Mimi Miceli Jr. is, the son of a Mafia don who was exiled back to Sicily. He wants to get back into the family business and transplant it from New York to Hollywood. After the kidnapping ... See full summary »
A loving tribute to Palm Springs Entertainer and 'Massacre Mafia Style' creator Duke Mitchell featuring remembrances from his son Jeffrey Mitchell, interviews with family friends and rare ... See full summary »
Famed nightclub performer Duke Mitchell is Paul, a paroled gangster with an unholy scheme: to kidnap the Pope and 'charge a dollar from every Catholic in the world' as the ransom. Shot in ... See full summary »
Incited by a disillusioned young man who has decided to flee from civilization, a group of 4 people go searching for freedom and happiness on an isolated island . When their boat goes ... See full summary »
Life for Dee Stanton is improving at every turn. Her legal career is blossoming and her boyfriend Dominic unexpectedly proposes to her. Things were very different 11 years ago when her ... See full summary »
The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
As studio financing dwindled away for Hugo Haas, his last film as a writer-director-producer has certain autobiographical elements, a cast featuring several film veterans from the silent ... See full summary »
Mimi Miceli Jr. is, the son of a Mafia don who was exiled back to Sicily. He wants to get back into the family business and transplant it from New York to Hollywood. After the kidnapping for ransom of a West Coast Mafia boss, Mimi is back in the "life." With the blessing of the local clan, Mimi attempts to takedown a Hollywood pimp named Superspook, who turns out to no easy mark.
American exploitation masterpiece of the seventies
"You see these hands? Know what they smell of? Oregano! Pasinigol! Beautiful herbs! They gave you mostaccioli, lasagna, pizza--some of the most appreciated foods in the world! But what did we give her, Chucky, eh? We gave her violence. We gave her death. We gave her dishonor!" So says the hero, actor/writer/director/producer Duke Mitchell of his sainted paisan grandma in MASSACRE MAFIA STYLE, the greatest of all forgotten American grindhouse movies of the nineties. It's almost impossible to evoke the impassioned lunacy of this movie, which suggests a low-low-budget version of GOODFELLAS directed by Sam Fuller after sharing a speedball with Richard Pryor. Let's just say that the movie opens with a paraplegic being electrocuted using a desk lamp and an office urinal; soars ahead to a scene where a black pimp is crucified while the L.A. Philharmonic plays Handel's Messiah at the Hollywood Bowl; and climaxes with the remorseful hero saying, "The Italian wasn't disgraced, Chucky--we disgraced it!" Somewhere, Jade Stallone, son of the great man and proprietor of Grindhouse Releasing, has Duke Mitchell's final masterwork, GONE WITH THE POPE, discovered in Duke's bedroom closet after his demise. Bring on THE POPE! And, God be prasied, some day bring MASSACRE MAFIA STYLE--a bootleg favorite--to the public's eye. Even Master Sam himself never went quite so cuckoo for Cocoa Puffs.
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