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The Deer Hunter (1978)

 -  Drama | War  -  23 February 1979 (USA)
8.2
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Ratings: 8.2/10 from 184,009 users   Metascore: 73/100
Reviews: 957 user | 125 critic | 7 from Metacritic.com

An in-depth examination of the ways in which the U.S. Vietnam war impacts and disrupts the lives of people in a small industrial town in Pennsylvania.

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Top 250 #147 | Won 5 Oscars. Another 24 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Chuck Aspegren ...
Shirley Stoler ...
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Pierre Segui ...
Mady Kaplan ...
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Mary Ann Haenel ...
Richard Kuss ...
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Storyline

Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela and their wedding-party is also the men's farewell party. After some time and many horrors the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Plot Synopsis

Taglines:

One of the most important and powerful films of all time! See more »

Genres:

Drama | War

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

23 February 1979 (USA)  »

Also Known As:

The Man Who Came to Play  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Gross:

SEK 10,994,967 (Sweden)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The church used in the wedding sequence was the Theodosius Russian Orthodox Cathedral located in Cleveland, Ohio. One can clearly see the name plaque in one scene. See more »

Goofs

Near the end of the movie, right before Nick's funeral, the scene shows the Eagle Super Market with the exact same sale signs in the window as at the beginning of the movie, which were different when Michael had returned home from Vietnam, some year-and-a-half later. See more »

Quotes

[first lines]
Michael: Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
Axel: Fuckin' A.
Michael: Not bad.
See more »

Crazy Credits

We gratefully acknowledge the cooperation of our Thai crew in the production of "The Deer Hunter" See more »

Connections

Referenced in I'm Photogenic (1980) See more »

Soundtracks

Drop-Kick Me, Jesus (Through the Goalposts of Life)
(uncredited)
Written by Paul Craft
Performed by the cast
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
As great as ever
12 June 2002 | by (Old Lyme, CT) – See all my reviews

I've now seen this film three times with a decade or more between viewings, and every time I see it I come away feeling that movies can't get any better than this. People always comment on the Viet Nam scenes, and it's true that they are as powerful and intense as any war scenes ever filmed. The Russian-roulette betting game, in both its up-river and Saigon venues, may be the most riveting, shattering plot device ever invented, as measured by the pounding of the heart.

But it's the 'home front' scenes that stick with me through the years. I think all the steel town scenes are nearly perfect, untoppable. And that very much includes the Eastern Orthodox wedding and its sequel. When anyone tells me they were bored I just shake my head. There's no arguing with short and shallow attention spans. You're either capable of appreciating art or you're not.

I do have a quibble or two. The deer-hunting scenes looked like nowhere I've ever seen in Pennsylvania, or anywhere else East of the Rockies. I think Cimino deliberately picked an ethereal location above the clouds as a contrast to the steel town. When John Cazale and the others get loaded and act like jerks it jars on Michael, because they have brought the stupid distractions of ordinary life to an extraordinary place. This would matter less if the 'genius loci' were not so strongly present in the other home front scenes. I wish he had used the soft, green forested hills of Pennsylvania for the hunting.

And some of the dialogue--Meryl Streep's in particular--wouldn't work on the page, and only first-rate acting by an inspired ensemble--has there ever been a better cast of young actors?--pulls it off. But these are forgivable errors in one of the finest films ever made.


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