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Hallucinations of a Deranged Mind (1978)
"Delírios de um Anormal" (original title)

 -  Horror  -  2 August 1978 (Brazil)
5.4
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Ratings: 5.4/10 from 185 users  
Reviews: 10 user | 11 critic

This movie is basically a vehicle for recycling footage from the eccentric pantheon of Brazil's premier horror filmmaker Jose Mojica Marins, whose own persona often melds with that of his ... See full summary »

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Title: Hallucinations of a Deranged Mind (1978)

Hallucinations of a Deranged Mind (1978) on IMDb 5.4/10

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Cast

Credited cast:
José Mojica Marins ...
Himself / Zé do Caixão
Jorge Peres ...
Dr. Hamilton
Magna Miller ...
Tânia, Dr.Hámilton's wife
Jaime Cortez
Rest of cast listed alphabetically:
Natalina Barbosa
Lirio Bertelli
Alexa Brandwira
Andreia Bryan
João da Cruz
Anadir Goe
Elza Perreira
João Paulo Ramalho ...
Zé do Caixão (voice)
Valter Setembro
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Storyline

This movie is basically a vehicle for recycling footage from the eccentric pantheon of Brazil's premier horror filmmaker Jose Mojica Marins, whose own persona often melds with that of his popular alter-ego "Coffin Joe". Clips are culled from the trademark surreal nightmare sequences favored by Marins in such films as Esta Noite Encarnarei No Teu Cadaver (Tonight I'll Be Incarnated in Your Corpse), Ritual dos Sadicos (Ritual of the Maniacs) and Exorcismo Negro (Black Exorcism). These grotesque, hallucinatory set pieces are depicted as the nightmares plaguing psychologist Dr. Hamilton, who is haunted by the character of Coffin Joe. In an effort to stop the dreams, Hamilton seeks the aid of Joe's creator (Marins, as himself), who tries to convince him that Joe is not an actual demon but a flamboyant character he intends to lampoon in his latest film. Written by Ørnås

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Horror

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2 August 1978 (Brazil)  »

Also Known As:

Delírios de um Anormal  »

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Referenced in Embodiment of Evil (2008) See more »

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User Reviews

 
An Exhaustive Summation of A Cutting Edge Career
29 November 2000 | by (New York, NY) – See all my reviews

Marins' HALLUCINATIONS is a brilliant collage consisting of many disturbing, bizarre, and imaginatively perverse scenes which were censored from his earlier films. A man, Dr. Hamilton, is having nightmares in which Coffin Joe, Marins' demonic alter-ego, repeatedly kidnaps his wife for the purpose of superhuman procreation (a theme which runs through the Coffin Joe films). Fellow psychiatrists seek the help of Marins the filmmaker, in an attempt to force Hamilton back into reality. Of course, Marins mastery of cinematic metaphysics throws all matter of logic and rationality to the dogs, so that what you get instead is a wild journey into the dark realms of the unconscious. The film is as much about Marins and his controversial career as it is an underground "head " film, and to get anything out of it, it's helpful to understand who and what Coffin Joe is. Once you can appreciate Marins' mastery of "the aesthetics of garbage," you'll realise how brilliant and undervalued he is in international cinema.


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