Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might... See full summary »
Eva Marie Saint,
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Mordecai Jones (George C. Scott) is a rural con artist (a 'flim flam man') who takes on a young army deserter Curley (Michael Sarrazin) as his protégé and teaches him the tricks of the ... See full summary »
A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this ... See full summary »
Tommy Lee Jones,
Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is. Written by
Brian W Martz <B.Martz@Genie.com>
Principal photography on this picture was a "closed set" to all non production personnel. Reportedly, producer Jon Peters threatened dismissal to anyone who revealed any of the script's critical or important story elements. See more »
When Laura enters her studio above the empty warehouse, she is wearing red high-heeled shoes. When she runs in terror through the warehouse, she is wearing sneakers, but immediately afterwards, she is once again wearing the high-heeled shoes. See more »
This is an old supernatural thriller of sorts from way back in the 70s'. It revolves around a female fashion/glamour photographer who lives to make crude photographic nudie art that sepcializes in scenes of violence. Some people find her "art" to be rather disturbing and horribly offensive. So someone decides to go around killing her friends and acquaintances. To make matters worse, Laura Mars can see the murders happening--through her own eyes!
Here's the breakdown:
--Clever story, and fairly original. Adds a nice twist to the usual cops-hunting-murderer story.
--Good acting all around. Brad Dourif is creepy, Tommy Lee Jones is cool, Raul Julia is... kinda weird...
--Good atmosphere and cinematography all around, with some strong direction. The tense moments are generally pretty well done.
--Some nice, genuine, surprises throughout the film. It does manage to successfully keep you guessing just who the killer is.
Didn't Hurt It, Didn't Help:
--Contains a decent amount of fairly well-known actors including Faye Dunaway, Tommy Lee Jones, Brad Dourif (better known as Chucky from the Child's Play series), Raul Julia, and Rene Auberjonois (famous for his Star Trek: Deep Space Nine role). It was also co-written by John "Halloween" Carpenter.
--Quite a bit of nudity. She is taking pictures of naked "victims of violence" after all.
--Somewhat grotesque 70's music permeates here and there.
--Some decent character development and depth.
--Not quite as scary or riveting as I'm sure it was back in '78. This review being written in 2006.
--Some "logic" problems every now and then. For instance, when Laura Mars sees someone being murdered, that's all she sees--yet there are times when she seems to be able to move around, once even driving a car, with more competence than one would expect from someone who just instantly "went blind."
--Occasional dips in the quality of the atmosphere and writing.
--The make-up used on the models in the 70's. Holy crap!
--Nice climax to the film.
--The photographic art in the film is actually from professional "glamour" photographer Helmut Newton.
Finally, I would recommend this to hardcore horror/thriller fans or film buffs. John Carpenter or Tommy Lee Jones fans will likely enjoy it. The movie is not without its problems, small though they are, but may not be enjoyed all that well by many modern viewers.