A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela, and their wedding party also serves as the men's farewell party. After some time and many horrors, the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The film's screenplay, by Michael Cimino and Deric Washburn, was based, in part, on the script "The Man Who Came to Play", a 1975 screenplay by Louis Garfinkle and Quinn K. Redeker about men who travel to Las Vegas to play Russian Roulette. A pre-release arbitration dispute secured Garfinkle and Redeker a co-"story by" credit on the film, although the two writers had nothing to do with its making. They also later shared an Oscar nomination with Cimino and Washburn. See more »
The deer that Michael kills in the hunting scene is not the same species as the one that is strapped to the hood of the Cadillac when the hunting party arrives back into town. See more »
Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
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We gratefully acknowledge the cooperation of our Thai crew in the production of "The Deer Hunter" See more »
A comment re the other comments: A lot of the comments criticize the first half hour as being too long. In my opinion, these comments miss the point of the movie.
Of course many of the scenes in the first hour don't advance the narrative. They're not supposed to; they're for character development.
The whole point of the movie is to show us how the various characters were affected by the war. It wouldn't have worked nearly as powerfully as it does had the first hour been trimmed down. We have to sense the careless and frat-boy-like immaturity of these young men. That's why the scenes all revolve around frivolity and seemingly senseless boyish behavior; it creates such a stark contrast to the devastated characters of the three who went to war (and the relatively unaffected personalities of those who stayed behind, like Stanley).
The strong points of the film are the outstanding performances of nearly every actor in the movie. Yes, there are technical deficiencies in the sound, but it hardly matters. This is nitpicking compared to the overall construction of the film.
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