Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might... See full summary »
Eva Marie Saint,
A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this ... See full summary »
Tommy Lee Jones,
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Harry Landers is a feisty senior citizen who refuses to abide by the rules in a stodgy retirement home run by a dour Ms. Davis, in which Harry leads a revolt by the other goated senior ... See full summary »
Suddenly Laura Mars can see through the eyes of a serial killer as he commits his crimes. She contacts the police and with the aid of a police detective, tries to stop the killer. But first, they have to figure out who it is. Written by
Brian W Martz <B.Martz@Genie.com>
The spec script that John Carpenter sold producers was simply entitled "Eyes." It was extensively rewritten, the ending (and the killer's identity) was changed, and he had nothing to do with the final product, issued just months prior to his own breakout hit "Halloween." See more »
When the killer kicks in the metallic door to Laura's bedroom, dents/footprints in the door from previous takes of this shot are clearly visible. See more »
[Recorded greeting on Michele and Lulu's answering machine]
This is Lulu and Michele. We're not here, so go to hell! But if you're not a horny creep, leave a message at the beep!
See more »
The films closing credits roll over the first image of the movie, a black and white image of Laura's eyes as a negative. See more »
I saw Eyes of Laura Mars a few years ago and just watched it again very recently. I remembered it as being fantastic but upon watching it again I was a little disappointed. It's a solid film, by no means bad, it's just nothing all that special.
For the past 3 years or so I've been totally hooked on giallo's and this film plays in a lot of ways like an homage to those Italian thrillers. Touches here and there remind you of Dario Argento (obsessive mirror imagery, Laura's visions etc.), Lucio Fulci, Sergio Martino and Mario Bava, such as the model settings and murder scenarios. While this film scores heavy on style (and music, though I find this soundtrack a bit hokey, but generally OK) it just lacks the magic that the best giallo's seem to have. The plot, while intriguing enough, is not nearly played out to it's full potential. There are gripping scenes here to be sure, but the film drags quite a bit and nothing virtually happens for a long period of time.
For seasoned giallo fans, we know the killer is most definitely gonna be the most unlikely one, and for a lack of suspects, I didn't find it hard to figure out who was guilty, but there's pretty much no logic to support it (but that's a giallo trademark, a pro rather than a con actually). For me, the problem is that this film doesn't have the same trashy feel and atmosphere as the best Italian thrillers it seems to be imitating. In a lot of ways I like this film, certain scenes are truly gripping but there's simply something lacking. Being a huge fan of John Carpenter, I can't help but think what he could have done had he directed this. He came up with the story and shares the credits as the writer of the screenplay and what's more, he loves the Italian giallo films as well. His own homage to the genre; Someone's Watching Me, the little known TV film was terrific and you could see that he definitely had the feel for the genre and could easily translate it to American settings. I don't feel that Kershner, as good a director as he is, has the same love for the genre as Carpenter.
I recommend watching it, it scores on a number of levels.
7 of 12 people found this review helpful.
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