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Eyes of Laura Mars (1978)

6.1
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Ratings: 6.1/10 from 5,308 users  
Reviews: 64 user | 40 critic

Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first... See full summary »

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(screenplay), (screenplay), 5 more credits »
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Title: Eyes of Laura Mars (1978)

Eyes of Laura Mars (1978) on IMDb 6.1/10

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Cast

Cast overview, first billed only:
...
...
John Neville
...
Tommy Ludlow
...
Donald Phelps
...
Michael Reisler (as R.J.)
Frank Adonis ...
Sal Volpe
Lisa Taylor ...
Michele
...
Lulu
Rose Gregorio ...
Elaine Cassell
...
Himself
Steve Marachuk ...
Robert
Meg Mundy ...
Doris Spenser
Marilyn Meyers ...
Sheila Weissman
Gary Bayer ...
Reporter
...
Reporter
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Storyline

Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Add Synopsis


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 August 1978 (USA)  »

Also Known As:

Eyes  »

Box Office

Budget:

$7,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to director Irvin Kershner, the brief moment in which Laura walks into her warehouse studio office and opens the window overlooking featured a glaring continuity error that required post-production lab work to fix. The wide shot of Laura at the window was cold in tone, while the medium shot was much warmer. Allegedly, editor Michael Kahn resorted to gradually altering and "warming up" the tone of the wide shot to better match the color temperature of the medium shot that follows. (For those who notice, this explains why the central area of the wide-shot suddenly shifts in color temperature.) See more »

Goofs

When Laura enters her studio above the empty warehouse, she is wearing red high-heeled shoes. When she runs in terror through the warehouse, she is wearing sneakers, but immediately afterwards, she is once again wearing the high-heeled shoes. See more »

Quotes

Laura: I can't understand... how it's possible... to live your whole life... without someone... and be doing more or less OK. And then suddenly you find them.
John Neville: You recognize them.
Laura: You recognize them. And... you know without them...
John Neville: [whispered] It's terrifying.
Laura: Yes.
John Neville: [whispered] It's beautiful.
Laura: Yes.
See more »

Crazy Credits

The films closing credits roll over the first image of the movie, a black and white image of Laura's eyes as a negative. See more »

Connections

Referenced in This Changed Earth (2011) See more »

Soundtracks

(Shake, Shake, Shake) Shake Your Booty
Performed by KC & The Sunshine Band (as K.C. and the Sunshine Band)
Written by Harry Wayne Casey (uncredited) & Richard Finch (uncredited)
Produced by Harry Wayne Casey (as K.C.) - Richard Finch (as Finch) for Sunshine Sound Enterprises Inc.
Courtesy of T.K. Records
See more »

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User Reviews

Very well-made supernatural thriller
14 January 2003 | by (London, England) – See all my reviews

This 1978 chiller directed by Irvin Kerschner (RoboCop 2) and based on a story by John Carpenter, has Faye Dunaway as a fashion photographer who suddenly discovers that she has the ability to "see" through the eyes of a serial killer. All her premonitions of the murders are very accurate, and the victims are all people she knows. Soon it becomes apparent the killer is coming after her. Tommy Lee Jones is great as the police lieutenant/love interest (back when his face wasn't pockmarked with age), and the supporting cast (Raul Julia, Brad Dourif) is excellent. The movie's depictions of the murders were quite shocking for it's day, and it manages to keep us scared and in suspense throughout, though some of the scenes border on grotesque. Direction by Kirschner is tight, music is suitably eery, and the performances are overall impressive. A winner


20 of 23 people found this review helpful.  Was this review helpful to you?

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Did I miss something? sargasm1
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