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Every Which Way But Loose (1978)

 -  Action | Comedy  -  20 December 1978 (USA)
6.2
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Ratings: 6.2/10 from 14,205 users  
Reviews: 57 user | 15 critic

Philo Beddoe is an easy-going trucker and a great fist-fighter. With two friends - Orville, who promotes prize-fights for him, and Clyde, the orangutan he won on a bet - he roams the San ... See full summary »

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Title: Every Which Way But Loose (1978)

Every Which Way But Loose (1978) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
...
...
...
Orville
...
Echo
Walter Barnes ...
Tank Murdock
George Chandler ...
Clerk at D.M.V.
...
Woody
...
Herb
Bill McKinney ...
Dallas
William O'Connell ...
Elmo
...
Dan Vadis ...
Frank
...
Putnam
...
Trailer Court Manager
...
Ma
Edit

Storyline

Philo Beddoe is an easy-going trucker and a great fist-fighter. With two friends - Orville, who promotes prize-fights for him, and Clyde, the orangutan he won on a bet - he roams the San Fernando Valley in search of cold beer, country music and the occasional punch-up. But he is floored himself by a dainty little country and western singer, who gives him the slip when she realizes he's getting too serious. Phil, Clyde and Orville set off in pursuit, pestered by bikers. Written by David Wark <dwark@automail.com>

Plot Summary | Add Synopsis

Plot Keywords:

punch up | singer | beer | biker | orangutan | See more »

Taglines:

Clint Eastwood will turn you Every Which Way But Loose

Genres:

Action | Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 December 1978 (USA)  »

Also Known As:

The Coming of Philo Beddoe  »

Box Office

Budget:

$5,200,000 (estimated)

Gross:

$105,918,400 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The boxing coach who trained Clint Eastwood's for his bare-knuckle fist-fighting scenes was Al Silvani who once had trained the legendary boxer Jake LaMotta, who was the subject of Martin Scorsese's Raging Bull (1980), which got released in the same 1980 year as this movie's sequel, Any Which Way You Can (1980). Silvani also had recently prepped Sylvester Stallone for Rocky (1976). See more »

Goofs

In the slaughterhouse fight scene, the overhead shots are not consistent with the eye-level camera angles. See more »

Quotes

Philo Beddoe: [upon learning about Schuyler and Lynn] What do you do? You hustle for him?
Lynn Halsey-Taylor: [hissing] You're just not too smart, are you? Why did you have to come? Why couldn't you quit like everybody else? You had to come chasing me and spoil it all!
Philo Beddoe: I guess I'm just not too smart, that's all. 'Cause up to now, I'm the only one dumb enough to want to take you further than your bed.
Lynn Halsey-Taylor: [slaps him hard] I HATE YOU!
[she slaps and punches him repeatedly]
Lynn Halsey-Taylor: I HATE YOU! I HATE YOU! I HATE YOU!
[...]
See more »

Connections

Referenced in Corner Gas: Bean There (2006) See more »

Soundtracks

Don't Say You Don't Love Me No More
Written by Phil Everly (as P. Everly) and Joey Paige (as J. Paige)
Sung by Sondra Locke and Phil Everly
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Tons of fun from start to finish
28 February 2006 | by (Austin, TX) – See all my reviews

I'm currently taking a Clint Eastwood course at UT Austin, and we recently watched this movie.

And its a bit confusing. I'm not sure what to make of this fun, wacky, and somewhat random movie. Eastwood himself seems to strive and always aims for ambiguity in his work. And it shows here.

There were a lot of dumb ass critics in the 60's and 70's that liked to bash Eastwood and used the popular buzzword of fascist and labeled him as such. So in response, Eastwood was very particular about what he did afterward and would do things that contradict (in the eyes of critics) his previous work or characters. This of course confused critics and ultimately forced them to look at his work again and see that they were being dumb ass idiots and were just going along with the popular liberal clap trap at the time.

So we have this movie, in which Eastwood is this hillbilly mechanic and competent street fighter and his adventures with his orangutan (not a monkey Afsheen, they have 12 ribs like us). And its this almost really weird PG comedy. It has these sort of random plots and events that are kind of incorporated into the story and well, not really sure how I can best put it into words, but its just fun. It shows that Eastwood can do this wacky road, comedy.

But it has some surprisingly dramatic moments as well. The audience is well aware of the Sandra Locke's characters true intentions before Eastwood's Philo. And when he does figure it out, its pretty brutal. And I really bought into that emotional confrontation and Philo's reaction. And then Eastwood throws a fight, and in some ways its bleak. But in other ways it isn't. Philo I think found a little bit about himself and learned who his true friends are, people like Clyde and Orville, and Orville's girl Echo(a young Beverly D'Angelo).

The character of Tank Murdoch I believe is meant as an allegory to Clint Eastwood and his celebrity status, his celebrity and his star persona. Philo wants to challenge Murdoch and beat him. Murdoch is a guy who everyone knows and has this huge reputation. And then Philo sees Murdoch who's really pretty sad. His friends turn on him and aren't real friends, and he realizes he doesn't want to be Tank Murdoch. And he doesn't want other people gunning for him. So at the end of the movie, it almost feels like it was Eastwood REJECTING his own star persona and choosing to stay in obscurity with his friends. Makes me wonder how Eastwood truly feels about his celebrity status.

Jeffrey "The Vile One" Harris


26 of 34 people found this review helpful.  Was this review helpful to you?

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