| Photos (See all 29 | slideshow) |
| Peter Ustinov | ... | Hercule Poirot | |
| Jane Birkin | ... | Louise Bourget | |
| Lois Chiles | ... | Linnet Ridgeway | |
| Bette Davis | ... | Mrs. Van Schuyler | |
| Mia Farrow | ... | Jacqueline De Bellefort | |
| Jon Finch | ... | Mr. Ferguson | |
| Olivia Hussey | ... | Rosalie Otterbourne | |
| I.S. Johar | ... | Manager Of The Karnak (as I.S.Johar) | |
| George Kennedy | ... | Andrew Pennington | |
| Angela Lansbury | ... | Mrs. Salome Otterbourne | |
| Simon MacCorkindale | ... | Simon Doyle | |
| David Niven | ... | Colonel Race | |
| Maggie Smith | ... | Miss Bowers | |
| Jack Warden | ... | Dr. Bessner | |
| Harry Andrews | ... | Barnstaple | |
| Sam Wanamaker | ... | Rockford | |
| rest of cast listed alphabetically: | |||
| François Guillaume | ... | Doublure lumière (uncredited) | |
| Barbara Hicks | ... | Schoolteacher (uncredited) | |
| Celia Imrie | ... | Maid (uncredited) | |
| Andrew Manson | ... | Egyptian (uncredited) | |
Directed by | |||
| John Guillermin | |||
Writing credits | ||
| Anthony Shaffer | (screenplay) | |
| Agatha Christie | (novel) uncredited | |
Produced by | |||
| John Brabourne | .... | producer | |
| Richard B. Goodwin | .... | producer (as Richard Goodwin) | |
| Norton Knatchbull | .... | associate producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Jack Cardiff | (director of photography) | ||
Film Editing by | |||
| Malcolm Cooke | |||
Casting by | |||
| Dyson Lovell | (uncredited) | ||
Production Design by | |||
| Peter Murton | |||
Art Direction by | |||
| Brian Ackland-Snow | |||
| Terry Ackland-Snow | |||
Costume Design by | |||
| Anthony Powell | (costumes designed by) | ||
Makeup Department | |||
| Betty Glasow | .... | hair | |
| Ramon Gow | .... | hair | |
| Freddie Williamson | .... | makeup artist | |
Production Management | |||
| Barrie Melrose | .... | production manager | |
| Ron Purdie | .... | unit manager: (England ) | |
| Ahmed Sami | .... | production manager: Egypt (as Achmed Sami) | |
Second Unit Director or Assistant Director | |||
| Chris Carreras | .... | assistant director | |
| Steve Lanning | .... | second assistant director (uncredited) | |
| Ted Sturgis | .... | second assistant director (uncredited) | |
| Peter Waller | .... | second assistant director (uncredited) | |
Art Department | |||
| John Paterson | .... | construction manager | |
Sound Department | |||
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| John Richards | .... | sound recordist | |
| Bill Rowe | .... | sound recordist (as Billy Rowe) | |
| Nicholas Stevenson | .... | sound editor (as Nick Stevenson) | |
Stunts | |||
| Joe Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| John Cardiff | .... | second unit photography | |
| Frank Elliott | .... | focus puller | |
| Keith Hamshere | .... | still photographer | |
| W.C. 'Chunky' Huse | .... | grip (as Chunky Huse) | |
| Alec Mills | .... | camera operator | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | costume supervisor | |
| Germinal Rangel | .... | costume maker | |
| Joanna Johnston | .... | assistant costume designer (uncredited) | |
| Barbara Matera | .... | costume maker (uncredited) | |
Editorial Department | |||
| Chris Kelly | .... | assistant editor | |
| Nigel Galt | .... | assistant editor (uncredited) | |
Music Department | |||
| Marcus Dods | .... | conductor | |
Other crew | |||
| Jim Brennan | .... | location manager: (Egypt ) | |
| Richard du Vivier | .... | production associate (as Richard Du Vivier) | |
| Brian Harris | .... | supervising accountant | |
| Wayne Sleep | .... | choreographer: tango | |
| Edna Tromans | .... | publicist | |
| Constance Willis | .... | continuity (as Connie Willis) | |
| Elisabeth Woodthorpe | .... | production secretary | |
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| Evil Under the Sun | Khartoum | And Then There Were None | Murder on the Orient Express | Marie Galante |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
This movie was the first and best of Peter Ustinov's performances as Hercule Poirot. Though physically not very accurate to Agatha Christie's description of the little Belgian detective, for this one movie everything worked and the discrepancy was not a problem. The film is well-paced, with all the plot turns and clues coming with perfect timing, not too fast to be confusing, but not too slow to strain the rather flimsy fabric of the story. The whole cast is very good, especially Bette Davis as a malevolent old spider of a woman, gleefully tormenting her long-suffering companion, Maggie Smith. The scene where she smiles indulgently at a group of Egyptian children waving at her on the river bank, only to sink into mortified disgust as they turn around and moon her, is a highlight of the movie. The climax of the film is quite surprising, and unlike many mysteries, does not cheat the viewer by withholding vital information until the last moment. We feel the pleasure of being honestly fooled throughout, and the conclusion is thoroughly satisfying.