Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produces another corpse.
An American movie actress, best known for playing dumb blondes, is Scotland Yard's prime suspect when her husband, Lord Edgware, is murdered. The great detective, Hercule Poirot, digs deeper into the case.
From England to Egypt, accompanied by his elegant and trustworthy sidekicks, the intelligent yet eccentrically-refined Belgian detective Hercule Poirot pits his wits against a collection of first class deceptions.
Almost everyone on the S.S.Karnak, cruising the Nile, has a reason to want heiress Linnet Ridgeway dead. Her jewels are coveted by elderly Mrs. van Schuyler, her maid is upset because Linnet won't give her a promised dowry, writer Salome Otterbourne is facing a libel suit brought by Linnet, Salome's daughter Rosalie wants to protect her mother, American Andrew Pennington has been embezzling from the Ridgeway family, and former friend Jacqueline de Bellefort is upset that Linnet stole her fiance, Simon, away from her. Belgian sleuth Hercule Poirot must unravel the mystery when Linnet (and some of the others) turn up dead. Written by
Ron Kerrigan <firstname.lastname@example.org>
On the first night of the cruise, Bette Davis's character says good night to Poirot, and he answers "Bonjour". No Belgian, especially one as fastidious and serious as Poirot, who does not play around or joke, would say "Bonjour" for "good night". He would have said "Bon soir," (good night), which he does say to the others as they go. See more »
Sumptuous version of classic Christie mystery...absorbing entertainment...
Murder aboard a Nile steamer in the 1930s is deftly handled here thanks to a good script and some excellent performances.
There can be no question about it--if you're a mystery fan of the sort of crime novels Agatha Christie wrote during her prolific writing career--this is for you. The script fashioned from one of her best works gives a number of interesting actors roles they can chew the scenery with--and most of them do. I can't praise Angela Lansbury enough for her deft and daffy portrayal of a tipsy authoress--so good, she deserved at least an Oscar nomination. The only real flaw is the film's tendency to move at a rather slow pace before things get more intense.
Other acting kudos among the suspects aboard a Nile steamer belong to Bette Davis as an elderly dowager with a penchant for stealing jewelry; her servant, Maggie Smith, with whom she exchanges some priceless barbs; Simon MacCorkindale and Lois Chiles as lovers; Mia Farrow as a vengeful ex-sweetheart; and of course Peter Ustinov as Poirot. David Niven has the least colorful role and can do little with it as he endeavors to help Poirot solve the mystery. The plot has all the ingenious twists we come to expect of Christie and is a very clever one--if slightly improbable when you stop to think about it--depending heavily on luck and coincidence.
But it's all delivered as entertainment and wrapped up in a package designed to stir the senses with an excellent musical score, some fine scenery and Oscar-winning costumes. It's a relief that the writer decided to keep the period of the novel in the 1930s rather than update it as has been done with other Christie stories--notably, MURDER IS EASY ('82) which was updated to include computer technology as part of the plotline. The period flavor here is an added pleasure.
Flavorful, and highly amusing whenever Bette Davis and Maggie Smith have a go at some wisecracks, with an ending that will surprise you if you fail to catch some of the clues. Superior entertainment.
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