A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
Emily Boynton, step-mother to the three Boynton children and mother to Ginevra, blackmails the family lawyer, Jefferson Cope, into destroying a second will of her late husband which would ... See full summary »
Agatha Christie's Hercule Poirot has a set of murder suspects on a boat in the Nile after a rich heiress is killed. Can he find the culprit before they reach port ? Written by
Colin Tinto <email@example.com>
After Linnet Ridgeway is almost crushed by a stone falling down from the temple of Karnak in Luxor, Dr. Bessner advises her to go back to the boat to have a rest. She replies that she must see the temple of Abu Simbel in the evening. In the next scene, she is visiting Abu Simbel with Simon, and in the late evening they are back on the Nile steamer. The problem is that the distance between the temple of Karnak and the temple of Abu Simbel is about 250 miles. The movie is set in the 1930s, when air travel was still primitive, so it's unlikely they flew down there and back in an afternoon. It is definitely impossible for a steamer to travel that distance in one afternoon. See more »
I've Got a Feelin' You're Foolin'
Music by Nacio Herb Brown
Played during the scene where Linnet and Simon are dancing and the other main characters are shown for the first time See more »
This movie was the first and best of Peter Ustinov's performances as Hercule Poirot. Though physically not very accurate to Agatha Christie's description of the little Belgian detective, for this one movie everything worked and the discrepancy was not a problem. The film is well-paced, with all the plot turns and clues coming with perfect timing, not too fast to be confusing, but not too slow to strain the rather flimsy fabric of the story. The whole cast is very good, especially Bette Davis as a malevolent old spider of a woman, gleefully tormenting her long-suffering companion, Maggie Smith. The scene where she smiles indulgently at a group of Egyptian children waving at her on the river bank, only to sink into mortified disgust as they turn around and moon her, is a highlight of the movie. The climax of the film is quite surprising, and unlike many mysteries, does not cheat the viewer by withholding vital information until the last moment. We feel the pleasure of being honestly fooled throughout, and the conclusion is thoroughly satisfying.
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