second unit | |
| Dimetri Fermo | .... | director of photography: Europe | |
| Don Gilberg | .... | camera operator: second unit | |
| Michael Golden | .... | director of photography: America | |
| Shelly Kurtz | .... | contributing camera operator | |
| Phillippe La Croix | .... | contributing camera operator | |
| Lester Markham | .... | contributing camera operator | |
| Wolfgang Offenbach | .... | camera operator | |
| Andrew Winston | .... | contributing camera operator | |
Editorial Department | |||
| Gary Finlan | .... | assistant editor (as Sean MacDonald) | |
Other crew | |||
| Michael Carr | .... | creative consultant (as Dr. Frances B. Gröss) | |
Thanks | |||
| John Freeman | .... | acknowledgment of still photographs: British Museum Photo | |
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| Faces of Death II | Cannibal Holocaust | Cannibal Ferox | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | Fellini Satyricon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Half of this was sickening reality. The other half was a pathetic sham.
This is worth a look for the freak value alone.
The autopsy footage was gut-churning. This was one of the few real spots. Seeing real faces of the dead wasn't easy. The fact that said faces weren't deformed in any real way made it all the more chilling. The lady's suicide was also tough to watch.
The faked footage (executions, croc attack) almost subverted the intention of the film. Dealing with death. If they wanted to show executions, show something that can be verified.
The bear attack was probably influenced by the fake lion attack in 'Great Hunting.' And the middle eastern restaurant (with a white staff) serving the fresh monkey for killing was ripped off of 'Man From Deep River.' The scene with the grieving father trying to raise his dead son & wife through a medium may have been hard to watch for all the wrong reasons.
Most people see this...just to say they've seen it.