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The Deer Hunter (1978) 8.2
Ratings:
8.2/10 from 148,194 users
Metascore: 73/100
Reviews: 906 user | 111 critic | 7 from Metacritic.com An in-depth examination of the way that the Vietnam war affects the lives of people in a small industrial town in the USA. Director:Michael Cimino |
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Cast
| Cast overview, first billed only: | |||
| Robert De Niro | ... | ||
| John Cazale | ... | ||
| John Savage | ... | ||
| Christopher Walken | ... | ||
| Meryl Streep | ... | ||
| George Dzundza | ... | ||
 |
Chuck Aspegren | ... | |
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Shirley Stoler | ... | |
| Rutanya Alda | ... | ||
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Pierre Segui | ... | |
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Mady Kaplan | ... | |
| Amy Wright | ... | ||
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Mary Ann Haenel | ... | |
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Richard Kuss | ... | |
| Joe Grifasi | ... | ||
Edit
Plot Summary
|
Plot Synopsis
Storyline
Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela and their wedding-party is also the men's farewell party. After some time and many horrors the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>
Taglines:
Winner of 5 Academy Awards including Best Picture 1978 See more »Parents Guide:
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Details
Release Date:
23 February 1979 (USA) See more »Also Known As:
Die durch die Hölle gehen See more »Box Office
Budget:
$15,000,000 (estimated)Gross:
SEK 10,994,967 (Sweden)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Color:
Color (Technicolor)Aspect Ratio:
2.35 : 1
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Michael: Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
Axel: Fuckin' A.
Michael: Not bad.
See more »
(uncredited)
Traditional Russian song
Adaptated and Arranged by Ken Kovach
Sung after the funeral
See more »
Did You Know?
Trivia
The cast and crew viewed large amounts of news footage from the war to ensure authenticity. See more »Goofs
Mike wears the green beret of the U.S. Army Special Forces operator. He is dressed in SF tigerstripe camouflage in Vietnam. However, in full dress uniform his left shoulder sports the 101st Airborne Division badge. See more »Quotes
[first lines]Michael: Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
Axel: Fuckin' A.
Michael: Not bad.
See more »
Crazy Credits
We gratefully acknowledge the cooperation of our Thai crew in the production of "The Deer Hunter" See more »Soundtracks
"Memory Eternal (Vechnaya Pamyat)"(uncredited)
Traditional Russian song
Adaptated and Arranged by Ken Kovach
Sung after the funeral
See more »
I've now seen this film three times with a decade or more between viewings, and every time I see it I come away feeling that movies can't get any better than this. People always comment on the Viet Nam scenes, and it's true that they are as powerful and intense as any war scenes ever filmed. The Russian-roulette betting game, in both its up-river and Saigon venues, may be the most riveting, shattering plot device ever invented, as measured by the pounding of the heart.
But it's the 'home front' scenes that stick with me through the years. I think all the steel town scenes are nearly perfect, untoppable. And that very much includes the Eastern Orthodox wedding and its sequel. When anyone tells me they were bored I just shake my head. There's no arguing with short and shallow attention spans. You're either capable of appreciating art or you're not.
I do have a quibble or two. The deer-hunting scenes looked like nowhere I've ever seen in Pennsylvania, or anywhere else East of the Rockies. I think Cimino deliberately picked an ethereal location above the clouds as a contrast to the steel town. When John Cazale and the others get loaded and act like jerks it jars on Michael, because they have brought the stupid distractions of ordinary life to an extraordinary place. This would matter less if the 'genius loci' were not so strongly present in the other home front scenes. I wish he had used the soft, green forested hills of Pennsylvania for the hunting.
And some of the dialogue--Meryl Streep's in particular--wouldn't work on the page, and only first-rate acting by an inspired ensemble--has there ever been a better cast of young actors?--pulls it off. But these are forgivable errors in one of the finest films ever made.