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Eyes of Laura Mars (1978)

6.1
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Ratings: 6.1/10 from 5,313 users  
Reviews: 64 user | 40 critic

Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first... See full summary »

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(screenplay), (screenplay), 5 more credits »
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Title: Eyes of Laura Mars (1978)

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Cast

Cast overview, first billed only:
...
...
John Neville
...
Tommy Ludlow
...
Donald Phelps
...
Michael Reisler (as R.J.)
Frank Adonis ...
Sal Volpe
Lisa Taylor ...
Michele
...
Lulu
Rose Gregorio ...
Elaine Cassell
...
Himself
Steve Marachuk ...
Robert
Meg Mundy ...
Doris Spenser
Marilyn Meyers ...
Sheila Weissman
Gary Bayer ...
Reporter
...
Reporter
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Storyline

Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Add Synopsis


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 August 1978 (USA)  »

Also Known As:

Eyes  »

Box Office

Budget:

$7,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

To prepare for her role as a professional photographer, actress Faye Dunaway observed and studied top professional photographers in America. See more »

Goofs

During the catfight/car-burning photo shoot in Columbus Circle, Michele motions to Lulu (Darlanne Fluegel) to not pull her hair so hard and says, "God, Darlanne! You don't have to pull it that hard!" See more »

Quotes

Lulu: Laura I don't like pink.
Laura: Lulu it likes you.
See more »

Crazy Credits

The films closing credits roll over the first image of the movie, a black and white image of Laura's eyes as a negative. See more »


Soundtracks

Boogie Nights
Performed by Heatwave
Written by Rod Temperton (uncredited)
Produced by Bobby Bland (as Bobby Blue)
Courtesy of Epic Records
See more »

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User Reviews

 
Close but no cigar
13 July 2005 | by (Iceland) – See all my reviews

I saw Eyes of Laura Mars a few years ago and just watched it again very recently. I remembered it as being fantastic but upon watching it again I was a little disappointed. It's a solid film, by no means bad, it's just nothing all that special.

For the past 3 years or so I've been totally hooked on giallo's and this film plays in a lot of ways like an homage to those Italian thrillers. Touches here and there remind you of Dario Argento (obsessive mirror imagery, Laura's visions etc.), Lucio Fulci, Sergio Martino and Mario Bava, such as the model settings and murder scenarios. While this film scores heavy on style (and music, though I find this soundtrack a bit hokey, but generally OK) it just lacks the magic that the best giallo's seem to have. The plot, while intriguing enough, is not nearly played out to it's full potential. There are gripping scenes here to be sure, but the film drags quite a bit and nothing virtually happens for a long period of time.

For seasoned giallo fans, we know the killer is most definitely gonna be the most unlikely one, and for a lack of suspects, I didn't find it hard to figure out who was guilty, but there's pretty much no logic to support it (but that's a giallo trademark, a pro rather than a con actually). For me, the problem is that this film doesn't have the same trashy feel and atmosphere as the best Italian thrillers it seems to be imitating. In a lot of ways I like this film, certain scenes are truly gripping but there's simply something lacking. Being a huge fan of John Carpenter, I can't help but think what he could have done had he directed this. He came up with the story and shares the credits as the writer of the screenplay and what's more, he loves the Italian giallo films as well. His own homage to the genre; Someone's Watching Me, the little known TV film was terrific and you could see that he definitely had the feel for the genre and could easily translate it to American settings. I don't feel that Kershner, as good a director as he is, has the same love for the genre as Carpenter.

I recommend watching it, it scores on a number of levels.


7 of 12 people found this review helpful.  Was this review helpful to you?

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