Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
After separation from his wife Robert moves to Vichy where he observes beautiful Juliette. Her fiance Patrick becomes jealous and attacks Robert. When Patrick disappears Robert is suspected to have killed him.
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might... See full summary »
Eva Marie Saint,
Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is. Written by
Brian W Martz <B.Martz@Genie.com>
On-set rifts between producer Jon Peters and his cast and crew, particularly with lead star Faye Dunaway, were well publicized in the media. The relationship between Dunaway and Peters during filming has been described as being tense and strained. See more »
During the catfight/car-burning photo shoot in Columbus Circle, Michele motions to Lulu (Darlanne Fluegel) to not pull her hair so hard and says, "God, Darlanne! You don't have to pull it that hard!" See more »
[complaining to a detective who offended him]
Son of a bitch. I'm sick of all this name calling crap!
See more »
The film's closing credits roll over the first image of the movie, a black and white image of Laura's eyes as a negative. See more »
This movie was around for twenty years before I saw it. I recall it as not having the best of reputations. But I found it to be suspenseful and it could be considered a forerunner of today's erotic thrillers.
Faye Dunaway is Laura Mars, a fashion/glamour photographer whose work is controversial in that some say it glorifies both sex and violence towards women. (Sounds like a pretty contemporary theme, doesn't it?) She becomes troubled by frightening visions she has of killers-eye views of murders. When a killing she has just "seen" turns out to have actually happened nearby she tells the police. She then finds out that a detective (Tommy Lee Jones) has already been investigating some cases where murder scenes closely resembled her photos.
Dunaway is always consistent in delivering good performances and this one is no exception. It was refreshing not to see Jones in his "Mr. Intensity" character he's played so often since 'The Fugitive.' Although some will doubtless find flaws to point up here and there, I found the film to be very enjoyable. Brad Dourif, Rene Aberjonois and Raul Julia also star. Irvin Kershner's direction is stylish and John Carpenter is responsible for the story and co-wrote the script.
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