Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might... See full summary »
Eva Marie Saint,
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this ... See full summary »
Tommy Lee Jones,
Harry Landers is a feisty senior citizen who refuses to abide by the rules in a stodgy retirement home run by a dour Ms. Davis, in which Harry leads a revolt by the other goated senior ... See full summary »
Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is. Written by
Brian W Martz <B.Martz@Genie.com>
The film is said to be an American example of the Italian 'Giallo' genre. See more »
When Laura sees an especially frightening vision the camera cuts to her eyes in close-up. Her pupils are not maximally dilated as they would normally be by extreme emotion, but are pinpoints. This would likely have been a technical difficulty as the bright lights in the C/U would shrink her pupils. See more »
I can't understand... how it's possible... to live your whole life... without someone... and be doing more or less OK. And then suddenly you find them.
You recognize them.
You recognize them. And... you know without them...
See more »
The films closing credits roll over the first image of the movie, a black and white image of Laura's eyes as a negative. See more »
This movie was around for twenty years before I saw it. I recall it as not having the best of reputations. But I found it to be suspenseful and it could be considered a forerunner of today's erotic thrillers.
Faye Dunaway is Laura Mars, a fashion/glamour photographer whose work is controversial in that some say it glorifies both sex and violence towards women. (Sounds like a pretty contemporary theme, doesn't it?) She becomes troubled by frightening visions she has of killers-eye views of murders. When a killing she has just "seen" turns out to have actually happened nearby she tells the police. She then finds out that a detective (Tommy Lee Jones) has already been investigating some cases where murder scenes closely resembled her photos.
Dunaway is always consistent in delivering good performances and this one is no exception. It was refreshing not to see Jones in his "Mr. Intensity" character he's played so often since 'The Fugitive.' Although some will doubtless find flaws to point up here and there, I found the film to be very enjoyable. Brad Dourif, Rene Aberjonois and Raul Julia also star. Irvin Kershner's direction is stylish and John Carpenter is responsible for the story and co-wrote the script.
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