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Eyes of Laura Mars (1978)

6.1
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Ratings: 6.1/10 from 5,164 users  
Reviews: 63 user | 39 critic

Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first... See full summary »

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(screenplay), (screenplay), 5 more credits »
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Title: Eyes of Laura Mars (1978)

Eyes of Laura Mars (1978) on IMDb 6.1/10

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Cast

Cast overview, first billed only:
...
...
John Neville
...
Tommy Ludlow
...
Donald Phelps
...
Michael Reisler (as R.J.)
Frank Adonis ...
Sal Volpe
Lisa Taylor ...
Michele
...
Lulu
Rose Gregorio ...
Elaine Cassell
...
Himself
Steve Marachuk ...
Robert
Meg Mundy ...
Doris Spenser
Marilyn Meyers ...
Sheila Weissman
Gary Bayer ...
Reporter
...
Reporter
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Storyline

Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Add Synopsis


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 August 1978 (USA)  »

Also Known As:

Eyes  »

Box Office

Budget:

$7,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to director Irvin Kershner, the brief moment in which Laura walks into her warehouse studio office and opens the window overlooking featured a glaring continuity error that required post-production lab work to fix. The wide shot of Laura at the window was cold in tone, while the medium shot was much warmer. Allegedly, editor Michael Kahn resorted to gradually altering and "warming up" the tone of the wide shot to better match the color temperature of the medium shot that follows. (For those who notice, this explains why the central area of the wide-shot suddenly shifts in color temperature.) See more »

Goofs

When the killer kicks in the metallic door to Laura's bedroom, dents/footprints in the door from previous takes of this shot are clearly visible. See more »

Quotes

Lulu: Laura I don't like pink.
Laura: Lulu it likes you.
See more »

Crazy Credits

The films closing credits roll over the first image of the movie, a black and white image of Laura's eyes as a negative. See more »

Connections

Featured in Visions (1978) See more »

Soundtracks

Boogie Nights
Performed by Heatwave
Written by Rod Temperton (uncredited)
Produced by Bobby Bland (as Bobby Blue)
Courtesy of Epic Records
See more »

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User Reviews

 
I see you too.
14 May 2009 | by (United Kingdom) – See all my reviews

Laura Mars is a very successful fashion photographer who one day starts to get visions of brutal murders being carried out. Troubled and in fear for her sanity, Laura turns to the police for help. But this only adds to her problems as Detective Neville points out to her that the murder scenes bare similarities to some of her staged photographs. The pair of them must figure it out quickly because the murderer is closing in on Laura and those close to her.

In 1978, John Carpenter thrilled horror fans with his baby sitting terror piece, Halloween. Also released was this mystery/thriller/horror film, written by Carpenter and directed by Irvin Kershner {The Empire Strikes Back} which is a film that has been called anything from innovative to outright rubbish. The truth is that where Halloween is a horror film of no character substance, Eyes Of Laura Mars is a completely different animal. It's bright blending of 70s fashion photography with Carpenter's dastardly tale {tho the final draft was tampered by many}, is a success. This is a psychological thriller first and foremost, yes horror elements are there {it's a done deal with a serial killer on the loose}, but running alongside a clever romantic angle, the film gains an intensity that few other 70s psychological thrillers can boast.

The cast, other than an insipidly hammy Raul Julia, also come out rather well. Faye Dunaway {Mars}, Tommy Lee Jones {Neville}, Brad Dourif {horror staple that he is} and Rene Auberjonois give credit to well formed characters. Technically it's a fine picture as well, Irvin Kershner and his cinematographer Victor J. Kemper excellently utilise the New York City location. Especially during the fashion shoot sequences, where the 70s and its glamour is fully realised. "Innovated" blurred corridor shots to portray Laura's terrible visions are creepy and highly effective, while i would be surprised if anyone doubted the impact of a mirror shot in the glorious finale.

Thought by many to have not aged well, Eyes Of Laura Mars is often consigned to the cupboard marked "dated", that's unfair because good thrillers are good thrillers, regardless of age. Emotionally strong and pulsing with imminent terror, this is a badly undervalued, and forgotten picture. 8/10


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