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The Deer Hunter (1978)

 -  Drama | War  -  23 February 1979 (USA)
8.2
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Ratings: 8.2/10 from 176,189 users   Metascore: 73/100
Reviews: 950 user | 120 critic | 7 from Metacritic.com

An in-depth examination of the ways in which the Vietnam War disrupts and impacts the lives of people in a small industrial town in Pennsylvania.

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Title: The Deer Hunter (1978)

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Top 250 #148 | Won 5 Oscars. Another 21 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Chuck Aspegren ...
Shirley Stoler ...
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Pierre Segui ...
Mady Kaplan ...
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Mary Ann Haenel ...
Richard Kuss ...
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Storyline

Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela and their wedding-party is also the men's farewell party. After some time and many horrors the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Plot Synopsis

Taglines:

Winner of 5 Academy Awards including Best Picture 1978 See more »

Genres:

Drama | War

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

23 February 1979 (USA)  »

Also Known As:

The Man Who Came to Play  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Gross:

SEK 10,994,967 (Sweden)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

John Cazale was very weak when filming began, and for this reason, his scenes were filmed first. Michael Cimino knew from the start that Cazale was dying from cancer, but the studio did not. When they found out, they wanted to replace Cazale. When Meryl Streep learned of their intentions, she threatened to quit if they did. Cazale died shortly after filming was completed. See more »

Goofs

The deer that Michael shoots is an Asian Red deer and not indigenous to North America. See more »

Quotes

[first lines]
Michael: Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
Axel: Fuckin' A.
Michael: Not bad.
See more »

Crazy Credits

We gratefully acknowledge the cooperation of our Thai crew in the production of "The Deer Hunter" See more »

Connections

Referenced in You Shoot, I Shoot (2001) See more »

Soundtracks

Struggling Ahead
(1978) (uncredited)
Music by Stanley Myers
Part of the score
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
As great as ever
12 June 2002 | by (Old Lyme, CT) – See all my reviews

I've now seen this film three times with a decade or more between viewings, and every time I see it I come away feeling that movies can't get any better than this. People always comment on the Viet Nam scenes, and it's true that they are as powerful and intense as any war scenes ever filmed. The Russian-roulette betting game, in both its up-river and Saigon venues, may be the most riveting, shattering plot device ever invented, as measured by the pounding of the heart.

But it's the 'home front' scenes that stick with me through the years. I think all the steel town scenes are nearly perfect, untoppable. And that very much includes the Eastern Orthodox wedding and its sequel. When anyone tells me they were bored I just shake my head. There's no arguing with short and shallow attention spans. You're either capable of appreciating art or you're not.

I do have a quibble or two. The deer-hunting scenes looked like nowhere I've ever seen in Pennsylvania, or anywhere else East of the Rockies. I think Cimino deliberately picked an ethereal location above the clouds as a contrast to the steel town. When John Cazale and the others get loaded and act like jerks it jars on Michael, because they have brought the stupid distractions of ordinary life to an extraordinary place. This would matter less if the 'genius loci' were not so strongly present in the other home front scenes. I wish he had used the soft, green forested hills of Pennsylvania for the hunting.

And some of the dialogue--Meryl Streep's in particular--wouldn't work on the page, and only first-rate acting by an inspired ensemble--has there ever been a better cast of young actors?--pulls it off. But these are forgivable errors in one of the finest films ever made.


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